Volume two, The Day After, focuses on the days following the bombing of Hiroshima, as the living victims struggle to survive in the aftermath.
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Most Helpful Customer Reviews
5 of 5 people found the following review helpful:
5.0 out of 5 stars
Powerful,
By A Customer
This review is from: Barefoot Gen: The Day After: Volume 2 (Vol 1) (Paperback)
I stumbled across this graphic novel in a used bookstore, not having any idea the impression it would make on me. This is an incredibly powerful story, very effectively told through the medium of comic art. It is an affirmation of the power of visual media, and an example of how comics can be used for much more than funnies and fantasies. It is also probably the most effective anti-nuclear material I have ever come across.
4 of 4 people found the following review helpful:
4.0 out of 5 stars
Series continues strongly.,
By
This review is from: Barefoot Gen, Vol. 2: The Day After (Paperback)
Keiji Nakazawa, Barefoot Gen: The Day After (New Society, 1988)
The story of Barefoot Gen, spunky atomic bomb survivor, continues in this second volume of the four-part series. It's not a stretch to predict that how you feel about The Day After will probably reflect how you felt about Barefoot Gen, without much variance. The Day After (which, in fact, covers the next two days) opens just after the end of Barefoot Gen, and is concerned entirely with the survival of Gen, his mother, and his baby sister Tomoko. Gen's task during this time is to find food for the family, and this quest takes him on a number of small side adventures the present a much larger picture of the greater Hiroshima area after the bomb than the first book provided of Hiroshima before the bomb. Gen meets a number of different people, helps some, and learns that even after the bomb, when everyone around him is shrouded in misery and horror, the banality and prejudice around him doesn't disappear-- in fact, people are worse than they were beforehand. Nakazawa, as is his wont, tells us all this in his stories, and never allows his messages to get in the way of his storytelling. Ironically, Barbara Reynolds' introduction to this edition is a perfect contrast to Nakazawa's story; it's awfully-written, ham-handed, flat-out wrong (Reynolds harps on about American denial of responsibility for Hiroshima, and she's writing ten years or more after the release, and vast popularity, of John Hersey's Hiroshima) polemic whose sole purpose in inclusion, it seems, is to highlight how subtle Nakazawa is. Skip the introduction. Or, if you're a completist, read the book first and come back to the introduction afterwards, so it won't taint you. This is very good stuff. Well worth your time. *** ½
4 of 4 people found the following review helpful:
5.0 out of 5 stars
The triumph of the human spirit,
By
This review is from: Barefoot Gen: The Day After (Paperback)
Barefoot Gen: The Day After is volume two of a four part series. It tells the story of the day after the atomic bomb was dropped on Hiroshima as seen through the eyes of seven year old Gen Nakaoka. Based on the real-life experiences of the author, Gen, his mother, and his newborn sister face the horrors of the day after the bomb. They have no food or shelter and are surrounded by the dead and dying. Even the soldiers sent in to gather and burn the dead bodies are succumbing to the radiation sickness and dying. No one understands what is happening and there is no one to turn to. Gen goes in search of food for his mother whose breast milk has dried up from malnutrition. Alone he faces the horror of the devastation and the destitution of the people of Hiroshima. This the hardest of the four books to read because the carnage of the day after the bomb is almost beyond belief. Gen's compassion, humanity, and determination makes this an inspiring book about the strength of the human spirit. Although the graphic scenes may turn some people off, this is still an important book for its message on the dangers of nuclear war.The work has been wonderfully translated from the Japanese original: Hadashi no Gen. It was originally published in serial form in 1972 and 1973 in Shukan Shonen Jampu, the largest weekly comic magazine in Japan, with a circulation of over two million. The drawings are all in black and white. This US edition was published as part of a movement to translate the book into other languages and spread its message. It is a wonderful testimony to the strength of the human spirit and the horrors of nuclear war. There are a few introductory essays at the front of the book that help to put this book into perspective. It is a powerful and tragic story that I highly recommend for anyone interested in the topic.
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