|
| |||||||||||||||
|
Product Details
Would you like to update product info or give feedback on images?
|
|
Share your thoughts with other customers:
|
||||||||||||||||||||||
|
Most Helpful Customer Reviews
29 of 30 people found the following review helpful:
4.0 out of 5 stars
2 versions of unfinished concerto performed together.,
By Richard Watts (rswatts@worldnet.att.net) (Mentone, California) - See all my reviews
This review is from: Bartok: Viola Concertos (Audio CD)
The viola concerto, unfinished at Bartók's death, was completed by violist/composer/conductor Tibor Serly in the version familiar to listeners. Critics and musicologists have frequently criticized Serly's version, and Bartók's son supervised a new completion of the concerto, published in 1995. The casual listener will hear little difference in the 2 versions performed together here by Hong-Mei Xiao, though aficionados will enjoy the chance to compare them (Bartók's final version surely would have been better than either). Her tone is bright and violin-like, lacking some of the mellow darkness of Lars Anders Tomter's performance of the Walton "Viola Concerto" on Naxos 8.553402. She performs with virtuosity, and the Hungarian orchestra is steeped in Bartók's idiom. His "Two Pictures" are early works, showing promise, but not up to the standards of his mature orchestral masterpieces. Serly's own "Rhapsody," composed while he was revising the concerto, is a harmless virtuoso showpiece, reminiscent of Georges Enescu. As always, Naxos provides a full disc of well-recorded, polished performances by lesser-known musicians at an bargain price.
18 of 18 people found the following review helpful:
5.0 out of 5 stars
Polished performance of a Bartok masterpiece,
By A Customer
This review is from: Bartok: Viola Concertos (Audio CD)
I am really not concerned about the controversy surrounding the Bartok viola concerto. It is simply a splendid work, with many passages marked undeniably with Bartok's stamp. (Don't listen to the editorial reviewer; it's a great piece!) It is wonderful to have both the Serly and the Peter Bartok/Paul Neubauer versions together for comparison. If anything, I like the newer version better: it has many felicitous examples of orchestration and adds fewer embellishments to the original Bartok sketches. Of course, had Bartok lived, he might have added more to his concerto (for instance, the slow movement as it stands seems rather brief - though I think it works just fine). But perhaps it is better simply to stick with what Bartok wrote and leave it at that. The performances are ideal: the violist's tone is firm and rich throughout, and the orchestra provides supple dialogue with the soloist. My only complaint is that the last movement could have gone a bit faster (when I played it in my college orchestra, the soloist really went like a whirlwind). Were they perhaps worried that this movement too would sound too short? But no matter. Naxos continues to astound with its fine issues at extraordinarily low prices. I encourage music lovers to grab the best Naxos CD's (including this one) with avidity.
6 of 6 people found the following review helpful:
5.0 out of 5 stars
Magnificent!,
By A Customer
This review is from: Bartok: Viola Concertos (Audio CD)
I am really not concerned about the controversy surrounding the Bartok viola concerto. It is simply a splendid work, with many passages marked undeniably with Bartok's stamp. (Don't listen to the editorial reviewer; it's a great piece!) It is wonderful to have both the Serly and the Peter Bartok/Paul Neubauer versions together for comparison. If anything, I like the newer version better: it has many felicitous examples of orchestration and adds fewer embellishments to the original Bartok sketches. Of course, had Bartok lived, he might have added more to his concerto (for instance, the slow movement as it stands seems rather brief - though I think it works just fine). But perhaps it is better simply to stick with what he wrote and leave it at that. The performances are ideal: the violist's tone is firm and rich throughout, and the orchestra provides supple dialogue with the soloist. My only complaint is that the last movement could have gone a bit faster (when I played it in my college orchestra, the soloist really went like a whirlwind). Were they perhaps worried that this movement too would sound too short? But no matter. Naxos continues to astound with its fine issues at extraordinarily low prices. I advise music lovers to grab the best Naxos CD's (including this one) with avidity.
Share your thoughts with other customers: Create your own review
|
|
Tags Customers Associate with This Product(What's this?)Click on a tag to find related items, discussions, and people.
|
|
This product's forum
Active discussions in related forums
Search Customer Discussions
|
Related forums
|
Passionate about music?
Learn more at SoundUnwound, the personal music encyclopedia, or challenge your friends with our music quizzes.