Amazon.com
Even when he was a full-time jazz cat, Quincy Jones always had an ear for the pop aesthetic. This 1962 record does contain a good bit of, how you say,
queijo in its unsubtle arrangements, but it is for the most part an accessible, entertaining, and bubbly affair. And with musicians of the caliber of
Rahsaan Roland Kirk,
Paul Gonsalves,
Clark Terry,
Jim Hall (who can't help but be tasteful), and
Phil Woods all contributing ideas, a baseline quality is assured. Most significantly, Jones goes beyond the expected
Jobim and Bonfa cuts to fit Lerner & Loewe and even
Mingus into bossa nova's bright clothes.
--Marc Greilsamer
Product Description
Japanese 24-bit remastered reissue of 1964 album packaged in a miniature LP sleeve, features ten tracks pressed on to a gold disc. Mercury. 2004.
--This text refers to an out of print or unavailable edition of this title.