A trio of brilliantly scathing plays by the renowned writer-director of In the Company of Men and Your Friends and Neighbors.
With the success of his first two films, In The Company of Men and Your Friends and Neighbors, writer-director Neil LaBute has been hailed as a first-rate dramatic talent with a caustic wit reminiscent of Stanley Kubrick. bash--a collection of three stunning one-act plays that mark LaBute's return to the New York stage after ten years--forms a trio of unforgettable personal accounts: in Medea Redux, a woman tells of her complex and ultimately tragic relationship with her grade school English teacher; in Iphigenia in Orem, a Utah businessman confides in a stranger in a Las Vegas hotel room, confessing a most chilling crime; and in A Gaggle of Saints, a young Mormon couple separately recounts the violent events of an anniversary weekend in New York City. All three are unblinking portraits of the complexities of evil in everyday life, exhibiting LaBute's signature raw lyrical intensity.
"The most important playwright to emerge in a decade."-- John Lahr, The New Yorker
"A transfixing evening."-- Ben Brantley, The New York Times
--This text refers to an out of print or unavailable edition of this title.
With the success of his first two films, In The Company of Men and Your Friends and Neighbors, writer-director Neil LaBute has been hailed as a first-rate dramatic talent with a caustic wit reminiscent of Stanley Kubrick. bash--a collection of three stunning one-act plays that mark LaBute's return to the New York stage after ten years--forms a trio of unforgettable personal accounts: in Medea Redux, a woman tells of her complex and ultimately tragic relationship with her grade school English teacher; in Iphigenia in Orem, a Utah businessman confides in a stranger in a Las Vegas hotel room, confessing a most chilling crime; and in A Gaggle of Saints, a young Mormon couple separately recounts the violent events of an anniversary weekend in New York City. All three are unblinking portraits of the complexities of evil in everyday life, exhibiting LaBute's signature raw lyrical intensity.
"The most important playwright to emerge in a decade."-- John Lahr, The New Yorker
"A transfixing evening."-- Ben Brantley, The New York Times
