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Banewreaker: Volume I of The Sundering Mass Market Paperback – July 28, 2005


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Product Details

  • Series: Sundering (Book 1)
  • Mass Market Paperback: 512 pages
  • Publisher: Tor Fantasy; Reprint edition (July 28, 2005)
  • Language: English
  • ISBN-10: 0765344297
  • ISBN-13: 978-0765344298
  • Product Dimensions: 6.8 x 4.2 x 1.2 inches
  • Shipping Weight: 8.8 ounces
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (93 customer reviews)
  • Amazon Best Sellers Rank: #867,983 in Books (See Top 100 in Books)

Editorial Reviews

From Publishers Weekly

Following her well-received Kushiel's Legacy trilogy (Kushiel's Dart, etc.), bestseller Carey takes a daringly different tack in the first of a new epic fantasy series that focuses on seven gods rather than an ingratiating human heroine like the trilogy's Phèdre nó Delaunay. Readers may be overwhelmed at first by the vast cast of larger-than-life characters, including many exotic creatures, fanged, toothed and winged, but as the gods and their assorted hangers-on behave more like real people than mythic heroes, they gain in sympathy. Haomone, the eldest of the seven gods, and one of his younger brothers, Satoris, who sundered the earth with his sword, are in rebellion. Satoris's primary lieutenant, Tanaros Blacksword, who has lived 1,000 bitter years after killing his unfaithful wife and her lover, his king, endures the irony that he must kidnap but safeguard her beautiful descendant, Cerelinde, who is about to be married. The poignancy of Tanaros's situation is palpable but never overplayed. Also moving is the plight of Lillias, a beautiful sorceress also a millennium old, enamored of Callendor, a colossal dragon. Perhaps nowhere in fiction is a dragon described as remarkably or as lovingly, a creature of unbelievable power yet also of gentle tenderness. This is a memorable beginning to what should be another strong series.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

From Booklist

The Shapers' War has divided Urulat. Third Born Satoris has been thrown to one side of the great Sundering Sea with all Urulat's creatures, his six Shaper siblings to the other, separated from their creations. For ages, Satoris is content to sit in Darkhaven, his fortress, but when a new prophecy declares that the world can be healed with Satoris' death, he gathers forces to defend himself. To prevent a powerful, dangerous alliance, and with the help of Lilias the sorceror and the dragon Calendor, Satoris kidnaps Cerelinde, the lady of Ellylon, on the day of her marriage. The gentle Cerelinde has unforeseen effects on Darkhaven residents, however, that ultimately and irrevocably change their destinies. Carey's formal style, at first distancing, proves perfect for setting the tone for a grand epic and narrating the mythic lives of the larger-than-life Shapers. Its consistency and artistry form a strong frame for showcasing Carey's intimate development of deeply wounded, sometimes deeply flawed, yet utterly dignified and sympathetic characters--some of the best dragons in all fantasy literature. Paula Luedtke
Copyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title.

More About the Author

Jacqueline Carey is the author of the New York Times bestselling Kushiel's Legacy series of historical fantasy novels, The Sundering epic fantasy duology, postmodern fables "Santa Olivia" and "Saints Astray," and the Agent of Hel contemporary fantasy series. Carey lives in west Michigan. Although often asked by inquiring fans, she does not, in fact, have any tattoos.

Customer Reviews

Whittle them down already -- there are too many for any of them to get much character development.
E. A Solinas
This is the story of two sides destined to fight to the death in a classic good vs. evil, right vs. wrong tale.
J. McHale
Carey's characters are rich and multi-dimensional, her writing magnificent, and her story powerful.
samael775

Most Helpful Customer Reviews

37 of 39 people found the following review helpful By J. Harvey Holcombe on January 23, 2006
Format: Hardcover
I just finished this novel, and I'll say this to those who are drawing comparisons to Tolkien and gibing Carey for her lack of originality: yes, the plot may not be too terribly original. But have you no sensitivity to the point of view? That is what truly sets the novel apart, along with some fantastic characterizations. I'll elaborate...

Here is a novel much more along the typical fantasy line than Carey's last series (Kushiel's Dart, et al), which I enjoyed, and which had a vague hint of epistemological depth in its exploration of angelic and celestial themes. For me, someone who adores the "typical fantasy line" - I mean, if you are tired of gods and dragons, why did you even pick it up? - it's great stuff. The world of this novel was created by the Seven Shapers, who are demi-gods. Here again is Carey's fascination with the human characterization of divinity, and with human interaction with the celestial, definitely one of the strongest factors of interest in her writing.

