Le Beau Serge (The Criter... has been added to your Cart

Other Sellers on Amazon
Add to Cart
& FREE Shipping on orders over $35.00. Details
Sold by: Amazon.com
Have one to sell? Sell on Amazon

Image Unavailable

Image not available for
  • Le Beau Serge (The Criterion Collection) [Blu-ray]
  • Sorry, this item is not available in
  • Image not available
  • To view this video download Flash Player

Le Beau Serge (The Criterion Collection) [Blu-ray]

List Price: $39.95
Price: $25.99 & FREE Shipping on orders over $35. Details
You Save: $13.96 (35%)
Only 1 left in stock.
Sold by newbury_comics and Fulfilled by Amazon. Gift-wrap available.
16 new from $23.98 5 used from $17.98
Amazon Price New from Used from
"Please retry"
1-Disc Version
$23.98 $17.98
$25.99 & FREE Shipping on orders over $35. Details Only 1 left in stock. Sold by newbury_comics and Fulfilled by Amazon. Gift-wrap available.

Frequently Bought Together

Le Beau Serge (The Criterion Collection) [Blu-ray] + Les cousins (The Criteron Collection) [Blu-ray] + The Last Metro (The Criterion Collection) [Blu-ray]
Price for all three: $78.43

Some of these items ship sooner than the others.

Buy the selected items together

What Other Items Do Customers Buy After Viewing This Item?

Product Details

  • Actors: Gerard Blain, Jean-Claude Brialy, Michele Meritz, Bernadette Lafont, Claude Cerval
  • Directors: Claude Chabrol
  • Format: Blu-ray, Black & White, Full Screen, NTSC, Subtitled, Widescreen
  • Language: French
  • Subtitles: English
  • Region: Region A/1 (Read more about DVD/Blu-ray formats.)
  • Aspect Ratio: 1.77:1
  • Number of discs: 1
  • Rated: NR (Not Rated)
  • Studio: Criterion Collection
  • DVD Release Date: September 20, 2011
  • Run Time: 94 minutes
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (7 customer reviews)
  • ASIN: B0056ANHR2
  • Amazon Best Sellers Rank: #103,671 in Movies & TV (See Top 100 in Movies & TV)

Special Features

New digital restoration, with uncompressed monaural soundtrack on the Blu-ray edition

New audio commentary featuring Guy Austin, author of Claude Chabrol

Segment from a 1969 episode of the French television series L’invité du dimanche in which Chabrol revisits Sardent, the town he grew up in and the film’s location

A 2011 documentary by filmmaker Pierre-Henri Gibert on the making of Le beau Serge

New and improved English subtitle translation

Theatrical trailer

PLUS: A booklet featuring an essay by film critic Terrence Rafferty


Editorial Reviews

Of the hallowed group of Cahiers du cinéma critics turned filmmakers who would transform French film history, Claude Chabrol (Les bonnes femmes) was the first to direct his own feature. His stark and absorbing landmark debut, Le beau Serge, follows a successful yet sickly young man (A Woman Is a Woman’s Jean‑Claude Brialy) who returns home to the small village where he grew up. There, he finds himself at odds with his former close friend (Les cousins’s Gérard Blain)—now unhappily married and a wretched alcoholic—and the provincial life he represents. The remarkable and raw Le beau Serge heralded the arrival of a cinematic titan who would go on to craft provocative, entertaining films for five more decades.

