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Baylado: Music of Renaissance Spain

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Audio CD, October 30, 2001
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listen  1. Tan buen ganadico 3:52$0.99  Buy MP3 
listen  2. De el pobo 2:46$0.99  Buy MP3 
listen  3. La dictó Froilan Gomez 2:28$0.99  Buy MP3 
listen  4. De la mata 1:14$0.99  Buy MP3 
listen  5. Falai miña amor 4:01$0.99  Buy MP3 
listen  6. Baylado 3:08$0.99  Buy MP3 
listen  7. Fata la parte 4:46$0.99  Buy MP3 
listen  8. Con pavor recordo el moro 2:18$0.99  Buy MP3 
listen  9. La tricotea Samartín 7:16$0.99  Buy MP3 
listen10. Con Amores 2:17$0.99  Buy MP3 
listen11. Los braços traygo cansados 1:51$0.99  Buy MP3 
listen12. Pase el agoa 2:32$0.99  Buy MP3 
listen13. Fantasia que contrahaze la harpa en la manera de Ludovico 2:34$0.99  Buy MP3 
listen14. Sospirastes, Baldovinos 5:03$0.99  Buy MP3 
listen15. El Gran Duque 3:30$0.99  Buy MP3 
listen16. Ysabel 4:56$0.99  Buy MP3 
listen17. De Toril 1:37$0.99  Buy MP3 
listen18. Eres, Agueda gloriosa I 1:36$0.99  Buy MP3 
listen19. No querades, fija 1:46$0.99  Buy MP3 
listen20. Eres, Agueda gloriosa II 3:45$0.99  Buy MP3 

Product Details

  • Performer: Terra Nova Consort
  • Composer: Juan de Anchieta, Anonymous, Spanish Anonymous, Joan Baptista Comes, Juan del Encina, et al.
  • Audio CD (October 30, 2001)
  • Number of Discs: 1
  • Label: Dorian Recordings
  • ASIN: B00005RDBH
  • Average Customer Review: 2.3 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #540,590 in Music (See Top 100 in Music)

Customer Reviews

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Most Helpful Customer Reviews

11 of 15 people found the following review helpful By "gaios33" on December 17, 2001
Format: Audio CD
Ah, at last! I have been waiting breathlessly for the Terra Nova Consort's second CD ever since I purchased the first one (Renaissance en Provence) when it first came out. And their second outing into the world of Renaissance Mediterranean music certainly does not disappoint. According to their liner notes, their aim with this album is to explore the popular music of the Northern Spanish courts as it might have sounded had it travelled into Andalucia. And so we get amazing and fiery performances of many familiar songs from the 15th and 16th c. cancioneros, as well as some traditional music that wouldn't sound out of place to the Renaissance aesthetic. Guitars strum up a storm, castanets and tambourines beat away, and the violin and recorders provide a bright commentary on the melodies--and then the vocalists grind and soar above it all, sometimes in passionate harmony, sometimes in sparkling heterophony, and sometimes in virtuosic solo display, all inspired by the traditional vocal practices of Southern Spain. I have never come across a recording of this repertoire that so fully captures the spirit and the rhythmic and emotional potential of the music.
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8 of 11 people found the following review helpful By Maddy Evil on July 30, 2005
Format: Audio CD
This recording attempts to give a portrayal of Spanish music from the beginning of the 16th century, drawing upon works by some of the best known composers of the period, notably Encina, Anchieta and Milan. Sadly, however, the emphasis here lies on 'attempts'. Whilst this revelation may prove to be a complete disappointment for some, it must be said that NOT ONE scrap of contemporary evidence even vaguely supports the latent, outdated assumptions here that: 1) a kaleidoscopic jamboree of instruments must have participated (on which note, the violin and sopranino recorder do not appear in Spain until much later into the 16th century), or that 2) Moorish and Flamenco traditions were an innate, integral feature of this repertoire (cue those insightful liner notes, p.9 - 'we have a really cool Turkish drum'). Apparently, the aim of this recording is to demonstrate how Cancionero music might have sounded if it had travelled south...yet no explanation is ever offered as to why (or indeed how) Castilian court music would have been absorbed by the Al-Andalus oral tradition. In addition, whereas other groups using large (and anachronistic) forces create performances of superb quality (such as the Harp Consort or Hesperion XXI), here, suspect musicology is complemented with some decidedly amateurish interpretations, perhaps most obviously in the rasping, Michael Morrow/Asturian-inspired vocals (...ya cantan los gallos...???).Read more ›
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5 of 9 people found the following review helpful By A Customer on May 19, 2004
Format: Audio CD
This has to be the most misguided interpretation of Renaissance songs I have ever heard: Modern pseudo-flamenco versions of classic court and popular songs. Juan del Encina must be rolling in his grave. Please listen to Jordi Savall (Hesperion XX) or the Huelgas Ensemble instead. I expected more from Dorian Recordings, the folks who brought us the Baltimore Consort.
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