Beethoven, Revised Edition [Paperback]

Maynard Solomon (Author)

Book Description

Release date: October 1, 2001

Hailed as a masterpiece for its original interpretations of Beethoven's life and music, this edition takes into account the latest information and literature. Includes a 30-page bibliographical essay, numerous illustrations, and a full-color pictorial biography of the composer.

Editorial Reviews

Amazon.com Review

Maynard Solomon is that rarest of writers on classical music: a well-trained expert who is also gutsy and humane, and who knows about life. He had the courage to write in recent years about Franz Schubert's homosexuality, which, judging by the size of the polemic that ensued, some academics were still not ready to hear about. But for many readers, Solomon's masterpiece is still his 1977 biography of Beethoven, offered here in a revised second edition that is a must-read for anyone interested in classical music, let alone "The Big Deaf One," as Jean Cocteau referred to the composer. Artfully blending history, psychology, sociology, and musicology in just the right measures, Solomon has taken the opportunity in his revision to focus more on certain themes, like Beethoven and Freemasonry; to discount evidence now seen as suspect, including the forgeries of the composer's friend Schindler; and to present new finds such as recently discovered documentary evidence. The result stands with Thayer's biography and Tovey's analyses as the classics on Beethoven, along with other fascinating books like the Cambridge Music Handbook on Beethoven's Ninth Symphony. A triumph--bravo, Professor Solomon! --Benjamin Ivry --This text refers to the Hardcover edition.

From Library Journal

For 20 years, Solomon's Beethoven has served scholars and lay readers as one of the most enlightening studies of the life and works of this fascinating composer. Justly praised for his thoroughness, honesty, and insight in presenting the many facets of a complex artist, Solomon approaches his subject from myriad different angles?historical, psychological, sociological, and aesthetic?to treat the reader to a view of Beethoven, his music, and his era that answers long-standing questions and reveals new ways of considering the composer, his works, and his motivation. In this revision, Solomon retains all the freshness of the first edition while incorporating the enormous amount of research published on Beethoven since the initial 1977 printing. Solomon's book should continue to engage readers for the next several decades. Highly recommended for public and academic libraries.?Timothy J. McGee, Univ. of Toronto
Copyright 1998 Reed Business Information, Inc. --This text refers to the Hardcover edition.

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Product Details

• Paperback: 554 pages
• Publisher: Schirmer Trade Books; 2 Revised edition (October 1, 2001)
• Language: English
• ISBN-10: 0825672686
• ISBN-13: 978-0825672682
• Product Dimensions: 9.2 x 6.2 x 1.2 inches
• Shipping Weight: 1 pounds (View shipping rates and policies)
• Average Customer Review: 3.7 out of 5 stars  See all reviews (28 customer reviews)
• Amazon Best Sellers Rank: #215,193 in Books (See Top 100 in Books)

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Most Helpful Customer Reviews

63 of 69 people found the following review helpful

4.0 out of 5 stars Good but not definitive June 12, 2002

By A Customer

Format:Paperback

How to describe Solomon's very good book on Beethoven? It is part psychohistory, which is always a perilous operation for a writer. I am one of those people who actually like Freud, but sometimes Solomon's psychoanalysis irritated me, and I was always glad when he left the couch and went back to more or less solid facts. There is a huge chapter on the Immortal Beloved that bored me after a couple of dozen pages, but those particularly interested in this aspect of Beethoven's life are in for a real treat! I'd like to have seen more discussion of B's politics and social views; Solomon's discussion of these is, overall, pretty thin.

But Solomon's weaknesses (and that is my judgment) do not ouweigh his great strengths. He has certainly done his homework on B's life, and he is a skilled writer and a patient, tireless researcher. He knows his Thayer as well, and he isn't above questioning long-held assumptions about this flawed but very great man. Solomon's discussion of B's music is sufficient for a biography (those who want a lot of details on the music should go elsewhere), and he does a great job of showing how the composer followed the classical models and broke away toward romanticism. He does well in showing the man's great genuis without ever worshipping him (the way 19th century music lovers did). No doubt about it, Beethoven was a real crumb in a lot of ways, and Solomon makes this clear.

As good as this book is, I wouldn't call it definitive. I imagine some bright peson coming along some day who has a deep understanding of the Enlightenment, of early romanticism, of music, and of German and Viennese society who will give a truer picture of the man in his full context. It is very difficult to describe music in words, but my imaginary writer will be adept at this as well. Until this person comes along (and we're talking about a reincarnation of Samuel Johnson or Shakespeare), Solomon will do just fine.

47 of 51 people found the following review helpful

5.0 out of 5 stars THE IMMORTAL COMPOSER September 11, 2000

By Robin Friedman HALL OF FAMETOP 50 REVIEWERVINE™ VOICE

Format:Hardcover

This is the second edition of Solomon's biography of Beethoven and it is an improvement in terms of both analysis and lucidity.

The book is written from a psychoanalytic point of view that all may not find convincing. However, the rudiments of Mr. Solomon's analysis, in terms of tracing Beethoven's life problems, his difficulties with women, with peers, and with himself to his childhood experiences probably transcends any specific psychological dogma and is insightful.

The book is a biography rather than an attempt at technical musical analysis. Even so, it elucidates the music well and with an obvious love for it. I found the discussion of Beethoven's final period works, and of his sometimes neglected vocal writings, particularly good.

The sections on Beethoven's relationship with Haydn, on his testament written upon the discovery of his impending deafness on the immortal beloved, and on his relationship with his nephew are all thoughtful and helped me better understand Beethoven.

A wonderful book for anybody who loves this composer or wants to learn more about why other people love him.

46 of 51 people found the following review helpful

3.0 out of 5 stars A revised opinion�and review April 29, 2000

By Mike Powers

Format:Hardcover

Sometimes it's necessary to read a book twice to really understand it. For me, neither an academic nor a musicologist, this is the case with Maynard Solomon's "Beethoven." When I first read it two tears ago, I saw it as "the best Beethoven biography I ever read...combining excellent writing, complete objectivity, and outstanding scholarship...maybe the best Beethoven biography ever." Now that I've read it again, (after also reading additional material Beethoven's life from other sources,) my opinion has changed. This time I found his attempts to psychoanalyze Beethoven annoying, and seemingly rooted more in conjecture rather than solid facts. Even the chapter on the Immortal Beloved, which I found so impressive the first time I read the book, seems now to me based more upon a process of elimination rather than solid scholarship.

Professor Solomon's prose is lively and entertaining, and his musical commentary may help non-academics and non-musicologists like myself better understand Beethoven's work. However, readers like myself, with a strong interest in Beethoven's life and music, may find other biographies (most notably Thayer's) that will better meet their needs.