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Bazaars & Fair Ladies: History American Fundraising Fair Hardcover – October 2, 1998
"In the Country We Love" by Diane Guerrero
A moving, heartbreaking story of one woman's extraordinary resilience in the face of the nightmarish struggles of undocumented residents in this country. Learn more
Gordon surveys the fundraising fair phenomenon through its various names and incarnations, including ladies' sales, ladies' fairs, fancy fairs, fetes, festivals, carnivals, boutiques, and church or charity bazaars, and the many causes these events have benefitted, such as abolition, suffrage, and war relief. Drawing on a wide variety of historical documents—newspaper and magazine accounts, souvenir programs, photos, scrapbooks—as well as on fictional representations, interviews with fairgivers, and participant observation, Gordon provides detailed descriptions of fairs characteristic of specific periods, recreating what it felt like to walk into a Civil War sanitary fair or into Boston's "Atlantic City Boardwalk" fair of 1922. Throughout, she analyzes the ways in which the fundraising fair functioned as a vehicle for aesthetic and social meaning, creating rich environments that celebrated communal bonds.
Gordon stresses the role women's bazaars played within the larger fair culture, demonstrating that many of the trends evident in American agricultural and trade fairs and international exhibitions had their origins in women's fundraisers. Highlighting changes in fair themes, aesthetic environments, consumer fashions, and critical responses from the public, Gordon also looks at similarities and differences among participants from varied ethnic and geographic communities. Gracefully written and abundantly illustrated, Gordon's study of this vital American cultural institution sheds light on 175 years of women's creativity, fellowship, and community-building.
The Author: Beverly Gordon is a professor in the Environment, Textiles, and Design Department and serves the folklore and women's studies programs at the University of Wisconsin–Madison. She is the author of several books, including Shaker Textile Arts and American Indian Art: The Collecting Experience.
About the Author