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The Battle For Everything
 
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The Battle For Everything [Dual Disc]

Five For FightingAudio CD
4.4 out of 5 stars  See all reviews (159 customer reviews)

Price: $19.01 & eligible for FREE Super Saver Shipping on orders over $25. Details
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MP3 Download, 17 Songs, 2004 $11.99  
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If every album provides snapshots of where an artist’s mind at heart is at the moment, Slice, the latest offering from John Ondrasik (aka Five for Fighting), is a collection of digital jpegs and faded Polaroids. The album takes stories of friends, family and even American servicemen, and sets them to music shot through with the spirit of the great songs of his youth. It’s a diary, or a blog, in… Read more in Amazon's Five For Fighting Store

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Product Details

  • Audio CD (February 8, 2005)
  • Number of Discs: 1
  • Format: Dual Disc
  • Label: Sony
  • ASIN: B00076ZZ8Y
  • In-Print Editions: Audio CD  |  MP3 Download
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (159 customer reviews)
  • Amazon Best Sellers Rank: #308,013 in Music (See Top 100 in Music)

 
1. NYC Weather Report
2. The Devil in the Wishing Well
3. If God Made You
4. 100 Years
5. Angels & Girlfriends
6. Dying
7. Infidel
8. Disneyland
9. Maybe I
10. The Taste
11. One More For Love
12. Nobody

Editorial Reviews

Amazon.com

Math wiz and multi-instrumentalist John Ondrasik's third album under his rather misleading Five For Fighting rubric shows that he's lost little of the cranky ire that he unleashed on American Town, but this time his targets are a little closer to home. He skews faithless friends and bad habits on the tetchy opening track "NYC Weather report," oddly borrowing from both Guns N' Rose's "Paradise City," and Barbara Streisand's "People" to hammer his ornery point home, before training his sights on the human life span, fleeting relationships, and even Disneyland. But it isn't until "Girlfriends and Angels," that he shows his real brilliance, imagination and grit; Ondrasik finds the exact place where the Beach Boys intersects with the Velvet Underground and plants himself in that spot, spewing out his own hard won romantic philosophies, proving once again that the hunter does indeed get captured by the game. More ribald, sonically inventive, and lyrically edgy, The Battle For Everything, shows that Ondrasik's combative days may be behind him. --Jaan Uhelszki

Product Description

CD AUDIO SIDE: Entire Album

DVD SIDE: * Entire album in 5.1 Surround Sound and enhanced LPCM Stereo * Exclusive documentary with never-before-seen "in the studio" footage * "100 Years" video and making-of video * Acoustic performances * Discography This disc is intended to play on standard DVD and CD players. May not play on a limited number of models.


 

Customer Reviews

159 Reviews
5 star:
 (108)
4 star:
 (29)
3 star:
 (6)
2 star:
 (5)
1 star:
 (11)
 
 
 
 
 
Average Customer Review
4.4 out of 5 stars (159 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

81 of 85 people found the following review helpful:
4.0 out of 5 stars Quite an unexpected surprise!, February 15, 2004
By 
guillermoj (Washington, DC United States) - See all my reviews
Before buying this CD, my exposure to Five For Fighting consisted solely of the single "Superman (It's Not Easy)," an earnest and irresistible song that became a hit long after it was released in 2000. Based on that song, and having heard the first single of this release, I decided to give it a shot. It is also priced to sell and I hope that this pricing strategy is a sign of things to come as this release is from Columbia Records, which seems to be following the on the footsteps of Universal. Everyone wins.

This release is quite powerful and if there is one uniting element to be found is that John Ondrasik (the main force behind FFF) carries his heart on his sleeve. Many critics despise this type of sentiment and they have clobbered them in their reviews. Some have taken easy potshots and called Ondrasik's voice a more annoying version of Chris Martin from Coldplay, but it seems that Amazon.com reviewers as well as the CD buying public has embraced what I think is a very good release that gets better with each listen.

Although its hard and sometimes unfair to compare artists, most songs here are sung in a fragile growl that to me sound a little like Dave Matthews meets Eddie Vedder meets Adam Duritz from Counting Crows. The arrangements are mostly backed with some very straightforward acoustic guitar and some great piano work that some called Elton-esque.

The release starts out with the gorgeous "NYC Weather Report" which sounds like a second single waiting to happen with its infectious arrangement and melodic yearnings. Other highlights include "The Devil In The Wishing Well." "If God Made You" is gorgeous and one of FFF's most optimistic songs. The first single "100 Years" starts out with a gorgeous piano arrangement (a little Bruce Hornsby) and takes off. It's almost as good as "Superman." "Angels And Girlfriends" goes through several changes and has a Beach Boys like sound with some echoes that sound great. Not a huge message song, but just fun. I love "Dying" and it's probably my favorite song on this release. "Infidel" picks up with a hard riff and presents a definite change of pace from the previous songs and adds a Black Crowes feel to the repertoire. The melody on "Disneyland" is awesome. The 2 songs that follow don't do much for me, although it should be highlighted that FFF has greatly expanded its musical menu. "One More For Love" is another of my favorites; notwithstanding that Rolling Stone magazine compares it to Air Supply-like cheesiness. My only response is that this is coming from a magazine that now used to have Bruce Sprinsteen and other originals on its cover, while these days it's either Hillary Duff or the Olsen twins. Nothing against these girls, but Rolling Stone should not throw stones when it lives in a THIN glass house. I love the strings on "Nobody."