Customer Reviews

4.4 out of 5 stars
Share your thoughts with other customers

Most Helpful Customer Reviews

20 of 22 people found the following review helpful By "jazzy_baby" on May 13, 2003
Format: VHS Tape
I feel that "Le Beau Serge" is a very sweet and well thought out film. It tells a story of a young student (Francois Bayon) who returns to his countryside hometown to recuperate. Upon arrival, he runs into a drunkard whom he recognizes to be his childhood friend (Serge). Francois' friend Michel tells him how Serge is on the verge of self-destruction after failing to get his architectural degree. Later, both friends are reunited and have an opportunity to catch up on old times. Francois observes Serge's inconsistent and erratic behavior and tries to help him mend his way. Along the way, Francois meets Serge's wife (Yvonne) and her sister (Marie). Francois has a brief affair with Marie before finding out she is raped by her "father". One night during the village dance, their affair ended with everyone humiliating and ridiculing Francois. Serge, angry with Francois for coming to his life while he's at his lowest point begins to despise beat him up in public. After the incident, Francois realizes that the people in the old village he used to remember are no longer the same. His conversation with the village priests destroyed all the innocent illusions he initially had. While the priest advises him to leave the village, Francois vows to stay on to help Serge and his family mend their lives.
I believe "Le Beau Serge" was Chabrol's first feature film. He later went on to make another feature "Les Cousins" which might be intended to complement "Le Beau Serge". Chabrol engaged actors Jean-Claude Brialy and Gerald Blain for both films with their roles and situations reversed. I first saw "Les Cousins" before "Le Beau Serge". Jean-Claude Brialy, being a brilliant actor that he was, gave out a stellar performance in both films.
Read more ›
Comment Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again
6 of 6 people found the following review helpful By Stephen C. Bird on May 25, 2012
Format: DVD Verified Purchase
Having seen several films by Claude Chabrol (-IE- "Les Biches", "Le Boucher", "La Rupture", "La Cérémonie", "Merci Pour Le Chocolat") before having viewed this one -- "Le Beau Serge" seems like the work of another filmmaker. Technically this was the first film of the French New Wave. As such, it features (1) some very good black and white cinematography (the snowy scenes towards the end of the picture are especially beautiful); (2) crude and quirky provincial characters that are well delineated; and (3) an excellent score by Émile Delpierre; Chabrol cleverly and effectively used the orchestrations of this score to highlight dramatic moments and character appearances via musical punctuation. Yet in spite of everything I like about this picture -- Its style is not yet Chabrol to me. Although there is an innocence about this film that is refreshing -- Especially in contrast to the sinister direction Chabrol would take to create his unique murder-mystery-thriller-type genre (albeit always tinged with humour).

Secondly -- This picture seems like a companion piece / bookend to Chabrol's second feature, "Les Cousins", in which Gérard Blain and Jean-Claude Brialy are once again cast as the leads. However -- "Les Cousins" exhibits a big leap forward in Chabrol's style -- It offers up some verve in terms of its sophistication and polish. It is obvious that Chabrol learned a lot from "Le Beau Serge" and applied that knowledge to "Les Cousins". In closing: Besides the leads in "Le Beau Serge"-- Brialy (François Bayon) and Blain (Serge), both of whom are well-cast and outstanding in their roles -- There are other excellent performances in this film; notably Bernadette Lafont as Marie, the coquettish, seductive "stepdaughter" of Glomaud; and Edmond Beauchamp, a genuine character actor, who plays the "stepfather" Glomaud with serio-comic aplomb.

Stephen C. Bird, Author of "Catastrophically Consequential"
Comment Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again
7 of 9 people found the following review helpful By Peter Shelley on March 28, 2001
Format: VHS Tape
Credited as the first feature of the French New Wave, Claude Chabrol's first film as writer/director has little of the controlled tension that defines his best work. This study of a village which witnesses the return of Francois, who left 12 years ago to seek a future in Paris, has Chabrol's customary exploration of the class divisions in French society, with the prodigal son the bourgeoisie, and the villagers the pagan primal proletariat. Francois is determined to "help" his friend Serge and the lifestyle Francois clearly disapproves of. However the idea that these people need help is a sign of superiority and impertinent presumption, signified by Serge's wife's claim that Serge wasn't disatisfied with his life until Francois returned and pointed out that he should be. Chabrol makes Serge's wife pregnant, with her first child born mongoloid and dead, so that the condition of the unborn child symbolises the future, at least as seen through Francois. Chabrol's dialogue has occasional lapses into exposition which betray him as a novice storyteller and odd bursts of melodramatic music, and the only New Wave touch is the use of a torch to light one scene, where it points straight into the camera. Chabrol presents the bleakness of the village with Serge walking drunkenly through the cemetary, a lone dog walking the streets, and a gang of school children travelling to and from their school. His scenes of violence have an immediacy compared to the exchanges between Francois and Serge. and a romance between Francois and Serge's half-sister, and Chabrol provides memorable images - an overlap of Francois' face and falling snow, an ominous slow closing of a door, a long closeup of a woman crying, and cutting from Serge's wife in labour to Francois falling and Serge being dragged along the ground. There is also an interesting dance sequence, which shows the villagers in a more sophisticated environment, and also featuring two women dancing together for one to interpret as you may.
Comment Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again


There are no discussions about this product yet.
Be the first to discuss this product with the community.
Start a new discussion
First post:
Prompts for sign-in

newbury_comics Privacy Statement newbury_comics Shipping Information newbury_comics Returns & Exchanges