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Beadwork: A World Guide [Hardcover]

Caroline Crabtree (Author), Pam Stallebrass (Author)
4.8 out of 5 stars  See all reviews (4 customer reviews)


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Book Description

November 16, 2002
French mourning wreaths; Ukranian Easter eggs; Norwegian bodices; Chinese slippers; Pakistani hair tassels; Egyptian belly-dancing outfits; central Asian tent decorations; Maasai wedding dresses; Xhosa neckpieces; Athabaskan shot pouches and Sioux mocaasins...from Greenland to Bali, beadwork from all around the world is illustrated, and its history revealed, in this authoritative history of the craft.

The amazing worldwide transformation of very small, usually uniformly colored, beads
into intricate articles or embellishments is told in a coherent story for the first time.
The earliest drawn glass beads were produced around 200 B. C. in various locations in India and exported for centuries along the major trade routes to Africa and Asia. From the sixteenth century on beads made in Europe became highly desirable trade items and spread throughout the world.

After an introduction and an in-depth survey of bead manufacturing centers in Europe and Asia, Beadwork is organized into five principle sections, with over forty topics in all.
Each of four main regional sections-Africa; the Americas; Asia, Oceania and the Arabian Gulf; and Europe-outlines the history and trade routes of beads in the area, with an accompanying map, examines what has been and is being produced in detail. A fifth section surveys construction and techniques: from brick stitch and herringbone weave to lazy stitch and three-dimensional structures.

With over six hundred illustrations, information on collecting and conserving beadwork, and on where to see public collections, this is the first survey to reveal the wealth and diversity of traditional beadwork from around the world. The result will inspire beadworkers, collectors and designer, and anyone interested in art, craft, and fashion.


Editorial Reviews

From Booklist

This fantastic starting point for those beginning in the art of beadwork aptly covers the long record of the art form throughout the world. Beginning with an overall history, the authors set out "to draw attention to objects decorated with, and constructed from, the tiny glass 'seed' beads that are so often overlooked." Maps help to show the trade routes between bead-manufacturing centers, and the authors describe the various processes of making beads worldwide. Five chapters follow--Africa, the Americas, Asia, Oceania and the Arabian Gulf, and Europe-- each detailing and illustrating the different styles used and the history of beadwork in those regions. But the authors' last chapter, "Construction and Techniques," examines the mechanical design of the different styles and how artists and students can identify the workmanship behind the beauty. Here readers learn the differences between the similar techniques tambour and ari, one found commonly in Western beadwork and the other in the Indian subcontinent. Also included is a helpful chapter on collecting beadwork and a list of public collections all over the world. With more than 200 pages of striking color photos, this concise introduction to the history and different forms of beadwork will guide anyone who wants to learn more about the varied art form. Michelle Kaske
Copyright © American Library Association. All rights reserved

About the Author

Caroline Crabtree trained as an embroiderer in the UK and is the author of World Embroidery.

Pam Stalebrass studied Fine Arts at the Univeristy of Natal, South Africe. She is the author of The Creative Guide to Fabric Screening.

Product Details

  • Hardcover: 208 pages
  • Publisher: Rizzoli (November 16, 2002)
  • Language: English
  • ISBN-10: 0847825132
  • ISBN-13: 978-0847825134
  • Product Dimensions: 11.3 x 9.8 x 0.9 inches
  • Shipping Weight: 3.2 pounds
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #2,026,776 in Books (See Top 100 in Books)

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Customer Reviews

4 Reviews
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Average Customer Review
4.8 out of 5 stars (4 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

13 of 14 people found the following review helpful:
5.0 out of 5 stars Finally! The History of Beadwork in Beautiful Form!, November 11, 2002
By 
D. K. Atkinson (Southern Illinois USA) - See all my reviews
(REAL NAME)   
This review is from: Beadwork: A World Guide (Hardcover)
I'll start with a quote from the introduction "our aim is to draw attention to objects decorated with, and constructed from, the tiny glass 'seed' beads" (pg 8 introduction). I will attest to the fact that the authors have succeeded in the most magnificent fashion!

Divided into deceptively simple sounding sections, this book will take you on a trip around the world and through history. The six sections are: Bead Manufacturing Centers; Africa; the Americas; Asia, Oceania, and the Arabian Gulf; Europe; and Construction and Techniques. Then each of these sections is divided into the the various countries and regions covered with the broad section heading. There are photographs everywhere - color, black & white, historical, and studio quality. This is a very visual book for a visual medium.

I've always felt as a beader that I am carrying on a tradition that goes back centuries, this book pays homage to the traditions from around the world. It is an incredible resource that belongs on every beader's shelf for inspiration and rememberance of all that has come before. This book will be to beadwork what "The History of Beads" is to beads and bead collectors.

TWO NOTES:
ONE: The section on Construction and Techniques is not meant to teach you how to do a particular type of beadwork, but to give you an idea of what is involved. There are several excellent teaching books available.
TWO: On page 151, there is a set of beaded sleeves from a dress from Western Europe that are absolutely breath-taking.

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6 of 7 people found the following review helpful:
4.0 out of 5 stars A Fabulous Overview, June 2, 2003
By 
Amazon Verified Purchase(What's this?)
This review is from: Beadwork: A World Guide (Hardcover)
This is a wonderful book. It is beautifully photographed with sumptuous examples of beadwork traditions from around the world. The text covers each tradition rather lightly, but the information the authors do provide is solid.

That said, some of the size and proportion choices for the photographs make no sense. Entire garmets will be tiny, while beaded trinkets will be magnified. The most annoying example is the Bagobo shirt on page 137. This garmet is worked in the unusual shell and bead embroidery found in the Philipines, and the technique is discussed over several paragraphs in the accompanying text. However, the picture is so miniaturized that if you were not reading a book on beadwork, you would have no idea that the design on the shirt is any kind of applied decoration, much less beads and shells. Meanwhile, a photo of an unremarkable (and undiscussed) purse covers half the page.

A huge disappointment is the complete lack of information about where any of these beautiful pieces may be. For those doing bead research or travelling (or both), it would be helpful to know which are in collections that the public can access either through web contact or museum visits.

Neither of these should deter buyers interested in beads or beadwork. This book is a keeper. If there is a second edition, however, I would hope for the addition of information about the collections from which the beadworks come.

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2 of 2 people found the following review helpful:
5.0 out of 5 stars Fabulous!, July 20, 2007
By 
likes books a lot (Walnut Creek, CA United States) - See all my reviews
Amazon Verified Purchase(What's this?)
This review is from: Beadwork: A World Guide (Hardcover)
This is a fabulous, beautiful book as are many Rizzoli books. It is not perfect as to attributions etc, so scholars may quibble, but for inspiration and a wonderful overview of international beading with small beads it is terrific! I am going off for my first class in peyote beading this morning and this was a perfect source of ideas and information to get me charged up! It is not, however, a how to book. There is a technical section at the end describing how the various techniques are done but not in anyway sufficient to make any projects. The descriptions are clear but not detailed enough for that. To attempt any of these techniques the reader will need a good teacher and most probably additional books.
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