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"A Beach Full of Shells," Als Appleseed debut and first new US release since 1995s "Between the Wars," finds Stewart in timeless form, presenting 13 new songs that span centuries and continents, autobiography and fiction. As he nears the 20-album mark, Stewart remains a distinctively literate and vivid storyteller, time-traveling and teleporting from World War I battlefields to Sixties bedrooms, from ships to airplanes to ice floes, from the specific to the mysterious.
Musical settings that encompass electric folk-rock and acoustic ballads, colorful dabs of classical and Eastern music, and even a touch of Little Richard-style piano pounding, are as varied and imaginative as Als subject matters. The CDs producer, Laurence Juber has enhanced Als elegant Scottish drawl, nimble acoustic guitar-work and keyboards with his own Grammy-winning guitar playing, string arrangements and percussion and a flexible rhythm section.
"The Immelman Turn" kicks off the CD in a style reminiscent of Fairport Convention, with spirited violin and barbed electric guitar sweeping us into the tale of a doomed pilots last flight. Then we fall down the genteel rabbit hole of "Mr. Lear," a tribute to the 19th Century nonsense poet, before landing in the veiled intrigue of "Royal Courtship." Elsewhere and elsewhen, we are taken "Somewhere in England 1915"; into the freezing bleakness of "Out in the Snow"; to visit party girl "Gina in the Kings Road"; to the frenzied rock n roll past of "Class of 58" and a peaceful, nostalgia-filled old age in "Katherine of Oregon." And thats just part of the tour on "A Beach Full of Shells."
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Most Helpful Customer Reviews
48 of 52 people found the following review helpful:
5.0 out of 5 stars
A crowning jewel of a great career,
By
Amazon Verified Purchase(What's this?)
This review is from: Beach Full of Shells (Audio CD)
I've been a fan of Al Stewart since I heard "Carol" on the radio in 1973 or 1974 or so, and have become very familiar with his work since then. After all these years, I didn't think that I could be surprised by anything he did because I already had such high expectations, but frankly this new recording has left me amazed. From the very start of the opening cut, his creativity shines in lyrics, tone, instrumentation, and variety. His voice is in the best form in many years. Al seems to have found something from within that is both inspiring and fresh, perhaps a reconnection with his own folk rock roots, that has elevated his music in many ways. Laurence Juber, the acclaimed guitarist and producer, did a superb job bringing this great collection of songs to life. The entire recording is a joy to play, and I think over time it will become viewed by many as Al's finest. I can't help but be reminded of Roy Orbison who had a huge surge in creativity later in his career.
This CD comes with a very attractive lyric and photo booklet. Addendum: it's been about six years since I wrote this review; this recording has staying power -- it's one of my favorite AS recordings of all time. I'd put it up there with 'Between the Wars' and 'Year of the Cat.'
31 of 35 people found the following review helpful:
5.0 out of 5 stars
You MUST have this album!,
By Jodi Oli (Midwest) - See all my reviews
This review is from: Beach Full of Shells (Audio CD)
Lovely, lyrical songs and music...definitely one of Al's best.
There are no songs to dislike on this album, and many to love. Right now I am humming "Katharine of Oregon", while my son is singing "Rain Barrel" (which I seem to recall as a real historical event, but cannot remember the details). "Mr. Lear" is also a favorite. My kids and I loved Edward Lear's works, and Stewart deftly captures the wistful playfulness of his works. The song which contains the title words, "Somewhere in England, 1915", is hauntingly beautiful; it brought tears to my eyes. But, as I said -- they are all good.
9 of 9 people found the following review helpful:
4.0 out of 5 stars
A Welcome Return,
Amazon Verified Purchase(What's this?)
This review is from: Beach Full of Shells (Audio CD)
Quite a few years have passed since Al Stewart's last release so A Beach Full Of Shells marks a welcome and refreshing return to the public ear.
I have been a fan of Stewart's ever since the lyrical wizardry of Past, Present and Future delighted my senses nearly forty years ago. And its all still here: Stewart's rich and unmistakeable voice, the unparalleled scope and depth of his lyrics, and his musical prowess. The problem (some may say its his delight) with Stewart though is that he sometimes really seems to plumb the depths of the past in order to come up with what he feels is a suitable subject for a song. The Immelman Turn is just such a song. Barnstorming is a very obscure topic and in the course of the song Stewart himself seems at a loss to find much of anything to say about it. But that song and the silly Class of '58 aside, Stewart has turned out his best album since The Last Days of the Century. My favorites are the whimsical Mr Lear, the tongue-in-cheek take on some of the absurdities of diplomacy in Royal Courtship, the mysterious Rain Barrel, the cozy Katherine of Oregon, the phantasmic Out In The Snow, the dreamy My Egyptian Couch, the rocking Gina In The King's Road, and the imaginitive story of a suicide in Anniversary. Overall, A Beach Full Of Shells is a fine album that should please even the most discriminating of Stewart's fans.
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