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Baudelaire and the Art of Memory [Hardcover]

J. A. Hiddleston (Author)

Price: $150.00 & this item ships for FREE with Super Saver Shipping. Details
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Book Description

September 23, 1999 0198159323 978-0198159322
This study is an examination of Charles Baudelaire's (1821-67) art criticism and its relationship with his creative writing. It is the first book in English to treat in one volume the diverse aspects of the subject: the principal aesthetic ideas, the importance of the painters Delacroix, Boudin, Meryon, Guys, and Manet, Baudelaire's essays on laughter and caricature, and other critical writings.

Editorial Reviews

Review

`It is in the chapter on landscape and the painting of modern life that some of the most valuable details and insightful analyses are offered. Here, as elsewhere, Hiddleston's own critical achievement mirrors Baudelaire's, and it is, perhaps, in Hiddleston's erudite symbiosis with the poet, which still manages acute critical distance, that all the power and subtlety of his scholarly arguments lie.' Modern Language Review

`The book offers us new perpectives on Baudelaire and caricature, as well as a close analysis of his theory of laughter.' Robert Lethbridge, Journal of European Studies

`what really makes this sucha rich and distinguished book is Hiddleston's 'feel' for the very texture of creative intersections, so finely attuned is he to the intonations of Baudelaire's language and the tonalities of the pictures he confronted' Robert Lethbridge, Journal of European Studies

`this subtle and attractive introduction to Baudelaire's mental universe.' Forum for Modern Language Studies, Vol 37, No 2

`Hiddleston coaxes novel and persuasive interpretations from his close reading of the Beaudelaire texts.' J-P. Cauvin, Choice, June 2000.

About the Author

Was Lecturer in French, Leeds University, 1960-66 Fellow of Exeter College, Oxford, 1966

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Inside This Book (learn more)
First Sentence:
BAUDELAIRE TWICE asks 'A quoi bon la critique?'; in the 'Envoi' to the Salon de 1859 in a tone apparently of resignation and ennui, and tentatively yet confidently in the opening pages of the Salon de 1846. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
comique significatif, comique absolu, philosophic art, vie moderne
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Les Fleurs du Mal, Claude Pichois, Ary Scheffer, Victor Hugo, Constantin Guys, Horace Vernet, Bazar Bonne-Nouvelle, Crimean War, Michele Hannoosh, Burial Ground, Clarendon Press, David Kelley, Giglio Fava, Lee Johnson, Charles Mauron, Mary Magdalene, Pauvre Belgique
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