From School Library Journal
Grade 8 Up–Mann and his friend Kee-lee have grown up in the inner city where poverty and crime are rampant in this novel by Sharon G. Flake (Jump at the Sun, 2005). Two years ago, his seven-year-old brother was killed in a drive-by shooting. Mann's father wants to toughen up his son so that he can stop grieving, learn to control his temper, and stop smoking and skipping school. The father takes both teens out into the woods and leaves them to manage by themselves, reminiscent of African tribal coming-of-age rituals. After the boys make their way home, Mann's father wants to make sure that his son is still not too soft to survive on the city streets and throws him out of the house to manage on his own. Mann learns much about himself as he matures to adulthood. The story is written in the first person, and actor Dominic Hoffman becomes Mann, realistically reading the dialogue and depicting emotions ranging from anger to grief. He uses pauses effectively to heighten the suspense and maintain the mood. A short interview with the author concludes the recording. An excellent choice to initiate lively discussions.–
Claudia Moore, W.T. Woodson High School, Fairfax, VA Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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From Booklist
Gr. 9-12. Following the death of his six-year-old son in a ghetto shooting, Mann's father made every effort to toughen up his surviving son: "If he's gonna be a man, he's gonna have to learn to chew nails and hold a gun in his hand." Approximating an African coming-of-age ritual, he abandons Mann and his friend Kee-Lee at a distant campsite. The experiment ends in tragedy when Kee-Lee falls victim to more senseless violence. Will Mann respond by spiralling into a street thug's nihilistic existence, or will he become someone who "takes trouble and makes something good out of it"? Flake's plot is relentlessly and purposefully grim as well as somewhat jumbled, with disparate story strands that include Mann's developing talents as an artist and his efforts to heal sick, abandoned horses at a city stable. But the vivid, raw voices that earned Flake a Coretta Scott King Award for
The Skin I'm In (1998) and two Coretta Scott King Honors are in abundant evidence--and the complicated relationship between Mann and his father represents a welcome investigation of African American manhood, a theme that cries out for broader YA treatment.
Jennifer MattsonCopyright © American Library Association. All rights reserved
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