The artist's relationship to landscape was once invoked by a canvas on an easel in a picturesque vista. No more. In the 1960s, the Earth Artists started focusing on natural systems and entropy; in the 1970s, photographers in the New Topographics movement turned their attention unsentimentally to the industrialized "man-altered" environment; in the 1980s, artists animated the natural landscape with art, movement, and performance; and in the 1990s, Eco-Artists collaborated with scientists to address sustainability, pollution, and politics. Badlands explores the latest manifestations of artists' fascination with the earth, gathering work by contemporary artists who approach landscape through history, culture, and science. Badlands, which accompanies an exhibition at MASS MoCA, approaches landscape as a theme with variations, grouping artists and their art (which is shown in 150 color illustrations) by category: Historians, who recontextualize the history of landscape depiction; Explorers, who explore the environment and our place within it; Activists and Pragmatists, who alert us to problems in the natural world and suggest solutions; and the Aestheticists, who look at the beauty found in nature. Each section begins with an essay: Gregory Volk maps the evolution of the genre from the Hudson River School to Earth Art; Ginger Strand examines the relationship between man and landscape through our cultural history; Tensie Whelan discusses environmental science, sustainability, and climate change; and Denise Markonish considers the new genre of landscape that emerges from the work displayed in Badlands. As a physical object, Badlands supports the values represented by its intellectual and artistic content: it was produced using FSC (Forest Stewardship Council) certified techniques including paper, printing, and inks.ArtistsRobert Adams, Vaughn Bell, Boyle Family, Melissa Brown, Center for Land Use Interpretation, Leila Daw, Gregory Euclide, J. Henry Fair, Mike Glier, Anthony Goicolea, Marine Hugonnier, Mike Glier, Paul Jacobsen, Nina Katchadourian, Jane Marsching, Alexis Rockman, Ed Ruscha, Joseph Smolinski, Yutaka Sone, Jennifer Steinkamp, Mary Temple
| ||||||||||||
Browse our Bookshelf Favorites store for big savings on popular fiction, nonfiction, children's books, and more. |
Book Description
Frequently Bought Together
Editorial Reviews
About the Author
Denise Markonish is a curator at MASS MoCA. Her curatorial projects at MASS MoCA include the 2008 exhibition Badlands, for which she edited the accompanying catalog Badlands: New Horizons in Landscape, published by the MIT Press.
Product Details
Would you like to update product info or give feedback on images? |
Customer Reviews
Share your thoughts with other customers
Most Helpful Customer Reviews
By R. Stander
Format:Paperback|Amazon Verified Purchase
Landscape art is a rather new interest for me so I found the text quite helpful with its range of contemporary expressions of the genre. The text adequately suggests the history of genre and its American lineage and how it turned from the sublime nature and American manifest destiny towards a critique of that ideology and often a rather explicit concern for ecology for many artists. Artists range from the well known (Adams & Ruscha) to many I had not yet heard of. I appreciated the diversity of artists, work, and methods, as well as the very short interviews with the artists themselves prior to the images of their work. I was initially excited about the 4 short essays, but found myself a little disappointed in their scope. Overall I think this is a great text and certainly worth adding to a collection.
What Other Items Do Customers Buy After Viewing This Item?
Sell a Digital Version of This Book in the Kindle Store
If you are a publisher or author and hold the digital rights to a book, you can sell a digital version of it in our Kindle Store.
Learn more
