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Most Helpful Customer Reviews
38 of 39 people found the following review helpful:
5.0 out of 5 stars
A difficult tragedy of forgetting in New York's palimpsest,
By
This review is from: Banished Children of Eve, A Novel of Civil War New York (Mass Market Paperback)
I grew up in New York and walked many of the same streets Peter Quinn writes about in Banished Children of Eve. They're still there. If you look down at the pavement in some of the older neighborhoods, the same slate and stone sidewalks might still be in place that were there in 1863. Even if the remnants of that old city were plowed under by the wrecking ball, even before the terrorist came with his commandeered passenger jets, other remnants remained. And Gettysburg is not the only place where one feels the presence of ghosts.Quinn's novel is imperfect. It's overly long and one could almost say the writing is florid, the style at points too meandering. But we are modernists or postmodernists, we are in a damned hurry and we want our plots laid out before us rapid-fire. Quinn slows us down. He draws us into the nexus of an old city beneath the city we know, a place of ugliness that makes even the ugliness of today's New York seem bucolic: today's racism and poverty are as nothing compared to what we find in Civil War New York. Here people are still able to reinvent themselves and shapeshift. The daughter of a former stockbroker ruined in the 1857 Panic reinvents herself as the Trumpeter Swan, ultra-whore of a concert saloon and chief attraction of a peepshow for masturbating Union officers. A financier comes from nowhere, builds his fortune on a lie born of pre-computer identity-theft, brutally kills (of course in New Jersey!) to preserve his money, disappears, resurfaces as someone else and proves you can get away with murder. A safecracker becomes a hero in spite of himself and becomes the grandfather of a Jesuit Rector of Fordham University. A half-black woman masquerades as a Cuban actress. Through it all runs the sense of tragedy, of a city burying its own past. Midian Wells disappears from Staten Island to Troy, graveyards are overturned for new building sites, the grave of a department store magnate is robbed for his grave desecrations, and ultimately the characters with whom we identify by novel's end are forgotten two generations later, plowed under by the present as Potter's Field is covered over by layers of new dead. What survives? Ironically, the monument of a decrepit Archbishop--St. Patrick's Cathedral--and the songs of a hopeless alcoholic, Stephen Foster, whose periodic appearances in the novel are perhaps its most gratuitous as well as ghastly element, a sense of living death hauled into view when real death, the slaughter of innocent and guilty alike, looms through the Draft Riots of July 1863, hanging over the novel like the diseases that swept through New York with the irregularity of sawteeth, and just as viciously. The book is a hard read for people who want it easy. It's not linear, it's not always fun, and it's calculated at moments to make you turn your head away. I dread the idea that someone might wish to make a movie of Banished Children of Eve and "straighten it out." Its disconnectedness is its flaw and virtue together: you need to work at it, and the rewards outweigh the demands.
14 of 14 people found the following review helpful:
4.0 out of 5 stars
A NOVEL OF THE NEW SOCIAL HISTORY,
By
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This review is from: Banished Children of Eve, A Novel of Civil War New York (Mass Market Paperback)
For generations historians studied the lives of elite white men in order to compile a record of the past. Starting in the 1950's, historians began using the "bottoms up" approach to history wherein they looked at the lives of individual persons at the lower end of the tradional social order. Traditionally historians considered the center of the society - kings, leaders, rulers - as the controlling force. More recent historians argue that the periphery, that is the persons of what was usually called the fringes of the society, controls the center.Peter Quinn ably uses this approach in his novel BANISHED CHILDREN OF EVE. In considering life in mid 19th century New York City, he explains the prejudice that existed between the Irish and the Black community on an economic level which makes it understandable. While not justifying the acts of violence, the reader comes to see the blight of the underclass. The reader comes to identify with the overworked housemaid, petty criminal, homeless orphan and free black. One sees the corruption in the society. The upper clas is not romanticized but shown as the oppressors. The Civil War affected major changes in the lives of most Americans. Quinn shows the changes in the lives of the major characters in the book. Through the eyes of these characters the reader sees the emergence of the middle class, which was one of the major impacts of the War. There are Horatio Alger stories in the book but not in the tradtional sense. The reader also sees the brutality of life in 19th Century society. Death and separation from parents and realtives were a common experience. The use of alcohol was common and one can see why the Temperance Movement became so important by the end of the century. And prostitution is shown as the only way out for many women. But some women do get out of it. Students read about the brutality of slavery and as a African American and a student of African American history I am in no way trying to diminish the horrors of America's "peculiar institution." Slaves lacked all rights and had no freecom to lave their masters. Family members were sold and never seen again. But when you look at the lives of the working poor in New York during much of the 19th Century, there are many parallels. The horros of the middle passage are unspeakable but the horrors of many immigrant ships were terrible also. Historian Nell Painter argues a theory of "Soul Murder." She aruges that the effects of slavery were so damaging to all of American Society, both black and white, that we are still feeling it today. She argues that the dysfunctional families of today are the result of the violence experiences of both black and while children during the 19th century. Her argument is interesting, but in it she fails to consider the effects on white society of such events as orphan children shipped West, the abandoned family as a result of immigration, alcoholism and death. Surely these events have long range consequences in contemporary society. Quinn includes all of these in his marvelous book. By way of criticism I thought the book was a tad long. The story of the priest did not seem to add anything to the story and in my humble opinion could have been left out. Some of the sub plots got a little wordy. The point was made and the author could have moved on. I assume that Stephen Foster is used as an example of someone that falls from the upper class to the lower class whereas Bedford is a person that moves up. I'm not sure that Quinn does such a good job of wrapping up the story. In a sense the novel is kind of a look at a period of time in the lives of the characters. The reader is left to speculate as to the rest of their lives. I first heard about this book when Quinn was interviewed on Public Radio. I bought it and started it and then left it on the shelf for a year or so until I saw in a recommended section in my local book store. That caused me to start it again. Once you get about 50 pages into the book it really kicks in and is a fascinating read. I high recommend BANISHED CHILDREN OF EVE to the student of American History and those interested in the study of Irish immigration.
8 of 8 people found the following review helpful:
5.0 out of 5 stars
Bahished Children of Eve,
By Bill Flanagan (New Paltz, NY) - See all my reviews
This review is from: Banished Children of Eve, A Novel of Civil War New York (Mass Market Paperback)
This is a lovely lyrical book which accurately captures life in New York at that time. Quinn writes the way Irish tenors sing with rolling musical cadences that tumble and flow to heart breaking crescendos. The famine, migration and life in New York have never been written of with such compassion and artistry. It opened my eyes in a completely new way. Obviously, I loved this book.
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