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Most Helpful Customer Reviews
3 of 3 people found the following review helpful:
5.0 out of 5 stars
Provocative, thoughtful and a great "text" for students,
This review is from: And the Band Stopped Playing: The Rise and Fall of the San Jose Symphony (Paperback)
This fall semester I've been teaching a college survey course called "A Night at the Symphony," dealing not only with the usual music-appreciation topics but also the symphony orchestra as an institution. The book has been on the top of our required reading list. It offers a great springboard for student discussions of American orchestras and their links to civic life, economics, demography, politics and power -- areas that don't leap to mind when studying sonata form or Romantic orchestration (!), but are critical to understanding the symphonic world today. I recommend the book highly.
2 of 2 people found the following review helpful:
5.0 out of 5 stars
An Important Study,
This review is from: And the Band Stopped Playing: The Rise and Fall of the San Jose Symphony (Paperback)
This case history of an American symphony orchestra should be required reading for all musicians (including conservatory students), personnel at state and federal arts agencies, and grantmakers in every locality that has a professional symphony orchestra. In fact, anyone interested in the health of our cultural institutions will get something out of it. It's a fine presentation of a sad story that could have, and should have, had a different outcome.
D. Nimetz (New York City)
1 of 1 people found the following review helpful:
5.0 out of 5 stars
Essential Arts,
By
This review is from: And the Band Stopped Playing: The Rise and Fall of the San Jose Symphony (Paperback)
This book offers a clear and concise analysis of the many challenges that face arts nonprofits in general, and classical music organizations (not just symphony orchestras) in particular. The journey the reader takes through the good times and then ultimate demise of the SJS is a cautionary tale from which many lessons can be learned.
Dr. Wolf and Ms. Glaze do not bemoan the death of classical music (the ever-popular dirge), but instead touch on the crux of the debate: Arts organizations must find a way to remain relevant, vital and of value to their communities. While this excerpt is specifically addressing the choice of music director, it serves as an example that aptly sums up the broader mission and vision that is part of the book and should be taken to heart by us all: "Looking at the musical excellence of a conductor, his respect by colleagues, and his conducting experience in world capitals is certainly crucial. But not considering equally carefully an individual's ability to relate to the community and be a spokesperson for the orchestra in a variety of community settings--from schools to city council chambers to service clubs--is a mistake (p.48)." This is a book to learn from and should be distributed widely to musicians, board members, and funders alike.
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