From Publishers Weekly
Examining the nooks and crannies of contemporary backwater life in the South and Midwest, Downs's debut collection opens with a kaleidoscopic description of an extended family breaking apart that is as disorienting as it is beautiful. "Black Pork" follows a white minor league pitcher back to the former sharecropper's shack he shares with his dementia-plagued grandfather, and manages to be simultaneously excruciating and deeply insightful about race as it centers on the two men's relationship with the black single mother and daughter across the lane. In "Ain't I a King, Too?" (set in 1935) a man about to leave his family finds himself abducted when he is mistaken for the then just assassinated Huey P. Long, the corrupt former governor of Louisiana. "Freedom Rider" turns similarly odd when a school trip turns into a physical free-for-all among the adolescent participants. Even more darkly, in "A Comparative History of Nashville Love Affairs," a middle-aged man considers the frailties of his own marriage after observing a colleague eyeing a group of the colleague's wife's students. A strong sense of style and unfaltering command of his material allow Downs to take the kinds of risks in tone and subject that make his debut a love-it-or-hate-it proposition.
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Review
"The American short story is in fine hands with Greg Downs and Spit Baths. The stories are often funny, always deft. Here, the conundrums of American life and family are put in bold relief. Readers are in for a treat."--Christopher Tilghman, author of Roads of the Heart
"Always engaging, at times compelling, Spit Baths is both thoroughly original and completely authentic. Greg Downs unifies these disparate stories through their tone—deadpan, informed with preternatural wisdom, so real they verge into surreal. Working from events stranger than fiction, he explores the hard truths at the edges of our lives, especially regarding the lingering scars of racism. In the process, he draws back a curtain to reveal a world in which people are always searching, never finding someone or some place they can call home."--Fenton Johnson, author of Keeping Faith: A Skeptic's Journey
"Rich and mesmerizing collection of short fiction."--Philadelphia Inquirer
"[Downs's] prose is evocative and finely tuned to his gritty material, and his narratives illuminate his characters and their concerns while acknowledging that the social forces that inform both are impossible to explicate, not because they are too far outside the reader's experience but, rather, because they are too close."--Virginia Quarterly Review
"[Spit Baths] demonstrates nicely the strange beauty of Downs's imagination. . . . [Downs] is a writer to watch. His work has a cerebral, surreal element."--Kirkus Reviews
"A strong sense of style and unfaltering command of his material allow Downs to take the kinds of risks in tone and subject that make his debut a love-it-or-hate-it proposition."--Publishers Weekly
"Downs writes with a Southern twang. . . . Themes and symbols tend to recur: state lines spell betrayal, kids are in the care of grandparents. But there's immense heart to Downs's quirky but controlled storytelling."--Philadelphia Magazine
"In his tales of historical intrusion, Downs also speaks elegantly of those ugly histories, namely of racism and hatred, that we'd rather forget, and paints a hopeful portrait of the role family can play in healing those wounds . . . Downs is gifted at presenting the tension that accompanies familial love—be it the bafflement those tied by blood feel at the depth of their attachment, or the anxiety those bound by choice feel when realizing affection alone may not hold them together. His historical scope serves to enliven, not obscure, this uncertainty."--San Francisco Chronicle
