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I firmly believe ALL PEOPLE should view this film at least once in their lifetime--free from all external encumbrances--this film requires your undivided attention.
All of a sudden, the world becomes a much smaller planet--one in which we all live in our own way and one in which every living being is important.
If you are prone to cry at beauty--have a box of tissues handy. If you are not prone to cry at films, have a box of tissues handy anyway. You will probably need them. This is a very moving film.
I was particularly impressed with the burning oil field scene because of the intense feeling the film created.
Viewing this film should be a requirement for living on the planet.
This movie gives the person with their DVD players, SUV and well- paying job to see something in this world that the viewer most likely has not seen, which is an intimate look at cultures, environments and nature the world over. With no concern of SARS or an expensive plane ticket, you feel afterwards that you truly experienced a global tour.
Baraka begins at a rather cautious pace, and as each scene passes by your vision, the intensity and depth slowly but steadily increases. It's a bit hard to describe, but I feel in a way that it causes the viewer to look inward at his/her own view of what the world is about and what life means. In a way, it compells you to ask yourself some deep questions. Make sure to keep your attention on watching the movie with NO interruptions to get the full effect. Pausing for phone calls, snacks or bathroom breaks is verboten, so get everything done first!
Baraka unfolds in the early morning and as the film passes through the first 10 minutes or so, you see examples of different beliefs and religions mixed with clips of nature. Eventually the two collide. And by the end, you're amazed at the solar eclipse and lunar starfields. Yet Ron Fricke's intent wasn't to make any statement at all.
There are elements of almost every type mixed into the film from peaceful co- existance to conflict (no graphic footage, don't worry), faith, technology, beauty and struggle. In some ways you may feel helpless after watching the slow decay/destruction of the world at the hands of mankind, yet Fricke also inserts visions which somehow reassure that nature ultimately holds the key to the fate of human beings since she is infinitely more powerful (and is much more patient).
If you get the chance, sample Baraka (a national video rental place has it on stock in special interest, so you can take a peek at it), and you'll more than likely want to own this. The majority of filming is either in slow motion or in time lapse, with not a single word spoken. Fricke and Mark Madigson developed some camera and dolly techniques that created the smoothest time lapse photography available, and some of the filming they've done you may recognize in some commercials or even movies.
NOTE, this is for the earlier MPI version DVD (DVD7060), which is somewhat similar in content, and the never version claims a new 70mm transfer and digitally- remastered audio. One thing I noticed that wasn't noted in the specs on the Collector's Edition is they didn't mention a full screen version; the older DVD is double- sided, one for the widescreen and the other for pan & scan.
Other suggestions: Koyaanisqatsi (deals mainly with the industrial cultures, cinematography by Fricke, 1983), Chronos (by Fricke, 40 minutes, 1985 which has music a little dated, but the film techniques are similar) and Powaqqatsi (1988). Of these, Baraka is best, IMHO.
Tidbit: There was also a coffee table book with images from scenery in Baraka.