Customer Reviews

Bedtime Stories

5 star:		(7)
4 star:		(2)
3 star:		(0)
2 star:		(0)
1 star:		(0)

 

 

Say this for David Baerwald: he's a survivor. Over 15 years after his first impression on the charts (with the Top 40 hit "Welcome to the Boomtown" as part of David + David), he's still plugging away, either on his own or in collaboration with others (such as Sheryl Crow on "Tuesday Night Music Club").

This is his first solo album, recorded after a breakup with David Ricketts. (It's thought their partnership came to grief after Ricketts' then-girlfriend Toni Childs, who had been working on her song "Where's the Ocean" for a year and still had just the title, got ticked off after Baerwald finally shouted from another room, "Take a right on Sunset.") Produced by Larry Klein (the former husband of Joni Mitchell, who provides backing vocals on "Liberty Lies"), it's a slice of Americana from a confused era: the `80s were over, and many people were a little confused as where we were going. Baerwald gets down in the trenches, with stories either of despair ("All for You," "Hello Mary") or or hope ("The Best Inside You").

My favorites are those where Baerwald lets his skewed sense of wordplay take hold, much as Springsteen did in his early LPs. These include "Dance" ("Everybody was nervous/We were serving the dervish/We were feeling observed absurd/And paranoid") and "Liberty Lies" ("It's like I'm walking through Rome/Tenements all torn apart/Instead of Nero we got Madonna/She's fiddling with herself") - it shows a sense of adventure rarely heard in rock of that era. (You don't suppose Madonna decided to pilfer the title of this album for her own out of spite? Nah.)

I don't have any other Baerwald albums, but I'm happy this one is on my shelf, and it gets played a few times a year - a claim I can't make with many of my other CDs.

If I can convince even one person to track down "Bedtime Stories," I'll feel great. It's a no-good, rotten shame that the album is out of print, but you'll have a fair shot of finding it on eBay or at your local record & tape trader. This guy's a hell of a songwriter, to which this album and the subsequent "Triage" bore considerable testament. If you're a fan of folk-tinged American rock from the Springsteen/Petty school, this should be right up your alley.

Baerwald is more of a pessimist than TP or the Boss; like Mellencamp, he's less a believer in the American Dream, and very upset by its disintegration. Mellencamp believes it can be rebuilt; Petty is apt to find good-time alternatives; Springsteen has grown heavy on lament. Baerwald, on the other hand, gets angry, and walks his songs right into the street to observe the decay and report back. It's not a very encouraging trip to the front lines, but it makes for great music with some meat in it. That's not to say that he has no sense of humor or vision for the brighter side: "Dance" is a rollickingly sardonic take on paranoia, while "Good Times" is a more melodically upbeat ode to nostalgia. Much of the album, though, focuses on those things that we as individuals ("Hello Mary," "The Best Inside You") and as a country ("Liberty Lies," "Sirens in the City," "Stranger") have let slip away. Much to our discredit.

Like his colleagues, Baerwald can write a hook, so you can tap your feet while you listen to the testimony in his case against the system. Just don't forget the central message: While we fiddle, Rome burns, and very few are innocent in this fire.

Fans of David and David will NOT be dissapointed .Heart felt and gritty (Sirens) ,well written, smart (...the committee of "OH MY GOD " -priceless) and thoughtful ("Stranger" ). A GREAT cd.

I have enjoyed all of Baerwald's CDs but this is definitely my personal favorite. Thanks for the great music David; hope you're well and plan to continue recording.

If I was stranded anywere with only 10 cd's this would be one of them! Great stuff. Period.

This album combines intellectual stimulation with an accessible pop-like hook. Not quite pop, not quite alternative, it has a dark edge that appeals emotionally. It is not pretty. He bares his soul as he comments on society, and holds up a mirror in which we can see ourselves. It one of my favorites, and one (like in another review) that I listen to a couple times a year. The whole album has consistant high quality.

I definitely like popular rock, and I believe this album can appeal to just about anyone. It's hard to compare him to other artists, though. The closest that come to my mind are Beth Hart, Josh Joplin, and Robert Tepper. These tunes stay with you, and as good as the album was on the first listening it has grown in my esteem over time.

This album was an instant classic from the moment I first heard the opening track. Literate, subtle, passionate stories about men losing their women, their money, their minds and more. Standout tracks include "Dance" (go on, try not to want to dance to it), "Liberty, Lies and Refugees" (take a walk down desolation row and learn how 'instead of Nero/ we have Madonna fiddling with herself') and "In The Morning" (a not so fond farewell, achingly rendered). Although these stories explore the darkness of our collective dystopia Baerwald finds islands of light ("Good Times") even when he's sitting in a dark place himself ("Hello Mary"). This is America seen through a lens darkly Brothers Grimm style but with a sense of humour ("Young Anymore" for example). When it was stolen from my home a dozen years ago I was devastated as it was out of print and when I found it again one day on a hunt through an old new and used store in Victoria (long live the independants!) it felt like meeting an old friend. The kind of friend you want to invite in and stay awhile.

Especially if you live in the Rockies where there is sometimes nothing for miles amd miles. This CD should be the soundtrack to the open road. It's the perfect music, not to fast, too slow too raunchy or sleepy. Truckers should even pick up this album and listen to it if they get tired of the old CB.

GREAT STUFF SOMETHING I WAITED FOR AFTER THE BOOM TOWN