Batman: The Dark Knight Returns and over one million other books are available for Amazon Kindle. Learn more
Qty:1
  • List Price: $19.99
  • Save: $8.70 (44%)
FREE Shipping on orders over $35.
In Stock.
Ships from and sold by Amazon.com.
Gift-wrap available.
Add to Cart
Want it Monday, April 28? Order within and choose Two-Day Shipping at checkout. Details
FREE Shipping on orders over $35.
Used: Very Good | Details
Condition: Used: Very Good
Comment: Spine is bumped a little.
Add to Cart
Trade in your item
Get a $2.00
Gift Card.
Have one to sell?
Flip to back Flip to front
Listen Playing... Paused   You're listening to a sample of the Audible audio edition.
Learn more
See all 2 images

Batman: The Dark Knight Returns Paperback


See all 12 formats and editions Hide other formats and editions
Amazon Price New from Used from Collectible from
Kindle
"Please retry"
Paperback
"Please retry"
$11.29
$9.71 $7.06 $18.95

Frequently Bought Together

Batman: The Dark Knight Returns + Batman: Year One + Batman: The Killing Joke, Deluxe Edition
Price for all three: $30.11

Buy the selected items together

NO_CONTENT_IN_FEATURE

100 M&T
100 Mysteries & Thrillers to Read in a Lifetime
Looking for something good to read? Browse our picks for 100 Mysteries & Thrillers to Read in a Lifetime, brought to you by the Amazon Book Editors.

Product Details

  • Paperback: 224 pages
  • Publisher: DC Comics; 10 Anv edition (May 1, 1997)
  • Language: English
  • ISBN-10: 1563893428
  • ISBN-13: 978-1563893421
  • Product Dimensions: 2.6 x 4 x 0.2 inches
  • Shipping Weight: 1.2 pounds (View shipping rates and policies)
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (682 customer reviews)
  • Amazon Best Sellers Rank: #1,500 in Books (See Top 100 in Books)

Editorial Reviews

Amazon.com Review

If any comic has a claim to have truly reinvigorated the genre, then The Dark Knight Returns by Frank Miller--known also for his excellent Sin City series and his superb rendering of the blind superhero Daredevil--is probably the top contender. Batman represented all that was wrong in comics and Miller set himself a tough task taking on the camp crusader and turning this laughable, innocuous children's cartoon character into a hero for our times. The great Alan Moore (V for Vendetta, Swamp Thing, the arguably peerless Watchmen) argued that only someone of Miller's stature could have done this. Batman is a character known well beyond the confines of the comic world (as are his retinue) and so reinventing him, while keeping his limiting core essentials intact, was a huge task.

Miller went far beyond the call of duty. The Dark Knight is a success on every level. Firstly it does keep the core elements of the Batman myth intact, with Robin, Alfred the butler, Commissioner Gordon, and the old roster of villains, present yet brilliantly subverted. Secondly the artwork is fantastic--detailed, sometimes claustrophobic, psychotic. Lastly it's a great story: Gotham City is a hell on earth, street gangs roam but there are no heroes. Decay is ubiquitous. Where is a hero to save Gotham? It is 10 years since the last recorded sighting of the Batman. And things have got worse than ever. Bruce Wayne is close to being a broken man but something is keeping him sane: the need to see change and the belief that he can orchestrate some of that change. Batman is back. The Dark Knight has returned. Awesome. --Mark Thwaite

Review

"...probably the finest piece of comic art ever published in a popular edition..."—Stephen King

"Groundbreaking."—USA TODAY

"It's film noir in cartoon pane ls."—VANITY FAIR

"There's never been storytelling quite like this."—THE WASHINGTON POST

"Changed the course of comics."—ROLLING STONE

"Revisionist pop epic."—SPIN

 


More About the Author

Frank Miller is one of the seminal creative talents who sparked the current gigantic sub-industry of motion pictures featuring comic book- initiated product. A sub-industry which had become a super-industry. This most profitable aspect of this millennium's film production, now producing an annual flow of box office profits in the Billions of dollars, was launched when Frank Miller's graphic novel re-take on the classic comic book hero, Batman, resulted in an entertainment industry-wide reconsideration of the genre in the deeper and darker vision Miller brought to it.

Miller re-defined the presentation of comic book characters and heroic fiction with his grand-daddy of graphic novels, "The Dark Knight." This revolutionary work
not only kicked off the series of Batman films based on his redefinition, but a craze for such material that has thrown dozens of such heroes into multiple film franchise heaven. Certainly chief among these has been Miller's uniquely classical take on superheroic narrative, "300," and his "Sin City" books, each of which entered motion pictures with historic successes, and each now in Miller's creative phase of achieving its highly-anticipated sequel. Miller's co-direction of "Sin City" has made him one of the hottest
directors... as well as a guiding creative force...for the new genre. Or one might say "super genre."

Miller's latest graphic novel, Holy Terror, is his first original graphic novel in ten years. Join The Fixer, a brand new, hard-edged hero as he battles terror in the inaugural release from Legendary Comics.

