68 of 70 people found the following review helpful:
5.0 out of 5 stars
Now that they're making a movie of this book . . ., March 28, 2006
. . . it's time for BECOMING JANE AUSTEN to get the readership it deserves! If you adore Jane Austen's novels but aren't really excited about reading a biography or a collection of her letters, this is the book to get. I've never read anything quite like it -- it combines skilled biography with excerpts from thousands of family letters, all the while tying the whole thing together as a coherent and very, very readable story of a fascinating family and a funny, smart young writer. Spence has done such a great job with the primary source materials (wills, juvenilia from JA's brothers as well as herself, and all those letters) that you really do get the feeling you're finally hearing the true story, instead of the official version the Austen descendants developed for early biographers.
I'm not going to spoil the big surprise in this book, but suffice it to say that you will be intrigued -- and convinced -- of events in Jane Austen's life that have not been discussed elsewhere. And Spence's style, which will remind you more than a little of Jane Austen's, makes for easy, enjoyable reading. He has a nice sense of irony and picks up on subtleties in the letters, for instance, that a straight-through reading of the correspondence would probably never yield. (Not to me, anyway!)
This is literary biography at its very finest: impeccably researched, invitingly presented, and true to the spirit of its subject. I'm almost afraid to see the movie -- but not at all surprised that Hollywood snapped up this gem of a story.
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47 of 49 people found the following review helpful:
4.0 out of 5 stars
Very engaging pop-history woven with lit crit, August 2, 2007
Spence is a scholar but here he is writing for the public. He appears to draw heavily from published anthologies of Austen's letters, the Austen family will, etc., rather than primary sources themselves. This is information that readers could have sought out on their own or found in another biography. Where Spence shines is in his inter-weaving of family biography with literary critique, and, perhaps more controversially, his attempts to explicitly link events/people in Austen's life to her fictional characters and senarios.
I would consider this a fairly edgy enterprise relative to the work of "traditional" historians. Still, the discipline has, like others, changed over the past several decades, and not only recognizes the impossibility of objectivity, but allows for more explicit individual interpretation. And in fact, most of Spence's extrapolations are not only fascinating but well-supported; for example, his contention that Austen's own family history laid the groundwork for the three Ward sisters' differing marriages (in Mansfield Park) makes perfect sense. A minority of his contentions appears to have involved a bit too much creative interpretation, but one can simply research those on one's own or come to one's own conclusions.
To read this book is to be impressed by the very fragility of life--especially for childbearing women--in early 19th century England. The book is riddled with so many early (under 30) and childbirth deaths, it appears amazing women agreed to marriage in the first place. But that, of course, is Spence's second achievement: impressing upon us the deeply precarious financial position in which women found themselves, unable to earn their own keep and forced to rely on the support of a brother, husband, or the bequest of a dying relation.
My only problem with the book is the slightly prosaic writing style, the repeated use of slangy words (i.e. tetchy) and the puzzling reliance on second-person address (i.e. "You see.." "You read this and feel..."). I have never read a work by a professional historian to refer directly to readers and not to the general populace ("one feels..." "one can see...").
Novel-like in its readability, thoughtful and unafraid of contention, Becoming Jane Austen deserves a place on the shelf of every English lit or history fan, Austenite or no.
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32 of 32 people found the following review helpful:
5.0 out of 5 stars
Jane's Circle, August 24, 2004
How narrow was Jane Austen's world? She has generally been viewed as writing from her observations in the parlor. Spence broadens that view and does an excellent job of presenting Jane in the context of her wide circle of family and friends. He weaves in the incidents and issues they encounter and then shows how Jane transformed them in her fiction. One of the fascinating points is how often she disguised the person by inverting the gender. My one criticism is that the genealogical charts should have been placed in a better position, since I constantly referred back to them. They could also have been even more extensive with maybe even a listing of the people in her life. I re-read Austen's books every few years and so I am very familiar with her work. This book provided new insight to me. I will re-read Sanditon in particular for his critic of this last work. The constant financial uncertainty Jane faced comes out strongly in the book. At the time of her death she had received some money, but still faced uncertainty and was unaware of the full extent of her success as a novelist.
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