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Beethoven: Symphony No. 9 Choral [Original recording remastered]

Ludwig van Beethoven , Wilhelm Furtwangler , Bayreuth Festival Orchestra , Elisabeth Schwarzkopf , Otto Edelmann , Hans Hopf , Elisabeth Hongen , Bayreuth Festival Choir Audio CD
4.0 out of 5 stars  See all reviews (56 customer reviews)

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MP3 Music, 4 Songs, 2005 $9.49  
Audio CD, Original recording remastered, 1999 --  

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Song TitleArtist Time Price
listen  1. Symphony No. 9 in D minor (Choral) Op. 125 (1997 Digital Remaster): I. Allegro ma non troppo, un poco maestosoFestspiel-Orchester Bayreuth /Wilhelm Furtwängler17:51Album Only
listen  2. Symphony No. 9 in D minor (Choral) Op. 125 (1997 Digital Remaster): II. Molto vivace - PrestoFestspiel-Orchester Bayreuth /Wilhelm Furtwängler12:00Album Only
listen  3. Symphony No. 9 in D minor (Choral) Op. 125 (1997 Digital Remaster): III. Adagio e cantabile -Andante moderato - AdagioFestspiel-Orchester Bayreuth /Wilhelm Furtwängler19:32Album Only
listen  4. Symphony No. 9 in D minor (Choral) Op. 125 (1997 Digital Remaster): IV. Presto - PrestissimoElisabeth Schwarzkopf/Elisabeth Höngen/Hans Hopf/Otto Edelmann/Festspiel-Chor Bayreuth/Wilhelm Pitz/Festspiel-Orchester Bayreuth /Wilhelm Furtwängler24:59Album Only

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Product Details

  • Performer: Elisabeth Schwarzkopf, Otto Edelmann, Hans Hopf, Elisabeth Hongen, Bayreuth Festival Choir
  • Orchestra: Bayreuth Festival Orchestra
  • Conductor: Wilhelm Furtwangler
  • Composer: Ludwig van Beethoven
  • Audio CD (January 12, 1999)
  • Number of Discs: 1
  • Format: Original recording remastered
  • Label: EMI Classics
  • ASIN: B00000GCA7
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (56 customer reviews)
  • Amazon Best Sellers Rank: #25,035 in Music (See Top 100 in Music)

Editorial Reviews

Product Description

Made in USA. cd is free of scratches. Hardly used. May be some handling wear to the cd case.

No single performance will ever tell us everything we need to know about a masterpiece like the Beethoven Ninth, but this one comes close. The inspired intensity of everyone involved--at the postwar reopening of the Bayreuth Festival in 1951--comes across very vividly in this new transfer. Just hear the way Furtwángler evokes the atmosphere of chaos coalescing into order at the opening of the first movement and you can tell a superior musical and spiritual consciousness is at work. Except for the poor first horn, whose bloopers are the main detriment, the orchestra, soloists, and chorus (recorded clearly but at a heavenly distance) all hold up their parts extremely well. The solo singers are particularly convincing. This is a very special recording, recognized as a classic when it was first issued and still indispensable. --Leslie Gerber

Customer Reviews

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Most Helpful Customer Reviews
152 of 154 people found the following review helpful
5.0 out of 5 stars Magnificent! June 7, 2004
Format:Audio CD|Verified Purchase
I first heard this magnificent Beethoven 9th in the early 1970's on a poor Seraphim LP transfer, never dreaming it could sound as good as it does here. That first hearing turned my entire view of great orchestral interpretation upside down. Previously, I had felt that Toscanini's was the finest interpretation. But by the time I reached the first mvt. coda of this live 9th from Bayreuth, my perceptions of musical eloquence had been changed forever. I simply had no idea of what power, breadth, majesty, grandeur and originality this music contained until I heard Furtwangler.

This is one of about 10 Beethoven 9th recordings by Furtwangler, all of them "live." They are all fascinating. There is a general consensus that Furtwangler's three finest readings are this one, the 1942 BPO from Berlin, and the 1954 Philharmonia from Lucerne. Here is a summary:

1. This Furtwangler (1951) with the Bayreuth Festival Orchestra & Chorus (Schwarzkopf, Hongen, Hopf, & Edelmann). It is less extreme than the 1942 and has more energy and passion than the 1954. Schwarzkopf is superb, Edelmann is excellent. The other Furtwangler 9ths listed here are better played (no wavering horn player in the Adagio), but this one has a special sense of occasion that makes it unique. The CD transfer here is identical to the one in the complete Beethoven set on EMI. So if you already have that one, there is no need to buy this one.

