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Most Helpful Customer Reviews
19 of 20 people found the following review helpful:
5.0 out of 5 stars
Garbage once again prove they are not Garbage,
By Iain (NZ) - See all my reviews
This review is from: Beautiful Garbage (Audio CD)
Being a big Garbage fan, this album was long anticipated for me. Although it was slightly different from what I expected, I was not disappointed. Beautiful Garbage contains a lot of things that Garbage has not done before, but it still retains that typical Garbage sound.1) Shut Your Mouth - a nice aggressive opener that could be straight off the previous album. But beware: this is not Version 2.0: Version 2.0 (if you follow me).
11 of 12 people found the following review helpful:
4.0 out of 5 stars
Mixed bag,
By A Customer
This review is from: Beautiful Garbage (Audio CD)
This album warrants a pretty complicated review. It can be sublime (Parade), mundane (Breaking Up The Girl) and immensely quirky (Cherry Lips). Beautifulgarbage? Well, sometimes the former, less the latter. I think your enjoyment of this album will depend on whether you prefered the earlier, more raw sound of their first album, or you went crazy for the more polished, sophisticated, textured sounds of Version 2.0. I liked 2.0 better; it seemed like with this album the band would continue with the studio sheen that marked 2.0, while not forgetting the crunching guitars and experimenting with the electronic sounds. Well, you get what you wish for. This album is extremely polished; some people will find it overly so. The "experimental" songs like Cherry Lips and Can't Cry These Tears might be overly saccharine for those who loved the raw Garbage. It didn't bother me though- I liked the experiment. Sometimes you can't even tell that it's Shirley singing, which kinda ..., but I love that Garbage is willing to pursue new musical genres (50's bebop, 80's new wave). If any band can do it, Garbage can. The whole theory behind the band - crunching guitars with electronic samples and Shirley Manson's heaven/hell voice - is great, it works, and it lends itself to stretching musical boundaries. They definitely do that more on this album. Where 2.0 was pretty tight as an album, beautifulgarbage is all over the place. But when garbage is good, they are sublime. "Parade" is the best song on this album, and almost sounds like a leftover from 2.0; it signals a direction that I hope Garbage follows - the guitars have never been better (they remind me of my favorite spacerock band, Hum), the drums are incredible, amazing beats, and Shirley's voice reaches new levels - the melody is amazing and almost ethereal. The great thing about Garbage is that you know they have the potential to be sublime, and you keep hoping they'll produce the best album of the 00's. You've heard it in "Vow," "Special," and now, "Parade," and you know they're getting closer each time. Well, this isn't the perfect album you've been waiting for, but it certainly will keep you happy in the mean time. Besides, Garbage on a bad day is still a thousand times better than whatever Christina Aguilera's new single is. Count your blessings.
14 of 16 people found the following review helpful:
4.0 out of 5 stars
Not Version 3.0, but still beautiful,
By Andrew J. (Chicago, IL United States) - See all my reviews
This review is from: Beautiful Garbage (Audio CD)
There will be people who run out to get Garbage's new album that will predictably bemoan the group for not releasing the sonic equivalent of a Version 3.0. I will start by saying I still believe Version 2.0 to be the group's crowning achievement to date. But anyone who knows Garbage knows they are all about twisting and sampling pop conventions--experimenting with sound, creating new hybrids of funky ear-candy, whether they draw from harder rock, simpler pop, or dancier techno. This album is by far Garbage's most eclectic, and that's not a bad thing. Version 2.0 felt more uniform and polished, which is why I believe it to be a superior effort, but Beautifulgarbage has fun with itself, especially in "Parade," "Till the Day I Die," and "Cherry Lips." The slower ballads aren't as haunting as previous slow songs (like "Milk" and "You Look So Fine"), but they still make sure to earn the title's "beautiful." As for Shirley shedding her darker, more cynical persona, I can't say that's an entirely welcome departure, but I also can't fault her and the band for going in new directions (it's called growth and experimentation, folks; that's how bands attain that ever-elusive "longevity"). And it's not like this album is a complete departure or anything; it's undeniably GARBAGE. "Shut Your Mouth," the first track on the CD will leave you with no doubt there. I'm relieved Shirley and the boys haven't let me down. And here's to hoping they don't wait as long before they release their next effort (even if it's just the long-awaited B-sides compilation).
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