Batman [SOUNDTRACK]

Prince, Batman (Related Recordings)

Product Details

• Audio CD (February 3, 2009)
• Original Release Date: June 1989
• Number of Discs: 1
• Format: Soundtrack
• Label: Rhino Flashback
• ASIN: B001O54NHQ
• Also Available in: Audio CD  |  Audio Cassette  |  Vinyl
• Average Customer Review: 4.1 out of 5 stars  See all reviews (76 customer reviews)
• Amazon.com Sales Rank: #38,632 in Music (See Bestsellers in Music)

Track Listings

1. Future

2. Electric Chair

3. Arms of Orion - Sheena Easton, Prince

4. Partyman

5. Vicki Waiting

6. Trust

7. Lemon Crush

8. Scandalous - John L. Nelson, Prince

9. Batdance

Customer Reviews

Most Helpful Customer Reviews

34 of 38 people found the following review helpful:

5.0 out of 5 stars Holy Purple Popster! Prince does it like it's 1989!, December 3, 2001

By	Daniel J. Hamlow (Narita, Japan) - See all my reviews (TOP 100 REVIEWER)    (REAL NAME)

This review is from: Batman (Audio CD)

Report to Commissioner Gordon on the Batman Soundtrack.

There's something well, quirky about this CD. Don't get me wrong, this ranks among one of Prince's best efforts. It's just that it sounds like he cranked this one out in three/four weeks compared to the material he spends more time on. Then again, the man eats, drinks, sleeps, dreams, and bleeds music.

In each song, he lists the lead vocal as one of the main characters from the movie: Batman, the Joker, Vicki Vale, and Bruce Wayne. There's also a character called Gemini, half of him representing good, the other half representing evil, who makes his only appearance in the ultra-kickin' track "Batdance", but it's a significant appearance.

Holy Frozen Smile! The best lead vocalist here is the Joker. "Electric Chair", "Partyman", and "Trust". The thumping bass and rough guitar on "Electric Chair" is comparable to the Joker's dark side. The latter two are just fun, reflecting the villain's playful side. I mean face it, who was the more interesting character in the movie? When the villain steals the show from the hero, there's gotta be something wrong, right? Or is it just Jack Nicholson's superiority as an actor compared to Michael Keaton? As a result, the Joker's songs are more playful, being the twisted libertine he is, while Batman's songs are more somber, brooding, and romantic (check out "Scandalous").

"The Arms Of Orion" is his second vocal collaboration with Sheena Easton and both parties got the best with this wonderful ballad.

"Lemon Crush" has a little bit of the funk reminiscent of The Time. "Scandalous" is another lovely ballad done in his falsetto voice. It has the dishonor of being played over the closing credits of the movie, at which time the stop button is pressed on the VCR or DVD.

The raucous guitar and techno beat of "Batdance" is a summary of the movie, both in movie soundbites and to some extent of some of the earlier songs, such as "The Future" and "Electric Chair". The song explodes with chaos and violence at the end until Prince himself says "Stop", ending the song abruptly. Genius of the man!

End of Report. Please call me at the Bat Cave if there are any questions.

10 of 10 people found the following review helpful:

5.0 out of 5 stars Soul of the Movie, March 29, 2002

By	D. Apostolico "[e-mail]" (Delaware) - See all my reviews (REAL NAME)

This review is from: Batman (Audio CD)

Not to be confused with Danny Elfman's instrumental release for the same movie, this soundtrack for the first Batman, is one of the best movie soundtracks ever released. Prince created a soundtrack that moves with the movie. It is not just a compilation of songs that you hear in the background of a movie, like many soundtracks that are hastily put together. This CD is full of dialogue from the movie and from Prince's imagination. Prince put a lot of heart, soul and funk into this recording.

Songs:
THE FUTURE is the opening song that sets the stage for the dark future that The Joker has in mind for Gothem. It full of techno, synthesized sounds that are held together with Prince's rhythm guitar.
ELECTRIC CHAIR comes out with hard guitar riffs by one of the greatest guitarist in the pop/rock world.
THE ARMS OF ORION - What a pretty song. It is sung as a duet between Bruce Wayne (Prince) and Vicki Vale (Sheena Easton). It is a soft, sad love song that is held together by the beautiful piano and a string section.
PARTYMAN - What more can I say except to quote Jack, "Gentlemen, let's broaden our minds!" Everyone listening to this can picture Jack Nicholson as the Joker strutting thru the museum with his henchmen and a boombox. Very Funky.
VICKI'S WAITING - Another dance track. The song is about Batman wondering if and when he should tell Vicki Vale that he is Bruce Wayne.
TRUST - Another upbeat dance track that was used when the Joker is riding on his float in a parade through downtown Gothem.
LEMON CRUSH - Club tune. The only song I can not envision in the Batman movie. Still a good tune.
SCANDALOUS - Love or Sex? Everyone who is a Prince fan knows this is one of his songs (Insatiable, Damn U, Do Me Baby, The Beautiful Ones, and Adore) that is great for romancing with the one you love. Great Song!
BATDANCE - Great Finale. Prince starts the songs with 3 loud guitar riffs, then the Joker speaks. He weaves Michael Keaton, Kim Basinger, and Jack Nicholson into this song that incorporates all aspects of the movie.

This soundtrack has a soul of its own.

10 of 10 people found the following review helpful:

5.0 out of 5 stars Dark & Brooding, February 8, 2001

By	Thomas Magnum (NJ, USA) - See all my reviews (TOP 50 REVIEWER)

This review is from: Batman (Audio CD)

On the soundtrack to Tim Burton's blockbuster hit Batman, Prince perfectly captures the mood and theme of this dark film. The movie looks at Michael Keaton's Batman as the Dark Knight, deep, intense & brooding. The songs on the album about him reflect that mood. "The Future" opens the album on a dark, ominous note and then slides into the frantic "Electric Chair" while "The Arms Of Orion" and "Trust" follow Batman's relationship with Vicki Vale. Prince also captures the manic, crazed persona of Jack Nicholson's Joker in the funky "Partyman". The album's closer "Batdance" is menagerie of film dialogue, funky beats and sound effects that gives the listener as kaleidoscope image of the film. Even though Batman is about a film, it comes across as one of Prince's most personal albums.