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Clearly, the climax of the documentary comes in Inning 6, "The National Pastime," when Jackie Robinson starts playing for the Dodgers. The series begins with a prologue on Ebbets Field and Robinson is laid to rest in the final episode. While the focus is on the Major Leagues throughout, Burns always checks back in with what is happening with the black players and the Negro Leagues, building towards Robinson breaking the color barrier. I think it is fair to say the documentary loses some steam after that point, but then that is the point where the series gets to players and moments that overlap our own lifetime. Once we get to colored images from television there is a different feel to "Baseball" from the black & white images to which we have become accustomed.
Also, the more you know about the history of baseball the more you will see the glaring omissions. Stan Musial is the obvious example cited by other reviewers, but he is eclipsed in the episodes covering the 40's and 50's by Jackie Robinson and the New York teams, just as he was during his career. In terms of the talking heads it is hard to appreciate Billy Crystal and George Will, devotees of the game though they are, after listening to Buck O'Neill (who is the breakthrough "Shelby Foote" of "Baseball"). However, I prefer to ascribe these shortcomings to editorial decisions and the fact this is only a nine-tape set instead of maliciousness. So, yes, it could be better, and maybe it is too reverent, but there is a fundamental love of the game here comparable to such treasured feature films as "The Natural," "Bull Durham" and "Field of Dreams." All of these are necessary spring training workouts for preparation of enjoying the boys of summer.