Customer Reviews

Bavarian Fruit Bread

5 star:		(26)
4 star:		(17)
3 star:		(4)
2 star:		(2)
1 star:		(0)

 

 

With the music, Hope Sandoval's vocals, the album art, and the album cover of "Bavarian Fruit Bread" combined, this has to be my single favorite album. Hope, whether it was when she was with Mazzy Star or went solo with this project, has easily become my favorite vocalist. How could anyone not be drawn to that adorable voice? What's really great about this album is that her vocals become even more of a focal point on "Bavarian Fruit Bread." And what's different about the music here is that rather than the psychedelic bluesy sound of Mazzy Star, there's more of a low-key, folksy approach through the use of acoustic guitar, harmonica, and the glockenspiel. Simple, sparkly, and gorgeous. I wish all music was this good.

I remember hearing "Suzanne" for the first time. I was not yet familiar with Hope, but that song was the beginning to my adoration of dream pop and shoegaze music. What really stood out was the gentle tinkling of the glockenspiel on this track accompanied with Hope and Colm murmuring "Suzanne". There's a certain shimmering, subdued beauty about this entire album that gently pulls you in and keeps you warm and intoxicated with its relaxing and somber nature. It's so easy to just sit back and lose yourself in this kind of music. Of course this isn't the most uplifting or upbeat music I've heard, but there's so much beauty to discover and appreciate in the lethargic dreaminess here.

The only fault I see in this album is the slight mix-up of song titles. I find they're sometimes listed differently, so here's my version:
1. Drop
2. Suzanne
3. Butterfly Mornings
4. On the Low
5. Baby Let Me
6. Feeling of Gaze
7. Charlotte
8. Clear Day
9. Bavarian Fruit Bread (instrumental)
10. Bavarian Fruit Bread
11. Around My Smile
12. Lose Me on the Way

I consider the standout tracks to be "Bavarian Fruit Bread", "Clear Day", "Suzanne", and "Charlotte." All tracks are impressive, though, and it's quite consistent. I can't guarantee you'll love it, but I hope many have been able to enjoy this album as much as I have. Melancholy was never so beautiful before. Whether it makes me want to smile or cry at all its beauty, I just feel pleased to have come across an album created by all very talented musicians.

These songs are languid, sensuous, swathed in ennui and melancholy. All the songs are woven by the same magical fabric, a quality I like in an album (as opposed to a hodgepodge). To make the album all the more wonderously tormenting, Hope Sandoval's persona, sad and smoky, is very attractive, irresistable even.

Additionally, I admire the album's absence of gimmicks. The album's appeal lies in its melancholy sensibility and Hope Sandoval's dolorous voice.

Such a great pleasure to hear Hope Sandoval's ghostly voice again! It's been more than half a decade since the last Mazzy Star CD, but now's a good time to hear from her again. The immortal MazStar tune "Fade Into You" has been receiving airplay again on TV this year, creating a demand for new music from Hope, and here it is. This new CD features a very stately and soft kind of folk music, meaning the songs are all down tempo, primarily just Hope's voice accompanied by Colm O Ciosoig on guitar. Colm's guitar playing is rather slight, a fact which becomes painfully apparent when Brit-folk legend Bert Jansch joins them on two tracks for some much more intricate guitar lines. Hope's singing is the highlight, though, that wispy, breathy thing of wonder you can just wrap yourself up in and get lost for hours...

I enjoy this album, the way it's all smoky and dreamy and sensual. If you want to spent a little time floating away, here's a good way to go. To me, it feels like total girl-pouty-attitude, which is kinda satisfying sometimes!

I was a bit doubtful when I listened to her single, "At the Doorway Again." It wasn't quite as good as I expected from the lead singer of Mazzy Star (though it was still wonderful). But this album is MAGNIFICENT!!!! It has propelled me into spiraling colors and places that I had thought nearly forgotten or non-existent. Bavarian Fruit Bread is a comfort. If there is a place in your heart for Mazzy Star, (and if there isn't, I have pity for you,) then you will undoubtedly enjoy Hope's first album on her own. For the suicidal and overjoyed alike, highly recommended. Especially wonderful are the tracks Drop, On the Low, Lose Me On the Way... You know what? They're all good.

Her wispy, soft vocals were the biggest highlight of Mazzy Star's smoky pop. But now that that much-missed band is gone, Hope Sandoval sets out as a solo artist, in the enchanting "Bavarian Fruit Bread." If you can't have Mazzy Star, then this is a pretty good alternative.

It opens with an acoustic guitar playing a slow melody, mellow and gently. That tune doesn't change much throughout the opening song "Drop," except that Sandoval begins singing in a moody, dreamy manner after a minute. That pretty much sets the tone for the entire album, except for a few songs -- sweet vocals, languid melodies, and a few chimes thrown in.

Most of the songs that follow are much the same -- mellow, gentle, sad acoustic ballads. A few break the mold, with an electric guitar riff in the smoldering "On The Low," and a distant piano solo in "Baby Let Me." And the final song "Lose Me On The Way" is a brilliant slice of experimental pop, slowly sliding from guitar to synth and haunted-house effects, and then back again.

"Bavarian Fruit Bread" is undoubtedly Sandoval's own effort, despite all the inevitable comparisons to her defunct band. It's prettier, less jazzy, more delicate, and simpler. And taken only on its own, it's still a remarkably pretty piece of indie folkpop.

