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Bambi vs. Godzilla: On the Nature, Purpose, and Practice of the Movie Business [Hardcover]

David Mamet
3.5 out of 5 stars  See all reviews (34 customer reviews)

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Book Description

February 6, 2007 0375422536 978-0375422539 First Edition
In Bambi vs. Godzilla, David Mamet, the award-winning playwright and screenwriter, gives us an exhilaratingly subversive inside look at Hollywood from the perspective of a filmmaker who has always played the game his own way.

Who really reads the scripts at the film studios? How is a screenplay like a personals ad? Whose opinion matters when revising a screenplay? Why are there so many producers listed in movie credits? And what the hell do those producers do, anyway? Refreshingly unafraid to offend, Mamet provides hilarious, surprising, and bracingly forthright answers to these and other questions about virtually every aspect of filmmaking, from concept to script to screen.

He covers topics ranging from “How Scripts Got So Bad” to the oxymoron of “Manners in Hollywood.” He takes us step-by-step through some of his favorite movie stunts and directorial tricks, and demonstrates that it is craft and crew, not stars and producers, that make great films. He tells us who his favorite actors and what his favorite movies are, who he thinks is the most perfect actor to grace the screen, and who he thinks should never have appeared there.

Demigods and sacred cows of the movie business–beware! But for the rest of us, Mamet speaking truth to Hollywood makes for searingly enjoyable reading.

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Editorial Reviews

From Publishers Weekly

Mamet's a veteran screenwriter and director (currently producing The Unit for CBS), but that doesn't mean he has any great love for the industry—his Hollywood is the stereotypically corrupt and cutthroat world where screenwriters willingly change their stories to accommodate every stupid suggestion from producers, who are blatantly lining their own pockets, while stars bicker over who has the bigger trailer. But his stories are entertaining even when they're unsurprising, and though loosely organized, a few broad themes emerge. He expounds at length, for example, upon his well-known penchant for straightforward storytelling, where drama boils down to "the creation and deferment of hope," and every scene should be able to answer three questions: "Who wants what from whom? What happens if they don't get it? Why now?" At other times, he's happy simply to explain why he thinks Laurence Olivier was a terrible film actor or to test out a theory that the early film industry owes its development to Eastern European Jews with Asperger's syndrome. As usual with Mamet, each word is precisely chosen for maximum effect, and nearly all hit their mark. (Feb.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist

By anyone's measure, Mamet is a prodigious writer, somehow finding time for the occasional essay amid his ever-expanding repertoire of plays, screenplays, and novels. His latest essay collection focuses on the movie industry, and his stance is that of someone who has seen Hollywood's facelift scars and whose advice to eager novices just off the bus can be summarized thusly: "Go back." This might appear self-serving, for a man who has found success in a cutthroat industry may want to discourage potential competition. But Mamet's cynicism comes off as genuinely hard-won. He outlines the Hollywood caste system with a precision that reflects the bitter experience of the person at the bottom--the screenwriter. Scorn, betrayal, and subjugation--this is the lot of the writer, who, according to Mamet, is resented by nearly everyone in the business. Miraculously, though, great drama is occasionally realized on the screen, and Mamet offers writers some guidelines on how to approach it. However, be warned that those seeking a screenwriting method will be greatly disappointed--but, then again, that is perhaps ideal training for the job. Jerry Eberle
Copyright © American Library Association. All rights reserved

Product Details

  • Hardcover: 272 pages
  • Publisher: Pantheon; First Edition edition (February 6, 2007)
  • Language: English
  • ISBN-10: 0375422536
  • ISBN-13: 978-0375422539
  • Product Dimensions: 5.9 x 1.1 x 8.5 inches
  • Shipping Weight: 15.2 ounces (View shipping rates and policies)
  • Average Customer Review: 3.5 out of 5 stars  See all reviews (34 customer reviews)
  • Amazon Best Sellers Rank: #971,653 in Books (See Top 100 in Books)

