The Beatles Anthology: 3 [Import]

The Beatles | Format: Vinyl

Product Details

• Vinyl (November 12, 1996)
• Number of Discs: 2
• Format: Import
• Label: Emd Int'l
• ASIN: B000002TZ1
• Also Available in: Audio CD  |  Audio Cassette  |  Vinyl
• Average Customer Review: 4.3 out of 5 stars  See all reviews (112 customer reviews)
• Amazon Best Sellers Rank: #127,153 in Music (See Top 100 in Music)

Customer Reviews

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63 of 66 people found the following review helpful:

4.0 out of 5 stars A Great Coda on the Legacy of the Beatles, October 19, 2001

By 

the dirty mac "boot64" (Nutopian Global Institute) - See all my reviews

This review is from: Anthology 3 (Audio CD)

Far from "scraping the bottom of the barrel," as some would have it, this third and final installment of the ANTHOLOGY CDs is clearly the most essential. Anthology 3 fills in the more gaping holes in Beatle lore. Not only should it be required listening for Beatle fans, there is plenty that will appeal to casual listeners too -- in contrast to the first two Anthologies.

There appears to be some confusion regarding this album's purpose. This is NOT a greatest hits collection. Rather, these are two CDs of outtakes from the WHITE ALBUM, GET BACK/LET IT BE and ABBEY ROAD sessions. Most of these recordings were much discussed but seldom heard over the years. A few had been unofficially released in the late 1980s and early '90s as part of the ULTRA RARE TRAX bootleg series. In 1995 and 1996 Capitol finally got around to officially releasing them to coincide with a prime time TV documentary about the Beatles.

Everyone is referring to Disc 1 as the Unplugged White Album and there is truth in that description. Seven songs are homemade recordings from May 1968; it's great fun to hear "Glass Onion," "Honey Pie," "Piggies," and "Happiness Is a Warm Gun" in such intimate acoustic form. Later, in the summer and early autumn of '68, the Beatles went into the studio to make the WHITE ALBUM. In those sessions they recorded fascinating alternate takes of "While My Guitar Gently Weeps," "Why Don't We Do It in the Road" and a calypso version of "Ob-La-Di, Ob-La-Da" (with acoustic guitars and conga drums) which sound nothing like the White Album versions. Other highlights include a slower, bluesier rehearsal of "Helter Skelter." There is a terrific demo of "Hey Jude," in which McCartney delivers an even more impassioned lead vocal than he does on the "official" version of the song. "Not Guilty" is a previously unreleased George Harrison tune that was left off of the White Album; in my unbiased opinion, it is better than "Savoy Truffle," which did make it onto the White Album. John Lennon's previously unreleased "What's the New Mary Jane" might be described as "Imagine" meets "Revolution 9." It's a strangely surreal piece that improves with repeated listening.

Moving on to Disc 2, its versions of "I've Got a Feeling" and "Dig a Pony" are considerably better than the ragged performances of those songs that appear on the forlorn Let It Be album. "The Long and Winding Road," presented here without Phil Spector's controversial overdubs, is another high point. [Update: The other non-Spector take of "The Long and Winding Road," released on LET IT BE: NAKED in 2003, is even better.]

Lennon had one foot out the door during the Let It Be sessions and it shows. Indeed, George Harrison is a more conspicuous presence on Disc 2 than Lennon is. The demo that George made of "Something," alone with his electric guitar, is beautiful. His demo of "Old Brown Shoe" is more compelling than the more elaborate version that was released as a B-side in 1969. The more keyboard-based version of "For You Blue" is charming. Most poignant of all is the demo of "All Things Must Pass," which became the title song of his epic debut solo album in 1970.

ANTHOLOGY 3 also offers a retrospective sneak peak at McCartney's solo career. "Junk" and "Teddy Boy" both went on to grace his first solo album. Even better is "Come and Get It," a song that McCartney gave to Badfinger (it was Badfinger's first hit).

This is not to say that everything on this album is a masterpiece. The rehearsals of "Octopus Garden," "Maxwell's Silver Hammer," and "Let It Be" are dispensable and add little; the same may be said of some of the White Album outtakes. Also, with a combined running time of almost two and one-half hours, there may be too much music here for casual listeners to digest all at once. Still, Anthology 3 has plenty of great music to behold and every Beatle fan owes it to him or herself to hear it.

