26 of 27 people found the following review helpful:
5.0 out of 5 stars
A masterpiece about a masterpiece, December 16, 2005
This review is from: The Bayeux Tapestry (Hardcover)
If one cannot see the Bayeux Tapestry in person (and I have been privileged enough to have done so), this book may well be the next best thing. Beautiful, two-page spreads highlight the colour, the detail and the magnificence of the what is perhaps the most famous tapestry in the world.
The Bayeux Tapestry itself is over 70 yards long - that is long enough to be hung from the window of a twenty-story building and still be able to touch the ground. Threads of wool embroidered onto the precious linen are brilliantly transformed into a work of art - were this an abstract representation or simple story-telling device, the work would still be famous and remarkable. Yet it has the added advantage of combining unparalleled craftsmanship with a pivotal story in history - the tale of the Norman Conquest, the last successful invasion of Britain.
The story on Tapestry begins in 1064, with the English king Edward the Confessor, much loved and respected, trying to ensure a peaceful succession. The next two years would see other events transpire, ending with the death of King Harold, shot by an arrow in the Battle of Hastings. The details are fascinating, including the appearance of a comet (which turned out to be one of the periodic appearances of Halley's Comet) shortly after Harold's coronation - comets in this period were usually seen as signs of foreboding and doom, and certainly that was the case for Harold.
William the Conqueror is certainly the hero of this Tapestry, and the origins of the Tapestry are still a mystery. There are historical events throughout the Tapestry, and Musset's text looks at most of the Tapestry in 58 sections, going into great detail about what is presented in the embroidery. For example, Harold is shown dying with an arrow through the eye - history does confirm this type of death, and an early engraving of the Tapestry doesn't show the arrow wound for Harold, but given that perjurers and frauds were thought to die of wounds to the eyes, the later addition of the arrow may have been a propaganda move to help justify William's rightful claim to the throne.
Lucien Musset was a professor at the University of Caen, and had a life-long love affair with the Bayeux Tapestry, spending nearly 50 years in study and reflection. This book represents a stunning life-long labour of love, and one that is magnificent in both word and visual form. Musset's text develops historical, artistic and social themes for each of the sections, and adds a richness to the experience of surveying the Tapestry. It is not to be missed.
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6 of 6 people found the following review helpful:
5.0 out of 5 stars
Wonderful, February 28, 2010
This review is from: The Bayeux Tapestry (Hardcover)
This is a marvelous book on the Bayeux Tapestry. Each frame has its own page with a copy os the tapestry, the Latin original and English translation provided. A very good history of the tapestry, comparisons to other tapestries and even the type of stitch used is provided. I bought the book to prepare for a visit to the actual tapestry in 2010 and I couldn't be better pleased with it.
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10 of 12 people found the following review helpful:
5.0 out of 5 stars
A masterpiece of Roman times examined, March 17, 2006
This review is from: The Bayeux Tapestry (Hardcover)
THE BAYEUX TAPESTRY could also have been featured in our history shelf; but it's reviewed here for its appeal and importance to fiber artists as well. The Tapestry is one of the most notable achievements of the Norman Romanesque period, surviving intact for over nine centuries when even cities have fallen. It was entrusted by Napoleon to the citizens of Bayeux and today is displayed in a local gallery. The history of 11th century England and Normandy is surveyed along with the artistic importance of the Tapestry in a title which doesn't intend to revolutionize the study of the piece, but to survey reliable scholarship on the subject. Chapters take a scene-by-scene approach and analyze both historical and artistic elements of the Tapestry while Richard Rex's translation provides smooth enlightenment.
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