Clea Shawn has enjoyed marriage, motherhood, love affairs with both sexes; and she's traveled the world. Now she has come to the seemingly idyllic New England town of Roches Ridge, Vermont, looking for respite from the hungers of the heart and the lightning storms of the senses. What she finds is something else. What she learns makes for Lisa Alther's most sinfully irreverent, deliciously comic, and richly revelatory novel -- an unforgettable tale of the intellectual graspings, emotional flip-flops, and erotic acrobatics of a woman who is not quite sure what she wants, but who wants it in the very worst way, and wants it now.
Bedrock
and over one million other books are available for Amazon Kindle.
Learn more
| ||||||||||||||||||||||||||||||||||||||||||
Book Description
Editorial Reviews
From Library Journal
An assortment of odd people inhabits Roches Ridge, Vermont: Loretta Gebo, beehived proprietor of Casa Loretta; Ishtar, owner of the rival Karma Cafe and renegade from a lesbian commune; Daryl Perkins, crippled, aspiring TV preacher, lusting after Loretta; Maureen Murphy, bitter spinster, trying to kill off her aged mother by taking her on exhausting "pleasure" trips. But it is to Roches Ridge that Clea Shawn flees to "detox" from her successful life--as photographer, wife of an international businessman, mother of two children in college, friend/would-be lover of sculptor Elke. Alther is a fine writer, able to move effortlessly from past to present and among her dramatis personae; and the crazy characters and tongue-in-cheek style exhibit flashes of the wit expected from the author of Kinflicks (LJ 3/1/76). Ultimately, though, the drama of Clea's life becomes tedious, and we never care as much about her as she does about herself.
- Francine Fialkoff, "Library Journal"
Copyright 1990 Reed Business Information, Inc. --This text refers to the Hardcover edition.
- Francine Fialkoff, "Library Journal"
Copyright 1990 Reed Business Information, Inc. --This text refers to the Hardcover edition.
Review
Bedrock is a hoot to read, but humor is only one of its graces. Lisa Alther writes with a profound acceptance of human variety and vagary that is rare in this mean age and that lifts the spirits. -- Marilyn French
Booklist Editors' Choice for 1990 -- Booklist
Clea finds the intimacy she lacks in her marriage in her best friend Elke. The story of their 20-year-old repressed love for each other is the bedrock of the novel. Clea and Elke are temperamental opposites, equally strong-willed, consumed by passion for each other....Bedrock is well-written and briskly paced, as teeming with eccentric characters and swirling with subplots as a Dickens novel. -- Atlanta Journal Constitution,, June 10, 1990
Funnier -- and wiser-- than Kinflicks. -- Irish Times, Sept. 1, 1990
Now and then, I actually laughed out loud. -- Helen Dudar, Chicago Tribune, May 13, 1990
One of the funniest madhouses around...Without ever diminishing the humor, Lisa Alther has managed the difficult feat of using the nuttiness [in our society] as a counterpoint to an examination of love in all its varieties and durations. -- Washington Post Book World, May 21, 1990
Booklist Editors' Choice for 1990 -- Booklist
Clea finds the intimacy she lacks in her marriage in her best friend Elke. The story of their 20-year-old repressed love for each other is the bedrock of the novel. Clea and Elke are temperamental opposites, equally strong-willed, consumed by passion for each other....Bedrock is well-written and briskly paced, as teeming with eccentric characters and swirling with subplots as a Dickens novel. -- Atlanta Journal Constitution,, June 10, 1990
Funnier -- and wiser-- than Kinflicks. -- Irish Times, Sept. 1, 1990
Now and then, I actually laughed out loud. -- Helen Dudar, Chicago Tribune, May 13, 1990
One of the funniest madhouses around...Without ever diminishing the humor, Lisa Alther has managed the difficult feat of using the nuttiness [in our society] as a counterpoint to an examination of love in all its varieties and durations. -- Washington Post Book World, May 21, 1990
Product Details
Would you like to update product info or give feedback on images?
|
More About the Author
Lisa Alther is the bestselling author of five novels, among them the critically acclaimed Kinflicks, and a family memoir, Kinfolks: Falling Off the Family Tree. She was born in Kingsport, Tennessee, in 1944, one of five children in a close-knit family influenced by both its Southern and "Yankee" roots. After attending Wellesley College and working in book publishing, she moved to Vermont, where she began to write and raise her daughter. Alther currently divides her time among Tennessee, Vermont, and New York City.
