Beethoven: Große Fuge; Mozart: Eine Kleine Nachtmusik; Handel: Concerto grosso

Ludwig van Beethoven (Composer), Wolfgang Amadeus Mozart (Composer), George Frederick Handel (Composer), Otto Klemperer (Conductor), Philharmonia Orchestra of London (Orchestra) | Format: Audio CD

Product Details

• Orchestra: Philharmonia Orchestra of London
• Conductor: Otto Klemperer
• Composer: Ludwig van Beethoven, Wolfgang Amadeus Mozart, George Frederick Handel
• Audio CD (January 16, 2007)
• SPARS Code: ADD
• Number of Discs: 1
• Label: EMI Classics
• ASIN: B000J3OHIE
• In-Print Editions: MP3 Download
• Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
• Amazon Best Sellers Rank: #455,243 in Music (See Top 100 in Music)

Customer Reviews

Most Helpful Customer Reviews

7 of 9 people found the following review helpful:

5.0 out of 5 stars WOW, March 27, 2007

By 

Kilgore Trout (WA) - See all my reviews

This review is from: Beethoven: Große Fuge; Mozart: Eine Kleine Nachtmusik; Handel: Concerto grosso (Audio CD)

This may be the best music value per dollar in the Amazon Catalog!

Beethoven's Grosse Fuge is the most intense and cathartic music ever written. Klemperer's version, with string orchestra, is perfect for this piece.

The Adagio and Fugue is Mozart at his most Beethoven-ish.

I've owned a vinyl recording of these two pieces (the same version, by Klemperer) for some 45 years!

In addition, EMI has thrown in Eine Kleine Nachtmusik & more.

What are you waiting for??!!

1 of 1 people found the following review helpful:

5.0 out of 5 stars A Grosse Fuge full of power and clarity, April 7, 2009

By 

Santa Fe Listener (Santa Fe, NM USA) - See all my reviews
(TOP 500 REVIEWER)    (HALL OF FAME REVIEWER)   

This review is from: Beethoven: Große Fuge; Mozart: Eine Kleine Nachtmusik; Handel: Concerto grosso (Audio CD)

The gem here is Klemperer's conducting of Beethoven's Grosse Fuge, a transcription for string orchestra adapted from the string quartet Op. 130. The composer's conception is so gigantic, so full of struggle and complexity, that it can barely be contained inside the bounds of four instruments. A setting for a larger-voiced, more replete ensemble made sense to the Romantic sensibility; therefore, we ahve a number of recordings from Bernstein, Furtwangler (there's even a video)et al. Klemperer's is among the most cogent and varied. He doesn't simply plunge in to create a granitic monument -- almost the opposite. His reading adds gentleness and nuance to contrast with power. I found it a great performance that clarified a very knotty work.

The rest of the music, all for strings, is more problematic. The Adagio and Fugue is simply massive, so anachronistic that it leaves Mozart far behind. There are lighter moments in eine Kleine Nachtmusik and the Serenate Notturna, but neither could be called light-handed. The Handel Concerto Grosso that ends the program is broad and courtly; again, very far from the composer's world but very nice on its own terms. But in the end, the great performance on this CD, which is in excellent sound, by the way, is the Beethoven.