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  • Beau Soir
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Beau Soir

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Audio CD, March 9, 2004
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"Pahud is one of the finds of the decade, a
player who respects the pure tonal palette of
the flute " Gramophone

Named "Instrumentalist of the Year 1997" at the prestigious Victoires de la Musique award ceremony in Paris, the Swiss-French flutist Emmanuel Pahud is one of today's most exciting and adventurous musicians. He was ... Read more in Amazon's Emmanuel Pahud Store

Visit Amazon's Emmanuel Pahud Store
for 54 albums, 8 photos, discussions, and more.

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Beau Soir + 4 Flute Quartets
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Product Details

  • Audio CD (March 9, 2004)
  • Number of Discs: 1
  • Label: EMI Classics
  • ASIN: B00018ZRWC
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #388,606 in Music (See Top 100 in Music)

1. I ere Arabesque
2. Beau Soir
3. Berceuse
4. Entr'acte
5. En Bateau
6. Sicilienne Op.78
7. Andantino
8. Piece En Forme De Habanera
9. Meditation
10. Csardas
11. Gymnopedie I
12. Le Fils Des Etoiles
13. I. The Night
14. II. Moby Dick
15. III. Cape Cod
16. Haro No Umi

Editorial Reviews

Product Description

This is mellow in the extreme, practically New Age. As a mood album, it's unbeatable--the combination of flute and harp is ethereal and light, yet also oddly warm. Much of the music is familiar and sounds right in this context. Satie's first Gymnopedie and the Debussy selections take to these instruments easily; indeed, it becomes clear that French music has something about it--and it's not just its "sweetness"--that lends it to these translucent, some might say "wispy," transpositions. The Meditation from Thais, originally for violin, at first sounds a bit anemic, but then one begins to note how simply beautiful the melody is when stripped absolutely bare. The non-French pieces are effective as well, and the CD closes with a piece by Takemitsu, which is wonderfully evocative of similar feelings, but with a Japanese Garden in the moonlight. Flutist Emmanuel Pahud and harpist Mariku Anraku are thoroughly committed to this music and this project, and it comes across. Perhaps not a CD for all times, but when the mood for meditation strikes, this would be nice to have around. --Robert Levine

Customer Reviews

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Most Helpful Customer Reviews

15 of 15 people found the following review helpful By Charles Richards on March 27, 2004
Format: Audio CD
After two heavy-duty releases (the charming recital of Telemann concerti released in 2002, and the fiendishly difficult transcription of the Khatchaturian violin concerto released last year)flutist Emmanuel Pahud takes a little break here with some lovely miniatures arranged for flute and harp. True, the flute and harp repertoire can seem like so much sweet candy, but when in the hands of a masterful artist like Pahud it can be as meaty, and as nourishing, as anything by Bach or Beethoven.
And Pahud is a masterful artist, no mistake about it. The Faure Sicilienne, which can be treacly if overdone, is, on this recital, as poignant and moving to the listener as if he were hearing it for the first time. The Debussy pieces, as well, have the ability to open even the hardest heart, and the oft-heard Meditation from Thais also seems remarkably fresh here.
Of course, Pahud throws in a wild card, which, in this case, is the Takemitsu. But it is not the least bit jarring, it seems to fit in the program perfectly.
The recital ends grandly with the gorgeous "Haro No Umi", which casts its spell, transporting the listener to a dreamy Japanese garden. The only other recording of this of which I know is James Galway's, which was featured on his recording entitled "The Man with the Golden Flute", but, in my opinion, Pahud's is by far superior, raising the piece from kitsch (the spirit with which Galway injects it) to true art.
Pahud is accompanied by Mariku Anraku, who provides excellent support and is a fine harpist in her own right. The pairing seems perfect, and I hope we hear more from her.
All-in-all this is a wonderful getaway album, lovely for daydreaming on a sunny day, or for late night listening. A brief intermezzo between more "serious" projects perhaps, but a welcome one.
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5 of 7 people found the following review helpful By Alexander T. Gafford on December 20, 2006
Format: Audio CD Verified Purchase
I bought this after buying anonther album by Pahud entitled Paris. I loved his playing which seemed flawless but the selection of music seemed to me to be of the parts of the French repetoire that have a little too much creative confusion and chaos, at least for my present frame of mind. But after on line listening to online bits and pieces from Beau Soir, I took the plunge and I am glad I did.

The pairing with harp accompaniment was an inspired choice in the hands of Mariko Anraku who mangages to avoid the too sweet sound so easily found from the harp. The range of French pieces goes from the almost too well know such as Satie's Gymnopedie No 1 (remember Blood, Sweat, and Tears)to pieces by Nobolot, Monti, and Faure I had never heard but am pleased to have now. The Japanese pieces, especially the Takemitsu, are in a musical langauge that seems very alien to me with little apparent rythmn, notes coming in sequence only becuase the last one was finished. "But we know what we like becuase we like what we know." Perhaps I will grow into those in time.

Regardless, Emmanuel Pahud's playing seems sure and certain and his coordination with his accompanist perfectly done. Perhaps with a fully appreciated selection this would have been five stars. Any way, I certainly give it a full recommendation.
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0 of 2 people found the following review helpful By Daniel E. on September 1, 2013
Format: Audio CD Verified Purchase
Emmanuel Pahud is my favorite flutist, pretty much ever. His tone is as rich and dark as chocolate cake, and his musicality makes the heart sing.
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