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Customer Reviews

If you are a movie buff at all, read this book. Sarah  |  8 reviewers made a similar statement
Every aspiring essay writer should read it. E. Shepard  |  4 reviewers made a similar statement
The ground beneath Mamet is very shaky. Richard Taylor  |  1 reviewer made a similar statement
Most Helpful Customer Reviews
42 of 49 people found the following review helpful
5.0 out of 5 stars Art Versus $$$ February 24, 2007
Format:Hardcover
David Mamet is a playwright who won the Pulitzer Prize for "Glengarry Glen Ross" and an Oscar nominated screenwriter for "The Verdict" and "Wag The Dog." It is no wonder that, as a wordsmith, "Bambi vs. Godzilla" is a delight to read. This book is a series of opinated essays by a Hollywood insider who attacks the industry for favoring profits over art. There are times that the author overwrites a simple thought into a complex paragraph that leaves one shaking their head. It is still an entertaining read.
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11 of 13 people found the following review helpful
3.0 out of 5 stars Disappointed July 24, 2007
Format:Hardcover
I love David Mamet's plays. He's an excellent writer. So I was enthusiastic about getting the chance to read his personal views of Hollywood. And while I agree with him that the studio machinery is all about profits and very little about art or craft - when was it ever different? - I was ultimately disappointed by his book. There were times when I just didn't know what he was talking about. I think his writing here is often inaccessible. I may not be the most erudite reader, but Mamet left me cold. I just couldn't get into the style of his writing. I felt distanced rather than drawn in. When I read a book like this, I want to devour it, not pick at its little pieces. You may feel differently, that's fine. The book didn't pull me in the way I'd hoped it would.
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4 of 5 people found the following review helpful
4.0 out of 5 stars Packed With Ideas - Worth reading twice! February 28, 2007
Format:Hardcover
David Mamet is an excellent writer, one of our best. The prose in this book gleams. There's not a word out of place. Every aspiring essay writer should read it.

There's much outrage in "Bambi vs. Godzilla," primarily about the state of the homogenized, dumbed-down modern film industry, but the book never feels like a rant. Mamet's reflections on the movie industry allow him to touch on many, many other subjects - such the state of the unions in America, the importance of craft, Jewish identity in America, and so on. I don't think Mamet expects readers will agree with everything in the book. Likewise, I don't think he is being controversial for the sake of controversy.

His provocative ideas will stimulate some truly interesting discussions, as well as reflections on America, our big movie industry, and what is says about us.
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Most Recent Customer Reviews
1.0 out of 5 stars nothing
This book has nothing about Bambi vs. Godzilla and that truly saddens me. I wanted to learn how they met, about the fight, and who eventually would win in this most epic of... Read more
Published 10 months ago by jeff E
4.0 out of 5 stars Very good social commenary
This book is great. It is basically a scathing critique of Hollywood and perhaps of modern America in general. Read more
Published on May 9, 2011 by A Reader
1.0 out of 5 stars just intolerable
It is with reluctance I admit I am having an awfully difficult time with Mamet's 'Bambi vs. Godzilla'. Rarely have I been so irked, and I am only on page 9. Read more
Published on February 18, 2011 by garwood
3.0 out of 5 stars UnEven, Unclear, then Brilliant
This was a sometimes uneven, meandering and then brilliant book with insights into the screenwriting industry and writing itself. Read more
Published on November 29, 2010 by Vance
5.0 out of 5 stars Interesting and thought provoking
This is another great book from David Mamet, filled with interesting insights.
The anecdotes are great too. Recommended for anyone with an interest in the movie industry.
Published on July 12, 2010 by Florian Kuepfer
3.0 out of 5 stars Another Mamet collection of essays posing as a real book
I've read a couple of these Mamet books, and they're inevitably a letdown. It's clear that Bambi vs. Read more
Published on April 2, 2010 by Underhillo
5.0 out of 5 stars Mamet on Film
This is a wonderful book, a series of readable, erudite, witty, practical and very wise essays on film - a subject few write on well. Read more
Published on May 25, 2009 by Duncan Bush
5.0 out of 5 stars Thought provoking Insight
Mamet does it again! In BAMBI VS. GODZILLA, he offers essays which provide new ways of looking at motion picture production, writing and life. He inspires. He challenges. Read more
Published on October 2, 2008 by Frank Fetters
4.0 out of 5 stars Behind the scenes in Hollywood
A very interesting look at how movies are written and made. The role of producers, actors, technical people, and directors was fascinating. Read more
Published on June 24, 2008 by Karen Loewenstern
5.0 out of 5 stars A Hoot
There is a scene in the movie of The Fountainhead where the industrialist tells Gary Cooper (Howard Roark) that as he traveled across the country everytime he saw an interesting... Read more
Published on May 17, 2008 by Patrick L. Boyle
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