Customer Reviews
|
Share your thoughts with other customers:
|
||||||||||||||||||||||
|
Most Helpful Customer Reviews
8 of 8 people found the following review helpful:
4.0 out of 5 stars
Something Nasty in the Woodshed,
By
This review is from: Bedrock (Mass Market Paperback)
An earlier Lisa Alther character, Ginny Babcock in "Kinflicks", once described herself as "The Emma Bovary of Stark's Bog", and Clea Shawn, the central figure of "Bedrock", also has much in common with Flaubert's heroine. Indeed, she can be diagnosed as a sufferer from what in French would be called "le Bovarysme"- a state of restless discontent coupled with a firm belief that the next major development in one's life, whatever it may be, will bring lasting happiness and cure one's discontent for ever. Clea is a successful, middle-aged art-photographer, married to a wealthy New York business executive and the mother of two children, both students at university. She and her husband Turner have an "open marriage" which allows them to conduct affairs with other parties, and Clea has thrown herself passionately into a number of such relationships in a vain attempt to find a greater intimacy than she enjoys with her husband. Neither wealth, success in her career nor her other lovers, however, have brought Clea much happiness, and she is continually in search of something that will bring her the satisfaction she craves. At the start of the book Clea has just fallen in love again. Not, this time, with a person but with a place- Roches Ridge, the small town in Vermont where she has (against her husband's wishes) bought a house as her rural retreat. Clea has an idealised view of small-town life as a peaceful retreat from a bustling, crime-ridden city like New York. It is, however, a standard literary cliché that the more idyllic and tranquil a small town appears on the surface, the more likely it is to prove to be a place of rampant corruption, raging hatreds and illicit sexual passions, and Roche's Ridge proves to be no exception. There are two distinct threads running through the book, one basically serious, the other basically comic. The serious thread concerns Clea herself, her attempts to find happiness and her relationships with those around her. The most important figure in her life is neither her husband (a remote figure who spends most of his time away from her on business trips abroad) nor any of the other men she takes as lovers but her closest female friend, Elke, a German-born sculptress. Clea and Elke are contrasting characters. Both are discontented, but only Clea looks for a cure for discontent. Whereas Clea is an eternal optimist, persuaded that every change in her life, be it a new love affair or the purchase of a rural property, will bring her the contentment that has hitherto eluded her, Elke is a pessimist, convinced that life is both cruel and meaningless and that happiness will forever elude her and the rest of humanity. Both see themselves as creative artists, but their attitude to art is as different as their attitude to life. Clea's photographs are deliberately composed to be aesthetically appealing, with anything sordid excluded, whereas Elke's sculptures focus on cruelty and suffering. The more serious scenes in the book generally take place in New York. The comic thread concerns the people of Roche's Ridge. The portrait that Ms Alther draws of the small community is a broad and satirical one. Just about every inhabitant is either mad, or bad, or both. The town is home to two groups of outsiders, one an apocalyptic religious cult, the other a lesbian-feminist commune, both led by sinister guru-figures. The natives of the town itself, however, are scarcely less eccentric; each seems to be prey to his or her own private obsession, such as Calvin Roche, who longs to escape to Texas to live the life of a cowboy, the bodybuilding hairdresser Jared McQueen who tries to persuade all the town's women to adopt punk hairstyles and Dack Marsh (real name Dacron), an artist who specialises in making arrangements of animal bones. (The scene where the simpleton Dack is taken up by New York sophisticates as a "primitive" artist allows Ms Alther to aim some sharp satirical barbs at the modern art scene). Underlying the placid surface of Roche's Ridge is an undercurrent of sexual perversity and lawlessness; one of the book's key moments comes when Clea makes an unwelcome discovery about the nasty goings-on in the shed owned by her neighbours, the disreputable Marsh family. The book's main weakness is perhaps that its serious and satirical threads are not wholly integrated. At times I felt that I was actually reading two novels at once, switching from one to the other at the end of each chapter. There is an attempt to bring together all the book's themes at the end, but I did not find this wholly successful. I felt that Ms Alther achieved a more satisfying blend of the serious and the satirical in her two earlier novels "Kinflicks" and "Original Sins", possibly because in those books the satire had some serious points to make. In "Bedrock" it seems more like satire for satire's sake. I also found myself growing bored with the depressing figure of Elke, with her tendency to wallow in her own misery and in the misery of others. Nevertheless, I have still given this book four stars because of the wit and style of Ms Alther's writing, particularly when she is in her comic mode. Although her satire has less political edge than it did in her earlier works, I still found myself laughing at the eccentric townsfolk of Roche's Ridge. Clea, for all her idiosyncrasies, is a likeable heroine, an older (but not necessarily wiser) version of Ginny Babcock. At least things finish more happily for her than they did for Emma Bovary.
8 of 8 people found the following review helpful:
4.0 out of 5 stars
Small Towns as Lunatic Asylums,
By Robert Derenthal "bucherwurm" (California United States) - See all my reviews (VINE VOICE) (REAL NAME)
Amazon Verified Purchase(What's this?)
This review is from: Bedrock (Mass Market Paperback)
Ms. Alther's humor has always delighted me, and this book is another worthy achievement of hers. Woman of the world Clea Shawn decides to give up her lovers and travels, and seeks peace in a small town in New Hampshire. She surprisingly does adapt to little Roches Ridge although she is now physically separated from her husband, teenage children, and her female best friend.While I enjoyed the book I did find the whole thing a bit unsettling. The two plot lines of the novel clashed a bit. The part of the story dealing with the outlandish citizens of Roches Ridge -and believe me there is not a normal person in the whole town- is quite hilarious. The other theme, Clea's relations with her family, and, most importantly, with her best friend Elke provide us with a more serious story. Either plot would have made a decent novel in itself. It's good Alther, though. Highly recommended.
Share your thoughts with other customers: Create your own review
|
|
What Other Items Do Customers Buy After Viewing This Item?
Tags Customers Associate with This Product(What's this?)Click on a tag to find related items, discussions, and people.
|
Listmania!
|
|
