Bartók: Mikrokosmos, Books 1-6

Bela Bartok (Composer), Tamara Takacs (Performer), Balázs Szokolay (Performer), Jenö Jandó (Performer) | Format: Audio CD

Product Details

• Performer: Tamara Takacs, Balázs Szokolay, Jenö Jandó
• Composer: Bela Bartok
• Audio CD (August 29, 2006)
• SPARS Code: DDD
• Number of Discs: 2
• Label: Naxos
• ASIN: B000GNOHLY
• In-Print Editions: MP3 Download
• Average Customer Review: 4.5 out of 5 stars  See all reviews (2 customer reviews)
• Amazon Best Sellers Rank: #75,688 in Music (See Top 100 in Music)
  • #47 in Music > Classical > Forms & Genres > Improvisation

Customer Reviews

Most Helpful Customer Reviews

14 of 14 people found the following review helpful:

5.0 out of 5 stars One fantastic work.One fantastic pianist, June 28, 2007

By 

Osvaldo Colarusso "Osvaldo Colarusso" (Curitiba, Paraná Brazil) - See all my reviews

This review is from: Bartók: Mikrokosmos, Books 1-6 (Audio CD)

Mikrokosmos is really one fantastic didactic work . Bartók wrote one method very interesting because the student has one contact with the innovations of the musical language that was transformed at the beginning of the twentieth century . We have modal melodies , changing of bars , polytonality , etc. Normally the musical education forgets all this things. With Mikrokosmos we have this fantastic opportunity to make one "modernization" of piano and music for beginners .Bartók was one of the most important composers of the first half of his century. But he was too one very important teacher. The value of the music of Mikrokosmos is very high , even in the most simple parts of the work.
If I love Bartók as composer I must say that Jeno Jandó , one of the most important pianists in the world, respected what was written in accents, andamenti, articulation and expression. I listened the 6 books with the score. And I must say that Jandó made a very important and beautiful work. I admire this pianist for his recordings of the "adults" works of Bartók: the Out of Doors Suite , the Suite op. 14 , the Sonata etc. But this time he came really at a level never reached for his predecessors.
MIkrokosmos : one fantastic work played and recorded in a very high level. I'm really very happy after heard this beautiful record. Bravo Naxos. Bravo Jandó. And bravo for the didactic work of this great composer.

17 of 21 people found the following review helpful:

4.0 out of 5 stars Not for Everyone, But Good for What It Is, October 5, 2006

By 

J Scott Morrison (Middlebury VT, USA) - See all my reviews
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This review is from: Bartók: Mikrokosmos, Books 1-6 (Audio CD)

A confession: Although I've owned the Dezso Ranki recording of the complete Bartók 'Mikrokosmos', I never listened to the whole thing. Mikrokosmos is a collection of six books of pedagogical piano pieces, 153 in all, that progress in difficulty from Book I to Book VI. Indeed, Books V and VI contain a number of virtuoso pieces that occasionally appear on piano concert programs. But those in Books I and II, and most of them in Books III and IV, are of quite limited interested to the casual listener. Mikrokosmos began as a set of teaching pieces written for Bartók's young son Peter to use in his piano practice. As the writing of the work progressed the pieces got more and more difficult and began getting names like 'And the Bells Clash and Clang...' or 'From the Diary of a Fly' rather than the earlier 'Dotted Notes' and 'Five-Tone Scale.' Even though there have been several recordings of the whole shebang it is hard for me to understand their value for the casual listener. I can understand piano teachers wanting to have the complete works on record, but frankly beyond that rather limited audience it seems reasonable for the listener to perhaps own excerpts from the later books. Indeed, Bartók, himself a virtuoso pianist, did not record the whole set but only some of the virtuosic (and interesting) later pieces. And a number of other pianists, many of them Hungarian like Bartók, have done likewise. Nonetheless, the set has exerted enduring interest for musicologists, partly because of their occasional use of non-Central European scales and melodies and partly because of the technical manner in which Bartók constructed the pieces. Dissertations have been written on those subjects. Bartók himself was prevailed upon by Schirmer, their American publisher, to write his own explication of the pieces.

Jenö Jandó is an excellent pianist, and a Hungarian to boot. He has recorded several earlier volumes of Bartók's more familiar (and frankly more interesting) piano music, and to general acclaim. His playing is rhythmically pointed, crisply articulated and with innate understanding of the eastern European provenance of much of the source music. Given the budget price and the lifelike sound of the recorded piano, as well as the excellence of the playing, Jandó's set is, I believe, the choice of currently available sets. Still, I can give it only four stars because of the limited interest of the earlier books in the set.

Scott Morrison