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Beauty and the Beastly Children
 
 
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Beauty and the Beastly Children [Hardcover]

Michael O. Tunnell (Author), John E. Cymerman (Illustrator)


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Library Binding --  
Hardcover, October 25, 1993 --  

Book Description

After the love of Beauty turns him from a Beast into a handsome prince, Auguste fails to reform the bad habits of his past and sees the spell passed on to his three sons.

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Editorial Reviews

From School Library Journal

Grade 2-4-In colloquial, sassy prose, this story imagines what might have happened after Beauty married the Beast. King Auguste returns to his vain, proud, and thoughtless ways-the very reasons, states Tunnell, that the fairy had cursed him in the first place. He ignores his deteriorating kingdom, carouses with the castle gang, and is not there when Beauty delivers triplets. But the sight of a familiar old hag in the woods sends him rushing home in fear that she will work her curse again on him. She has; Auguste is still a man but his three newborn sons have beastly features. (While the text refers several times to "paws," the full-color paintings inexcusably show only feet and hands, and young listeners are sure to ask "Where are the paws?") The fairy's curse decrees that the boys' behavior be outrageous and only controllable if their irresponsible father will take charge. Once Auguste becomes a better father, the boys and the kingdom return to normal. Beauty is shown beating her twit of a husband with her fists, and if she knows why Auguste has suddenly transformed, she only smiles wisely. It may be clear to her what's going on, but one has to wonder what young readers will make of this family's values and the instant resolution of its problems.
Susan Hepler, Alexandria City Public Schools, VA
Copyright 1994 Reed Business Information, Inc.

From Booklist

Ages 5 and up. Traditional fairy tales usually end with the hero and heroine living happily ever after. Not so for Beauty and her Beast, claims author Tunnell. The two marry, but the Beast (real name: Auguste) has a severe relapse. Falling back into his pre-spell vanity, Beast neglects Beauty in favor of ale drinking and dart playing. Then Beauty gives birth to triplets, who look suspiciously hairy and act like wild beasts. But the wayward Auguste returns home only when he sees how unruly his offspring have become. His fatherly ministrations bring the youngsters around; the witch revokes the beastly spell; and this time, there's a happy ending. Tunnell has developed an unusual plot idea that may appeal to youngsters; however, especially for those who have seen the movie, it may be rather disillusioning to imagine the beloved Beast as just one more loutish male and to see Beauty portrayed as a frowning shrew. The updated language (Auguste "hangs around" with his buddies, for example) is breezy but jarring. Cymerman's illustrations are accomplished, colorful, and witty, even if the details don't always jibe with the story. A clever idea that doesn't quite pan out, this book is probably best for larger collections. Emily Melton

Product Details

  • Hardcover: 1 pages
  • Publisher: HarperCollins; 1st edition (October 25, 1993)
  • Language: English
  • ISBN-10: 0688121810
  • ISBN-13: 978-0688121815
  • Product Dimensions: 10.8 x 8.8 x 0.4 inches
  • Shipping Weight: 15.5 ounces
  • Amazon Best Sellers Rank: #2,818,939 in Books (See Top 100 in Books)

More About the Author

I love books! This love affair began when I was small. My grandmother who raised me would read to me every day: fairy tales, comic books, and wonderful picture books like Caps for Sale and Mike Mulligan and His Steam Shovel. I soon discovered that books were the world's best teachers and entertainers. So, naturally, I grew up wanting to spend my life working with books.

When it came time to pick a profession, I decided to study law (which doesn't involve the kind of books I like). I was well into my university course work to prepare me for law school when something happened that changed my plans. At the time, I was working for an automobile dealer in Salt Lake City, Utah, and the service manager asked me to deliver a car to a customer at a nearby elementary school. The second I walked through the school doors, I was flooded with the strangest feelings. I remembered my favorite books and my magical childhood years. The next day I changed my major to education. Since then, I've completed several degrees, all of them relating to reading, children's literature, and teaching.

As with many avid readers, I harbored, since childhood, the wish to create my own stories. I wrote off and on when I was young, and then tried my first novel during my middle twenties (it was rejected by twenty or thirty publishers). Then for a number of years, instead of creating stories I channeled my writing efforts into professional educational books and journal articles. All the while, my desire to write books for young readers stayed strong. In the early 1990s, I found my way back to writing stories. My first effort was the manuscript for the picture book Chinook!, which was accepted on my third submission attempt by Tambourine Books (William Morrow).

Because I teach children's literature courses at a university, people sometimes ask if my teaching helps me to be a better writer. After all, I teach my students about children's books, what makes some books "better" than others, and I have, as a part of my professional endeavors, critiqued books for review journals. Therefore, I should know what makes for good writing and what doesn't. However, when I began writing my own books I discovered critiquing someone else's work is an entirely different process than creating your own stories. Perhaps I was simply too close to my own work, which made applying what I thought I knew about quality literature difficult. In any case, I had a lot to learn (and the learning has just begun!) about the creative process. I guess writers are born perhaps more than they are made. (I feel the same way about teachers.) So, part of the challenge has been to find and cultivate any spark of literary creativity with which I might have been blessed.

For more about Michael O. Tunnell, see the following sources:

Something About the Author, volume 103. Edited by Alan Hedblad. The Gale Group, 1999, pp. 168-173.

The Eighth Book of Junior Authors and Illustrators. Edited by Connie Rockman. H.W. Wilson, 2000, pp. 529-533.

Something About the Author, volume 157. The Gale Group, 2005, pp. 247-252

ALSO SEE MY WEBSITE: http://www.michaelotunnell.com

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