There is definitely interest in the concept and even some ties to Hindu philosophy in the way that Carey ties each of her Shapers to a particular human attribute; the Eldest is the Lord of Thought, the Second the Bestower of Love, the Third is the Sower - who bestows the urge to procreate. This is an interesting mythology, and certainly one that I find thought-provoking and original. The war of the Shapers, and how it plays out between the races of Ellylon, Men, Were, Fjell, Dwarfs (all created by the Shapers), is the premise of the book. What is even more interesting is the point of view of the novel.

Satoris Third-Born, the Sower and the "Sunderer of the World", the dark lord that others compare to Sauron of Middle Earth, centers the main storyline.
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20 of 20 people found the following review helpful By hwm22 on April 21, 2006
Format: Mass Market Paperback
I've read many reviews bitching about cliches in fantasy and Tolkien clones and hey, I hate those too! Superficially Banewreaker is one of the worst, you constantly have the feeling: Yeah, I've read that before. But is it only me or did Carey imitate the magnificos of the genre on purpose to heighten the impact of strangeness? Everything seems to be as usual -Haomane and his elves fair and graceful, Satoris and his followers brutal and twisted. Yet the more you delve into the story the more you realize that Satoris is a victim of circumstances and desperately clings to the last shreds of his honour while Haomane is a master of manipulation (he is the Lord of Thought after all). The similarities to Lord of the Rings and Belgarion make those differences much more intense and disturbing - a grandiose feat of style (if it was intended).
With BANEWREAKER Carey has created a masterpiece of subjective views, of double moral standards and of the loss of innocence and honour. It is great in its own way and I hope the sequel GODSLAYER will fulfill my high expectations.
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19 of 20 people found the following review helpful By Saskia Van Uylenburgh on April 16, 2005
Format: Hardcover
The author of the acclaimed Kushiel trilogy breaks out into new territory: a classic high fantasy which riffs off of Tolkien's Middle Earth and the Blessed Lands. This is not, however, just another stereotypical high fantasy with elaborate made-up names, featureless countryside, and magical objects to be won by young heroes rising out of obscurity. Carey describes Banewreaker and its forthcoming second part Godslayer as tragedies; they are the story of a War between Good and Evil told from the perspective of the losing (evil) side.

Carey uses certain elements recognizably borrowed from Tolkien: differing races of Elves (called Ellyl, the Welsh word for elf), Men, Dwarfs, Fjeltroll, and shapeshifting, predatory Were; a world in which mortals and immortals inhabit different continents, separated by a Sundering Sea; a dark lord brooding in his mountain fastness; a band of representatives of the different races toiling together on a quest. She combines these elements, however, with a cosmology that seems to be influenced by Zoroastrian and Indo-Iranian mythology, in which Uru-Alat the World God gives birth, in his death, to Seven Shapers, one of whom, Satoris the Sower, the giver of sexual desire and generation, falls at odds with the others. As in the Kushiel books, she borrows existing languages for her peoples; the trolls seem to speak Norwegian, the Ellylon (Elves) Welsh.

It is typical of Carey that sexuality plays an important role in the story--it is the giver of sexual desire who is demonized and exiled from the angelic ranks, and Satoris has an unhealing wound in his thigh which brings to mind the wounded Fisher King of Grail mythology.
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18 of 19 people found the following review helpful By K. Hawkwood on December 26, 2004
Format: Hardcover
Like most of the reviewers, I loved the Kushiel series, and leaped eagerly on a new Jacqueline Carey book. Also like most of the reviewers, I was more than a bit taken aback at what I found.

After getting 50 pages in and letting the book sit for several weeks (shocking enough by itself, for me) I finally finished it today. It took longer than it should have to draw me in, but it finally did so, although never completely.

The main problem, I think, is that she elected to work out her ideas about the polarization of good and evil in a mishmash of every High Fantasy world that's been created in the last 100 years. You'd have to be stone blind to miss the Tolkienisms, and another reader noted the significant similarity to Eddings' books. She admits in her own website blog that she did this deliberately, which mollified some of my pique - she wasn't just being oblivious or stupid. However, the fact that she used this *very* heavily-traveled structure is the thing that seems to irritate us the most. Her ideas are great, and I'm particularly drawn to the idea that "evil" is often a necessary reaction against the velvet tyranny of "good". However, she could have worked this out in a number of different models that all would have met with less resistance from readers.

The number of characters complaint surprised me - every single Kushiel book throws new people at you by the dozen. I think the difference is that she paints her people less vividly in this world - her whole style, including the third-person perspective, is much more stark and clipped than the lush vividness of Terre d'Ange through Phedre's eyes. The characters take longer to come to life, and therefore it's much harder to keep track of who everyone is and why they're important.
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