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Chemistry and quirkiness--and a stellar cast--help make Barry Levinson's
Bandits more than just another comedy about ill-matched outlaws. Levinson's deft touch in
Rain Man is evident in the film's road-movie structure, which follows bank robbers Joe (Bruce Willis) and Terry (Billy Bob Thornton) on a crime spree from Oregon to California. They're eventually joined by an aspiring stuntman and getaway driver (Troy Garity, son of Jane Fonda) and a neglected housewife (Cate Blanchett) who falls in love with both Joe and Terry after escaping her boring marriage. As scripted by
Twin Peaks alumnus Harley Peyton,
Bandits shifts from character comedy to crime thriller with reckless abandon, and the humor (particularly Terry's multiple neuroses) is occasionally forced and flat. Levinson compensates with offbeat moments of unexpected tenderness, allowing his cast to express depths of character not necessarily found in the script. A twist ending won't surprise attentive viewers, but it gives
Bandits the extra kick it needs.
--Jeff Shannon
Bruce Willis as a macho daredevil with thinning long hair and an impassively cool manner; Billy Bob Thornton as a fussbudget hypochondriac who squints and starts and hears bells ringing in his head. They work together as polite, nonviolent bank robbers. But why? God knows we're willing to be amused, but the picture needs a bit more reality in order for us to accept it as a fiction. Some of Billy Bob's tremors are funny, but we never understand what holds these two together. The director, Barry Levinson, wants to cross "Bonnie and Clyde" with "It Happened One Night," but the combination doesn't work. He also makes frequent intercuts to a droning TV news show about the bank robbers, a device that kills the movie's momentum every time. With Cate Blanchett as the madcap married woman who throws in her lot with the two men. -David Denby
Copyright © 2006
The New Yorker