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Summer Reading
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Since I've been creating "Penzler's Picks" for Amazon.com I've never reviewed any of the books I've published under my imprint at Carroll & Graf--until now. I've been tempted many times, for the obvious reason that, if I like a book enough to publish it, I'd like it well enough to recommend it. But I've resisted for the reason noted above.
My affection for and admiration of Beasts, however, is so enormous that I just can't help myself. I've been an admirer of Joyce Carol Oates for longer than I care to admit. Indeed, I raved about Blonde in these pages long before it was nominated for a National Book Award (and should have won, in my opinion).
Beasts is a little jewel of a book, only 138 pages. Hemingway's The Old Man and the Sea is a perfect gem, and so are Steinbeck's The Red Pony, and James Ellroy's Dick Contino's Blues, and Henry James's The Turn of the Screw; the short novel is capable of being one of an author's masterpieces. Short novels, or novellas, allow for the author to develop characters more fully than is possible in a short story, yet constrict them enough to maintain a single mood, or tone, throughout the entire book, which might easily become oppressive in a longer work.
Set in an apparently idyllic New England college town, Beasts is the story of Gillian Brauer, a student who falls in love with her professor, his Bohemian lifestyle, and anti-establishment attitudes, and what happens when she falls under his spell.
Knowing that other girls preceded her does not deter Gillian from becoming part of the household of Professor Harrow and his larger-than-life wife, Dorcas, the outrageous sculptress of shocking wooden totems. Drawn into their life, Gillian soon becomes a helpless pawn, a victim of her own passions and those of her mentors. Or does she? Sometimes even the most seemingly powerless prey can surprise a predator.
Savor every word of this little masterpiece, as it is unlikely that you will read anything to equal it for a long, long time. --Otto Penzler --This text refers to an out of print or unavailable edition of this title.
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This novella explores the deadly consequences of a train of thought taken too far, viciously seeking out the passionate ends of extended thoughts. Harrow and his wife take the liberal sexual attitude of DH Lawrence and act out the extreme barriers of it. Gillian enigmatically buries her responsibility in the events of her early life while simultaneously plotting the motives which form her guilt. Somehow she is left centrally pure, a passionate girl spoiled by ideas. Oates draws out the violent inner natures of her characters to show them in the light, exposing the consequences of their nature. This novella isn't subtle, Oates chooses instead to go for the extreme to show us our forgotten nightmares. It is a powerful and memorable read.
In "Beasts," Oates keeps you hooked, giving you a deep perspective on Gillian Brauer, a college student in the mid-70s, sexual attractive to her college professor, Andre Harrow. She is then drawn into Harrow and his wife's poetic, strange artistic world centered around wooden totems and a strange parrot named Xipe Totec. In the meantime, fires are being set by an arsonist around Catamount College.
After reading the book, I felt Oates could have established more of a relationship with Gillian's college friends, maybe have included a separate, brief chapter on them, but overall, the book reminded me of Philip Roth's book, "The Dying Animal."
I highly recommend "Beasts" because of Oates's unique and often horrifying look into her characters' lives. She doesn't disappoint the reader with "Beasts."
An isolated college for women, a small group of selected students of poetry, or potential targets is drawn to a charismatic, latently evil instructor of the poetry of D. H. Lawrence. This professor/procurer uses the words of Lawrence to intrude on the privacy of his students and to intimidate them in to sharing their most intimate thoughts and experiences in writing, which then become public during class. If the story stopped here the theme of the young woman with a crush on a professor willing to exploit the same girl is hardly new literary territory. Ms. Oates takes the relationship out of the classroom and office, and transports it to a lonely isolated home. The home is of the professor and his wife, the latter who is a controversial sculptress whose work even even the most liberal viewers of the 1970's find profane, not a task easily accomplished.
Several students eventually find themselves at this residence, and despite their experiences and the permanent changes they are marked by, curiosity overcomes all fear and students continue to make the journey. What happens inside the home of the professor and his wife crosses over in to behavior and exploitation that is incredibly cruel. Gothic is almost too bland an adjective for what takes place, and certainly too mild for the permanent damage some victims suffer.
Fire plays a prominent role in this tale, whether as the topic of arson, or to sow distrust amongst friends. The ultimate conflagration the writer offers is satisfying and pyric. The book is a fascinating and disturbing read that is unquestionably excellent, if not for all readers.