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The Baroque Landscape: Andre Le Notre & Vaux-le-Vicomte
 
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The Baroque Landscape: Andre Le Notre & Vaux-le-Vicomte [Hardcover]

Michael Brix (Author)
5.0 out of 5 stars  See all reviews (1 customer review)


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Book Description

July 23, 2004
André Le Nôtre (1613-1700) was the greatest landscape architect in France, and his work for Louis XIV (the Sun King) laid the groundwork for the baroque style in landscaping. He also defined the essence of French landscape design -scientific, rationalist-in counterpoint to the more romantic, naturalistic English tradition and based his work on the then state-of-the-art science of optics and perspective.

The castle and gardens at Vaux-le-Vicomte (approximately 50 km south of Paris) were begun in 1653. They are the first great landscape designed by André Le Nôtre and mark the beginning of the baroque tradition in gardening. Many of the principles Le Nôtre tried and tested at Vaux were later employed to great acclaim at Versailles, which he designed at the height of his career.

Vaux-le-Vicomte is among the most popular French public gardens visited by tourists, roughly 50 percent of whom are from English-speaking countries.

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Editorial Reviews

From Publishers Weekly

Before Louis XIV earned his name as the Sun King who unified France and heralded the kingdom’s Grand Siecle of art and architecture, his finance minister Nicolas Fouquet hired the rising designer Andre Le Notre to transform the gardens of his chateau, Vaux-le-Vicomte, 50km south of Paris. Le Notre’s resulting masterpiece of sweeping, illusory vistas and geometrically harmonious lawn and embroidered parterres (closely cropped shrubs carved into fine, symmetric scrolls) immediately gained the designer notoriety and made Fouquet’s home the most modern and fashionable of the 17th century. (Vaux-le-Vicomte greatly surpassed Versailles in opulence, and later became a model for transforming the king’s "humble" hunting lodge into a sprawling park and palace.) Full of details, history and lore, if rather haltingly strung together, art historian Brix’s account of the Le Notre’s achievement will delight lovers of this grand style. 150 color photographs.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

About the Author

Michael Brix is professor of art history at the Munich University of Applied Sciences.
His specialties are the art of photography, design history, and the urban architecture of Paris and America.

Product Details

  • Hardcover: 192 pages
  • Publisher: Rizzoli (July 23, 2004)
  • Language: English
  • ISBN-10: 0847826066
  • ISBN-13: 978-0847826063
  • Product Dimensions: 9.6 x 0.9 x 10.4 inches
  • Shipping Weight: 3 pounds
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #1,039,464 in Books (See Top 100 in Books)

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3 of 4 people found the following review helpful:
5.0 out of 5 stars Cosmic vs. Baroque, February 24, 2005
By 
Carlos Atl (Sedona, Arizona) - See all my reviews
This review is from: The Baroque Landscape: Andre Le Notre & Vaux-le-Vicomte (Hardcover)
For those who love Le Notre's gardens, this is a beautiful book. It has the best and most complete set of photographs of Vaux le Vicomte of any book I've seen. The analysis is very thorough and there are nice comparisons with Versailles and other gardens of his (in fact I'd like to see the a book of photographs like this on of the rest of his gardens). For those who really like this type of landscape, I'd suggest getting Vincent Scully's "Architecture" since his poetic and experiential descriptions and critiques of Le Notre's work are, to me, unsurpassed. The only quibble I have is with the title, since the only truly "baroque" elements that I would consider such are some of the patterns in the parterres or some of the sculpture. Maybe that is my mistake from considering Baroque exemplified more by overwrought decoration on architecture and interiors. To me, Le Notre's work is more cosmic, more similar to grand pre-colombian ruins than any other European creations.
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