One could argue that FFF sounds a little too much like Counting Crows or other recently successful groups and I can't argue with those who say that, but ultimately I just like it and at worst it's the work of musicians and not a media-created product. Some have criticized the lyrics and although they are not the deepest lyrics on earth, their simplicity or lack of depth (in some instances) does not make it a deal breaker.

I know that my review has focused on some of the similarities that FFF has with so many other contemporaries, but ultimately my thinking is that this release just sounds great and yes, it might remind me of others in parts, but it is certainly not a deal-breaker but rather a solid 4 star effort that keeps growing on me more and more.

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28 of 30 people found the following review helpful:
5.0 out of 5 stars Winning the War, February 11, 2004
By A Customer
John Ondrasik makes the kind of music Elton John used to. Before 80's pop. Before he sold his soul to Disney and started doing songs for movies like "Fern Gully" and "The Lion King." Before he became a Vegas act.

Ondrasik really runs the vocal gamut on this album. His low notes resemble a subdued Adam Duritz, while his free-flying falsetto is sometimes reminiscent of the late Jeff Buckley. The best part is he never stops sounding like John Ondrasik. While some musicians seek to imitate, Ondrasik sticks to what he does best: being himself.

The use of strings is prevalent on this album, and only serves to enhance the emotion of each song. Ondrasik is at his Elton John best on "Disneyland," with a dramatic chorus that echoes "Tiny Dancer."

"100 Years" is the album's first single. While I personally enjoy the song, I'm disappointed that it's nearly identical in sound and structure to "Superman," the first single from "America Town."

A true highlight on "The Battle," "Dying" is a slow, moving piano ballad that mourns a relationship gone wrong. A perfect centerpiece for the album, and one of my favorite tracks.

The award for best track is shared by "The Devil in the Wishing Well" and "Nobody". "The Devil..." is a catchy Elton-eqsue guitar/piano tune that begs to be put on repeat. "Nobody" starts out slow and soothing a la "Sullivan Street," picks up steam on the first chorus and doesn't look back after the bridge. Ondrasik adds to the effect with a monologue that would make Diana Ross jealous.

"The Taste" is my least favorite track. It sounds like John Ondrasik tried to write his own "Mojo Pin". Like the Buckley song, it starts out slow and soft, then kicks into a harder rocking chorus with a different time signature. "The Taste" is really good once it gets going - it's just the verse/chorus struggle in the first half that makes it difficult to listen to. It will probably grow on me, but it's no "Mojo Pin."

Overall, I was impressed with this follow-up to "America Town," especially after a couple of listens. It's an album that is almost instantly likeable, and only grows on you with time. I will be among the first in line to buy the next Five For Fighting album. If "The Battle for Everything" is any indication, John Ondrasik is winning the war.

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32 of 36 people found the following review helpful:
4.0 out of 5 stars Good Ear Candy!, May 23, 2004
"The Battle For Everything," the latest release from John Ondrasik, who dubs himself Five For Fighting, is more than excellent. Melodically, it's as smooth as silk while lyrically, it's touching and deep.

"100 Years," while definitely an excellent track, is awfully gloomy, especially for lead-single material. But the lyrics, sung in Ondrasik's deep, expressive voice, will compel listeners to sit back and contemplate: "15 there's still time for you/Time to buy and time to lose/15 there's never a wish better than this/When you've only got 100 years to live."

One thing instantly noticeable about the disc is that it's mood often changes greatly from song to song, making Ondrasik sound scattered. At the same time, this makes for a more interesting listening experience. Take for instance the fun-loving, upbeat "Angels and Girlfriends": "Angels never come for free/If you know what I know you know what I mean/You can love 'em now -- you can love 'em later/Girlfriends never fall for fun/They can tie you up make you come undone."

The disc becomes more bouncy as it continues, swapping the serious tracks near its start like the hooky "The Devil In the Wishing Well" for more lighthearted subject matter. A perfect example is "Infidel," which may make you wonder what medication Ondrasik was on while writing it.

"Disneyland," where in his dreams he flies through the stars like Peter Pan, cannot help but bring a smile to your face: "In my dream everybody's got a little house/A dog, a bank account managed by Mickey Mouse/And the only thing we fight about is the Lakers."

Everything balances out toward the end of the album, where introspective lyrics again take center stage on songs such as "One More For Love," which features excellent piano playing on behalf of the artist.

The epic "Nobody," which is a perfect song to close the album with, finds him stating that, though endings are never happy, it's the happy things along the way that make everything OK in the end.

That's certainly something worth pondering while you turn your CD player off.

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