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18 of 18 people found the following review helpful:
4.0 out of 5 stars
thin but insightful, August 29, 2004
Tom Wolfe is without a doubt the most honest and humorously penetrating social critic since Mark Twain. He writes what we would love to say and in a manner any of us would give our pinkies to employ. This book, though not as good as others, goes right to the heart of the problems with modern architecture that have plagued our cities and our aesthetic sense. Lest some of you think I'm a cultural philistine, I am myself an architecture student, and I can say that Wolfe's skewerings of the modern profession are so accurate as to be almost omniscient. He rightfully lampoons the excessive intellectualization, the hackneyed leftism, and reverse snobbery of architectects since the 20's while showing the lamentable effects of these traits. His analysis, though shallow, is regretably dead accurate for he understands the social and intellectual impulses (and justifications) that have driven the profession since the Bauhaus. Tom Wolfe constantly plays the role of the young boy in "The Emperor's New Clothes" and, once again he is pointing out the laughably naked elite which are producing architecture these days. I do not agree with all of his analysis of certain buildings, but his social critique from the archictural theorists to the clients to the "working class" are all as humorous, sad and accurate as you expect from Wolfe.
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18 of 19 people found the following review helpful:
4.0 out of 5 stars
Interesting even for those with no architectural background., September 26, 2006
From Bauhaus to Our House is inescapably a book about architecture, but it's about more than that, too. Wolfe uses architecture as a lens to magnify a problem you see again and again in human society and human history - group think and mindless following.
I have no architectural background, and found Wolfe's (very) brief history of 20th century Western architecture to be very interesting. I've always wondered how we ended up with so many monotonous and kinda fugly buildings in the 50s, 60s, 70s and 80s. In Bauhaus, Wolfe offers up his explanation in a fun, readable manner.
Beyond that, however, Wolfe also gives you a look at one instance of a rather homogeneous group of people - in this case academic architects - come up with an idea that takes on a life of its own and becomes too powerful for anyone to challenge. Call it group think, peer pressure, mindless following, popular culture or the will of the majority, it's a somewhat frightening process and here Wolfe shows it to us in a case where - thankfully - all we got from it was a lot of ugly buildings.
Recommended.
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12 of 13 people found the following review helpful:
5.0 out of 5 stars
Wolfe the essayist is even better than Wolfe the novelist, March 23, 1999
By A Customer
One doesn't normally think of a book on architecture as being funny, but Wolfe's hilarious evisceration of modern architecture's sacred cows is truly a scream. Wolfe skewers the pretensions and downright foolishness of some of the most famous names in 20th Century architecture, and does so in a manner that is always engaging and fun to read. You may not agree with everything he says, but you certainly won't be bored by his witty and provocative observations. As good as Wolfe the novelist is, Wolfe the essayist is even better.
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