Customer Reviews

The story is great and the art is gritty and explosive.
Michael J. Berry
Read it for yourself, because It is a must read for any comic/Batman fan.
Tyler S.
It's a great story with interesting character development.
Daniel Hanson

Most Helpful Customer Reviews

208 of 221 people found the following review helpful By Nicholas J. Delillo on January 10, 2005
Format: Paperback Verified Purchase
It's amazing how well this story, originally written as a 4-part mini-series in 1986, has held up. This story is responsible for the re-emergence of Batman not just as a superhero, but as a tortured anti-hero with flaws that make him no less obsessed than the supervillains he hunts. Not only do we get heaping servings of the dark, obsessed Batman, we also meet an him as an older man, a true "lion in winter" who must come to grips with his mortality and the unstoppable decline of age.

Miller allows us to use our hero to percieve the world around us, and in doing so The Dark Knight Returns also ends up as a critique of 20th century society (and 21st, for that matter). Batman is just a few public opinion points away from being considered no different than the likes of Two-Face and the Joker.

The relationships between Batman and those he hunts is simply outstanding work by Frank Miller. Generally, there are three types of villains. The first are everyday thugs that are shallow and meaningless both in dialogue and mentality. The second is a savage gang leader. Powerfully built, full of rage and singularly focused hate often seen in the young, this character forces Batman to confront his own mortality and, in an awesome final confrontation, turn to the experience of age for victory. But the most powerful relations come with Batman and his fights with the classic supervillains Two-Face and The Joker. In one really powerful scene, Batman realizes he is equally as tortured as Two-Face, but with one difference: Two-Face feels remorse and despair for what he has once again become (One panel has him actually jumping off a skyscraper, in a possible suicide attempt). He has recieved redemption from society as well as himself, but was unable to maintain it from either.
Read more ›
4 Comments Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again
110 of 123 people found the following review helpful By Timothy P. Young on August 4, 2003
Format: Paperback Verified Purchase
In a phrase, The Dark Knight returns is simply a "western." The old hero comes out of retirement to save his town one last time. On his way, he meets an assortment of old acquaintances, both friend and foe. At the end, there's a nice sunset for him to ride off into. Or is there?

Frank Miller's book is more of a character study of a retired vigilante who just can't take it anymore. Think "Unforgiven" with tights and thermite. Like Arkham Asylum, this is a story of a man and his obsession. Miller's text puts us into that moment, and also reveals his doubts about his chosen calling. Batman here is a man divided, the reluctant hero, and he behaves as such. THIS Batman even realizes that his personal moral code may be suspect. (But never for long.) And the fact that he seems to be instrumental in bringing the Joker out of a catatonic state is telling. Do we beget our own demons? The story questions this repeatedly, and leaves it to us.

Fleshed out not only with cameos, but with a new Robin, a new Commissioner, and several other characters, this is a true work of literature and art. Varley's coloring in particular electrifies this book.

Worthy of addition to any serious collection, be it graphic novel or literature.
6 Comments Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again
61 of 67 people found the following review helpful By Phrodoe on November 20, 2001
Format: Paperback
One of the problems with writing about a genre classic nearly fifteen years after its original release is that so many will have tried to surpass it since then (mostly unsuccessfully). Such is the case with Miller's Dark Knight Returns. In the wake of superior product like Alan Moore's The Killing Joke and From Hell, inferior product like McFarlane's insipid Spawn series, and middling product like Miller's own Sin City limiteds, it's hard to understand what a splash was made by The Dark Knight Returns on its original release. Even in light of Miller's work on classics like Ronin, Elektra: Assassin, and the great Wolverine limited series, Dark Knight was something special, something so dark and twisted and mature, it all but demanded that the rest of the genre mature toward its standard, and almost literally forced establishment critics to take the genre seriously at last. No small feat, especially when considering the character Miller chose to work with -- after all, Batman to most people meant Adam West hitting Cesar Romero with a resounding POW! Not exactly the best way to reenergize a medium, right?
Except Miller did it -- boy, did he ever. Dark Knight was and is one of the most powerful pieces of comic art it's ever been my privelege to own. From the Miller/Janson team's gritty illustrative style, expertly suited to the material, to Lynn Varley's exquisite sense of color and mood, to Miller's expertly-written story, Dark Knight is everything a graphic novel should be.
Read more ›
Comment Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again
26 of 29 people found the following review helpful By A Customer on August 2, 1998
Format: Paperback
I've been a comic book reader for many years, and to this day I cannot recall another single work of comic book art that is quite so brilliant as Frank Miller's Dark Knight. Certainly Cerebus, Sandman, Cages and From Hell are to be lauded for their genuine genius, but Dark Knight remains my all-time favourite creation. Frank Miller has written a gripping story of tragic heroism and bitter social commentary. His Batman is truly a larger-than-life, tormented hero, brilliantly conceived with his many flaws and perverse obsessions intact. Miller plays with the comic book universe beautifully, realising a world wherein the so-called "super-hero" does exist, and exploring the ramifications of this fact. Batman's final confrontation with Superman at the end of this graphic novel is bar-none the most cunningly conceived battle in comic book history. It is achingly poignant to see the two old warriors confront one another at last: Superman with his compromised good-guy! agenda and Batman with his twisted, demoniac fixation. Batman loathes the figure that Superman has become, while Clark Kent pities the poor, lost soul who has sacrificed his very existence for that which he pursues with a vengeance. "You Bruce, with your obsession..." Miller has created in Dark Knight a vividly real and passionately affecting tale of Heroes and Madmen, riveting from start to finish.
Comment Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again

Product Images from Customers

Most Recent Customer Reviews

Search
ARRAY(0xa3e51054)

What Other Items Do Customers Buy After Viewing This Item?