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Most Helpful Customer Reviews
21 of 21 people found the following review helpful:
5.0 out of 5 stars
terrific stop-animation from genius Ray Harryhausen,
By
This review is from: The Beast From 20,000 Fathoms (DVD)
Featuring the remarkable animation of Ray Harryhausen and based on a short story by Ray Bradbury, this 1953 film has been re-released and should bring pleasure to Harryhausen fans and devotees of classic monster films. The best things about this movie are that the monster appears early and often, and that there are lots of interesting scenes, such as the fictional Rhedosaurus's attacks on a lighthouse, New York City, and the Coney Island roller coaster. The acting and dramatic tension are only mediocre, but the creature is lots of fun.DVD extras are brief but exciting -- trailers for Harryhausen films currently being released on dvd; a 6-minute making-of featurette; and a terrific 17-minute conversation between Harryhausen and Bradbury, reminiscing on their friendship and careers. The film can be heard in English or French, and subtitled in English, French or Spanish.
23 of 24 people found the following review helpful:
5.0 out of 5 stars
A True Sci-Fi Classic,
By Robert Childers (Longview, TX United States) - See all my reviews
This review is from: The Beast From 20,000 Fathoms [VHS] (VHS Tape)
Special effects by the legendary Ray Harryhausen and a story by popular science fiction author Ray Bradburry... this was destined to become a sci-fi classic. This was the first, and probably best, in the long line of prehistoric monster movies that followed and became part of sci-fi film history in the process.
13 of 13 people found the following review helpful:
4.0 out of 5 stars
RAY HARRYHAUSEN'S FIRST SOLO FEATURE AN OUTSTANDING SUCCESS,
By Roy P. Webber (Escanaba, Michigan) - See all my reviews
This review is from: The Beast From 20,000 Fathoms [VHS] (VHS Tape)
Hired by Jack Dietz and Hal Chester to make a monster movie, Ray Harryhausen had the opportunity to helm the special effects in a feature film for the first time. He worked several years earlier with his mentor Willis O'Brien ( KING KONG ) on MIGHTY JOE YOUNG, a pseudo-remake of the 1933 classic that inspired young Ray. But MIGHTY JOE earned a reputation for being exorbitant since it cost nearly $2 million to make ( due to padding of expenses at RKO and overhead ). So Harryhausen had to devise an inexpensive way to put monsters on the screen to insure the viability of his career.Ray came up with a split-screen process using rear-projection to combine his models with real photographic settings. Shunning the impressive but expensive use of miniature sets and glass paintings ala KONG, he came up with this simple means of putting his creatures in the midst of a live-action scene. Later known as DYNAMATION, the "reality sandwich" was his modus operandi for practically every animation set-up for the rest of his professional calling. The prehistoric star is a fictitious dinosaur called a "Rhedosaurus" which is largely based upon a crocodilian, even bearing an actual molded skin pattern on its underbelly. It is remarkably similar in shape to the New Zealand reptile tuatara, ironically a creature that is also the last of its kind. Measuring some 200' in length and weighing 500 tons, it is several times larger than any known prehistoric. Thawed out by an atomic test in the Arctic, the monster makes it way down the Atlantic seaboard, capsizing several boats on its way to some submurged canyons off NYC. Coming ashore in Lower Manhattan, it kills many people and wreaks destruction until it is finally destroyed by radioactive isotope shot into a wound while attacking the roller coaster at Coney Island ( it was actually filmed at Pacific Ocean Park on the West Coast ). The story was based upon "the Beast from 20,000 Fathoms" by Harryhausen's lifelong friend Ray Bradbury, which ran in the SATURDAY EVENING POST. This short story is encapsulated in the lighthouse scene off the coast of Maine; the rhedosaur is beckoned to and attacks the signal in a very atmospheric sequence. Strangly enough, the producers based their screenplay upon this tale and forgot the source, then called the author in for a revision! Starring Paul Christian, Paula Raymond and Cecil Kellaway, this movie was the first linking atomic tests to giant creatures; it inspired the Japanese to create Godzilla the following year. Goood acting, a credible storyline for being a monster-on-the-loose yarn and great stop-motion from Ray make this a winner all the way; it was made for only slightly over $200,000! Director Eugene Lourie went on to make THE GIANT BEHEMOTH and GORGO to become a "sea-serpent" trio with BEAST. Suitable for all ages, except very young children ( < 5 yrs. of age ).
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