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  • Barber: Die Natali / Prayers of Kierkegaard, Toch: Jephtha / Creston Corinthians XIII
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Barber: Die Natali / Prayers of Kierkegaard, Toch: Jephtha / Creston Corinthians XIII


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Audio CD, March 15, 1994
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1. Die Natali, chorale Christmas preludes for orchestra, Op. 37
2. Jephta, rhapsodic poem for orchestra ('Symphony 5'), Op. 89
3. Corinthians: XIII for orchestra, Op. 82
4. Prayers of Kierkegaard, for soprano, alto and tenor ad lib, mixed chorus & orchestra, Op. 30: O Thou Who art Unchangeable
5. Prayers of Kierkegaard, for soprano, alto and tenor ad lib, mixed chorus & orchestra, Op. 30: Lord Jesus Christ Who Suffer'd
6. Prayers of Kierkegaard, for soprano, alto and tenor ad lib, mixed chorus & orchestra, Op. 30: Father In Heaven
7. Prayers of Kierkegaard, for soprano, alto and tenor ad lib, mixed chorus & orchestra, Op. 30: Allegro Molto
8. Prayers of Kierkegaard, for soprano, alto and tenor ad lib, mixed chorus & orchestra, Op. 30: Father In Heaven

Product Details

  • Orchestra: Louisville Orchestra
  • Conductor: Jorge Mester, Robert Whitney
  • Composer: Samuel Barber, Ernst Toch, Paul Creston
  • Audio CD (March 15, 1994)
  • Number of Discs: 1
  • Label: Albany
  • ASIN: B0000049L1
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #506,737 in Music (See Top 100 in Music)

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4 of 4 people found the following review helpful By Discophage TOP 500 REVIEWER on December 5, 2007
Format: Audio CD
As important as the Louisville First Edition Recordings LPs were for 20th-Century music, releasing, between the early 1950s and the late 1980s loads of music from composers of all stylistic allegiances and nationalities, one of their drawbacks was the lack of coherence of their programs, the apparent motley pairing of composers and compositions with no perceptible stylistic kinship. When Albany picked up the Louisville catalog for CD reissues in the late 1980s (and that went no further then ten releases, followed by ten more made by Louisville's own label), to a certain extent they pursued the habit. Some of their releases were indeed devoted to single composers, such as (Roy Harris: Symphony 1933; Concerto for Violin and Orchestra; Symphony No. 5, Walter Piston: Symphony No. 5; Symphony No. 7; Symphony No. 8 and The Louisville Orchestra First Edition Series: Morton Gould (2-CD set)). But this one, TROY 021, paired composers that, on the face of it, might have seemed as divergent in their compositional language as the once-Viennese avant-garde Ernst Toch and the American neo-Romantic Samuel Barber.Read more ›
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