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Yann Martel on Animals and the Holocaust in Beatrice and Virgil
I often get asked the question why I use animals in my stories. Life of Pi was set in a zoo and featured a number of animals, and animals once again play a prominent role in my new novel, Beatrice and Virgil. Am I a great animal lover? Well, I suppose I am; nature is indeed beautiful. But the actual reason I like to use animals is because they help me tell my tale. People are cynical about people, but less so about wild animals. A rhinoceros dentist elicits less skepticism, in some ways, than a German dentist. I also use animals in my fiction because people rarely see animals as they truly are, biologically. Rather, they tend to project human traits onto them, seeing nobility in one species, cowardice in another, and so on. This is biological nonsense, of course; every species is and behaves as it needs to in order to survive. But this animal-as-canvas quality is useful for a storyteller. It means that an animal that people feel kindly towards becomes a character that readers feel kindly towards.
Why did I choose to write a novel about the Holocaust? There’s nothing personal to this interest; I’m neither Jewish, nor of German or eastern European extraction. I’m a complete outsider who’s been staring at this monstrous massacre of innocents since I first learned about it as a child living in France. It’s as an artist that I’ve kept coming back to the subject. What can I do as an artist about the Holocaust? I believe that if history does not express itself as art, it will not survive in common human memory. And so I took what I knew of the Holocaust, the cumulative knowledge of my reading and viewing and visiting (both to camps in Poland and Germany and to Yad Vashem in Israel and to various museums), and I set it next to that part of me that wants to understand through the imagination. Then I sat down and wrote Beatrice and Virgil.
Megaselling Life of Pi author Martel addresses, in this clunky metanarrative, the violent legacy of the 20th century with an alter ego: Henry L'Hôte, an author with a very Martel-like CV who, after a massively successful first novel, gives up writing. Henry and his wife, Sarah, move to a big city (Perhaps it was New York. Perhaps it was Paris. Perhaps it was Berlin), where Henry finds satisfying work in a chocolatería and acting in an amateur theater troupe. All is well until he receives a package containing a short story by Flaubert and an excerpt from an unknown play. His curiosity about the sender leads him to a taxidermist named Henry who insists that Henry-the-author help him write a play about a monkey and a donkey. Henry-the-author is at first intrigued by sweet Beatrice, the donkey, and Virgil, her monkey companion, but the animals' increasing peril draws Henry into the taxidermist's brutally absurd world. Martel's aims are ambitious, but the prose is amateur and the characters thin, the coy self-referentiality grates, and the fable at the center of the novel is unbearably self-conscious. When Martel (rather energetically) tries to tug our heartstrings, we're likely to feel more manipulated than moved. (Apr.)
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A dark, deep book. Makes you think. Martel draws unlikely parallels, but leaves a lasting impression.Published 2 months ago by Abha Gosavi
Really beautiful book...the section describing the pear was amazingPublished 2 months ago by Andrew Wulf
This is another gem by Martel. A story within a story. I will not give away the plot as I loved experiencing the unfolding of the story. Read morePublished 4 months ago by Teresa Dobles
I am still in shock at what I have read. For the first two-thirds of this book I thought, "Finish the book, your daughter asked you to read it, and you agreed". Read morePublished 7 months ago by JamRam
With the potential to be horribly offensive. And the potential to be ground-breaking. Read more
Yann Martel is a pure genius. This book will hurt you, and the fact that literature can still do that proves that traditional art is not dead.Published 7 months ago by d'Ivoire commissaire
After reading Life of Pi and finding it a great story, I had high hopes for this novel, but it looks like Yann Martel is a one man novel.Published 8 months ago by Felipe Behrens