Some of the acoustic guitar playing is somewhat weak, which becomes even clearer when the electric one enters the scene. It's far too simple. So, for that matter, is the songwriting ("Gonna find all your trouble/Gonna send them away/Gonna make you feel happy/Gonna be what you say"), although the songwriting's simplicity is something of a blessing.

However, the piano, eerie fuzzy synth, and slightly scratchy violin are well done, and add some extra dimension to the pretty little songs. Perhaps the only instrumental flaw is that Sandoval and her band never pick up the tempo. Everything is slow and languid. Why not a few midtempo songs?

But whatever the melodies are, they seem to exist to frame Sandoval's lovely voice. She puts it to good use here, singing as if she were half asleep. "The way you drop/Is like a stone/Making out you're flying/But you've just been thrown," she murmurs in the opening song. While these are very simple, they are also beautiful in their lack of pretension.

Stripped-down songs and airy melodies are at the heart of "Bavarian Fruit Bread," the solo debut by Hope Sandoval. Sweet and languid all around.

This cd does not fit my usual taste in music, which tends toward electronic trance and progressive house (dance music), but when I accidentally tuned into the Georgia State University student-run radio station while visiting Atlanta a few weeks ago, I found myself absolutely mesmerized by a female voice and instrumental accompaniment that (after some desperate sleuthing) I discovered to be Hope Sandoval & Warm Inventions performing "Clear Day." I had to have this cd! And having bought the disc, I was certainly not disappointed in the rest of the album.

Hope Sandoval has a uniquely dreamy, soothing, languid (in a good sense) kind of vocal style that I find absolutely irresistible. The acoustical accompaniment that complements her voice here helps create an ethereal, hypnotic overall sound that is simply wonderful to listen to. My favorite track continues to be "Clear Day," but I also have fallen in love with "Suzanne," "Feelings of Gaze," and "Charlotte." Since there actually are twelve tracks and yet only eleven are listed, I perhaps remain a bit confused about how some of the titles correspond to the music, however. There is perhaps not quite enough variation between most of the tracks, but neither are there any "clinkers" here. Solid work, indeed.

The dreamy, soothing, and yes, trancey sound of this music has been a revelation for me. I keep listening over and over again! Now I can't wait to seek out some of Hope's earlier work with Mazzy Star.

Her wispy, soft vocals were the biggest highlight of Mazzy Star's smoky pop. But now that that much-missed band is gone, Hope Sandoval sets out as a solo artist, in the enchanting "Bavarian Fruit Bread." If you can't have Mazzy Star, then this is a pretty good alternative.

It opens with an acoustic guitar playing a slow melody, mellow and gently. That tune doesn't change much throughout the opening song "Drop," except that Sandoval begins singing in a moody, dreamy manner after a minute. That pretty much sets the tone for the entire album, except for a few songs -- sweet vocals, languid melodies, and a few chimes thrown in.

Most of the songs that follow are much the same -- mellow, gentle, sad acoustic ballads. A few break the mold, with an electric guitar riff in the smoldering "On The Low," and a distant piano solo in "Baby Let Me." And the final song "Lose Me On The Way" is a brilliant slice of experimental pop, slowly sliding from guitar to synth and haunted-house effects, and then back again.

"Bavarian Fruit Bread" is undoubtedly Sandoval's own effort, despite all the inevitable comparisons to her defunct band. It's prettier, less jazzy, more delicate, and simpler. And taken only on its own, it's still a remarkably pretty piece of indie folkpop.

Some of the acoustic guitar playing is somewhat weak, which becomes even clearer when the electric one enters the scene. It's far too simple. So, for that matter, is the songwriting ("Gonna find all your trouble/Gonna send them away/Gonna make you feel happy/Gonna be what you say"), although the songwriting's simplicity is something of a blessing.

However, the piano, eerie fuzzy synth, and slightly scratchy violin are well done, and add some extra dimension to the pretty little songs. Perhaps the only instrumental flaw is that Sandoval and her band never pick up the tempo. Everything is slow and languid. Why not a few midtempo songs?

But whatever the melodies are, they seem to exist to frame Sandoval's lovely voice. She puts it to good use here, singing as if she were half asleep. "The way you drop/Is like a stone/Making out you're flying/But you've just been thrown," she murmurs in the opening song. While these are very simple, they are also beautiful in their lack of pretension.

Stripped-down songs and airy melodies are at the heart of "Bavarian Fruit Bread," the solo debut by Hope Sandoval. Sweet and languid all around.

Flat out a great album. Clear Day, On the Low & Around My Smile have rocketed up to my all time favorite songs list, with Clear Day's slightly haunting, slightly entrancing ambiguity being possibly one of my top favorite songs ever. Not to build it up to much, but if your favorite songs trend moody then you'll likely find something deeply beautiful about it. The rest of the album is good too. Different than Mazzy, but not by much. I'm so hoping she'll keep both bands going. A total gem of an album that so many will surly fall in love with.

Hope Sandoval/Mazzy Star fans will be please to find the hauntingly sexy, dreamy and magical sounds which only can project from the throat of Hope Sandoval omnipresent in this cd. I believe in life, love and the pursuit of Hope! Get this cd!