27 of 31 people found the following review helpful:

5.0 out of 5 stars The Genesis of Many Great Beatles Songs.., August 9, 2004

By 

Mark (Toronto, Ontario) - See all my reviews

This review is from: Anthology 3 (Audio CD)

Sometimes when you listen to a great song - whether it be the Beatles or some other great recording artist - you forget that the version you're listening to is the end result of alot of different takes and revisions and changes.

That's what this and the other 2 Anthology CD's are all about. They give you a snap shot into the thinking of John, Paul George and Ringo and at times you feel as though you were actually in the recording room with them.

Listen to the early take of John's beautiful ballad / tribute to his mother Julia. The song just presents John alone with an acoustic guitar fingerpicking this tune. He gets quite far into the song before a mistake brings the take to a screeching halt and you are able to listen in on the conversation between John in the studio and Paul in the control room.

I find it interesting because it was only months earlier in Rishikesh, India at the Maharishi's retreat that folk singer Donovan taught John how to finger pick. And like any great artist, John Lennon takes this new technique, writes an incredibly beautiful ballard around it and the listener is presented with Julia.

Many of the songs on this CD were from the White Album, a disk that was probably the beginning of the end for this incredible band. If Sgt Pepper, for example, was the result of what these guys working collectively could acheive, the White Album clearly shows four guys working relatively independantly of each other. Many of the White Album songs had their beginnings in India and clearly there was very little, if any collaberation, going on.

Does anybody think that John Lennon had ANYTHING to do with Ob La Di Ob La Da despite the fact that it was attributed to Lennon / McCartney.

Some might say this is the weakest of the three Anthology CDs. Maybe it is. Certainly it's the "hardest" to listen to because you know that these guys are playing out the string now.

At the time these songs / demos/ takes were being made, the listener knows that John, for example, has met Yoko and the Beatles now seem to be very secondary now.

Or Paul has recently met Linda Eastman. And the business / personal problems that will soon engulf these four guys is not too far away from the time of these recordings.

I'll conclude with the same comment I made re Anthology 1 and 2. If you're a new or relatively young Beatles fan, these are not the CDs I would recommend that you start with. When you've come to love their music as much as I do, then you'll want to listen to these and savour the humble origins of some memorable songs.

24 of 29 people found the following review helpful:

5.0 out of 5 stars And In the End, May 13, 2000

By 

W. Langan "take403" (the end of the world to your town!) - See all my reviews
(REAL NAME)   

This review is from: Anthology 3 (Audio CD)

This is the most no-frills Anthology since there were no "new reunion" songs to promote.

The 1st CD offers a generous helping of White Album demos. You have a reggae version of "Ob-La-Di..." with guitars and congas which I like even better than the original. "Glass Onion" features some bizarre but quirky sound effects ("It's a goal!"). Songs being released for the 1st time are George's "Not Guilty" (1 of the best ones), John's "What's the New Mary Jane" (1 of the worst), George Martin's "A Beginning" (reminiscent of the background music in Yellow Submarine) and Paul's "Step Inside Love/Los Paranoias" (a fun jam). With the exception of the raucous blues jam "Helter Skelter", most of the songs on CD1 are acoustic. Paul improvises on "Rocky Racoon" (on this take, Rocky is from Minnesota!), "Mother Nature's Son", "Honey Pie", "Hey Jude" ("..when I was a robber in Boston Place.."), and "Why Don't We Do It,,". George features some pretty acoustic blueprints for "While My Guitar Gently Weeps" and "Piggies". Ringo gets help from his friends on "Good Night". John shows his wit on the acoustic "Glass Onion" (double tracking and joking with himself!), intorduces "Mean Mr. Mustard", "Polothene Pam", improvises on "Happiness is a Warm Gun" ("Mother superior... oh s___!"), and showcases his solo debut on "Julia" (with Paul giving him some advice in the control panel!).

CD2 features Let It Be sessions. Most interesting are "Oh! Darling" (with John's news, singing "Free at last!"), the Beatles final performance ever on "I Me Mine" (George comically excuses John's absence), the rock medley with "Blue Suede Shoes" (great organ from Billy Preston!), and Paul's acoustic "Teddy Boy" (with wisecracks galore from John!). Then there's the Abbey Road sessions. George has some great sounding demos of "Something" and "All Things Must Pass". Paul does his own version of "Come & Get It" (which he later gave to Badfinger). Ringo warbles through "Octopus' Garden before sarcastically remarking "That was superb!" John warms up on "Come Together" and slows down on "Ain't She Sweet". A beautiful acapella version of "Because" is included. And the closer is an alternate version of "The End" (with a little more jamming and the final chord on....).