Review
"Eva's Baradla is a work that will live a long life." --
Vratislav Effenberger"How long must English-language readers wait for someone to translate her?"-- --
Penelope Rosemont, editor of Surrealist Women Austin, U. of Texas Press, 1998Eva¹s Baradla is a work that will live a long life. --
Vratislav EffenbergerHow long must English-language readers wait for someone to translate her. --
Penelope Rosemont, editor of Surrealist Women[Svankmajerova's] use of surrealism to convey non-life under totalitarianism pre-dates the same technique visible in Pelevin's novel The Clay Machine Gun. --
Blue Ear
About the Author
Eva Svankmajerov is a Czech surrealist, a painter and ceramicist, and a regular contributor to the journal "Analogon." She is also known for film collaborations (The Lesson of Faust, Conspirators of Pleasure) with her husband, Jan Svankmajer.
Gwendolyn Albert is from Oakland. She went to Prague in 1989 on a Fulbright and witnessed the Velvet Revolution firsthand, volunteering as the translator of Civic Forum's daily pronouncements. The co-founder and editor of "JEJUNE: america eats its young," she has been published in "Exquisite Corpse" and "Skanky Possum."