2. Furtwangler/BPO 1942, Bruno Kittel Choir, with Tilla Briem, Elisabeth Hongen, Peter Anders, and Rudolph Watzke (Music & Arts CD 4049). This is the most impassioned and dramatic of ALL 9ths. The BPO plays as if possessed, and the singers (except for Briem's shaky high notes) are superb.
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78 of 83 people found the following review helpful
5.0 out of 5 stars The atmosphere of a great occasion. March 17, 2001
Format:Audio CD
Now 50 years old, this recording, reissued many times, is likely to have outsold all other recorded versions of this symphony. It carries the atmosphere of a great occasion recorded live - the post war re-opening of the Bayreuth Festspiehaus in 1951. The performance itself, for all its occasional imperfections, has the headlong spontaneity of a first performance. The sound quality in this latest reissue is perfectly acceptable. The wonderful acoustics of Wagner's Bayreuth theatre help ensure success. You might be aware that you are sometimes carried in too closely to one or two woodwind instruments during the third movement, but the perspective is otherwise consistent. The taxing vocal contributions are never disappointing, Elisabeth Schwarzkopf's singing being especially distinctive.
I have never heard any performer make any "feel good" statements about this symphony. Toscanini, who conducted it countless times during his long life, declared that he never got to understand it. Orchestra members complain that they feel they have been reduced to "accompaniment" status once the baritone begins his recitative in the last movement. A retired contralto soloist who performed it all around the world once told me, "It's a bugger, John. I still go weak at the knees when I hear the introduction to the last movement." Sopranos singing in the chorus report that the high notes they need to attack and sustain leave them hoarse and exhausted afterwards. Can other internet visitors offer further performing insights?
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42 of 43 people found the following review helpful
5.0 out of 5 stars A Benchmark recording despite many flaws June 29, 2004
Format:Audio CD
As I sit here listening to the beautiful third movement of this symphony I say to myself "I've heard many other recordings that are cleaner, more elaborate, better recorded, AND better played". Then by God WHY do I keep coming back to this recording? Simply because Furtwangler doesn't use this piece of music as a spectacle for himself like Herbert Von Karajan has done. The very first piece of classical music I bought was the much overhyped '62 Beethoven cycle by Karajan and after comparing the ninth in that set to Furtwangler's it's easy to see who the REAL maestro is. Furtwangler knew about dynamics and shading and tempo adjustments which are all minor little things that keep a person interested in the music. This recording aside from being mono and having a few audience noises crop up as well as a sloppy horn player in the third movement is my definitive Beethoven Ninth. Warts and all.
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41 of 42 people found the following review helpful
5.0 out of 5 stars Incandescent October 22, 2000
Format:Audio CD
No one could call this 1951 performance of Beethoven's glorious 9th Symphony perfect. Some of the orchestral playing is uneven, the sound is rough and some of the singing is flawed. But, despite these technical flaws, what this recording achieves emotionally is beyond belief.
First and foremost is the indescribably inspired, unbelievably moving conducting of Wilhelm Furtwängler, the greatest conductor of the twentieth century. He infuses every bar with enormous warmth and majestic radiance, while holding his huge forces together flawlessly. His interpretation has an otherworldly, Olympian quality, particularly in the hushed serenity of the third movement and the exhilaration of the fourth movement, while remaining perfectly warm and human. Even by his standards, this is an outstanding performance. With the exception of the first horn, the Bayreuth Festival Orchestra plays magnificently, fully up to communicating Furtwängler's vision of this piece. Even the first horn, who bungles his entry in the third movement, contributes some elegant, beautiful phrasing. In the final movement, the chorus and solo quartet are generally excellent. Standing out even from this excellence is the radiant voice of Elisabeth Schwarzkopf, here at her most straightforward peak. She redeems a slightly choppy first line with some sublime singing toward the end of the movement. Her high B's there are some of the most beautiful sounds I have ever heard. The contralto, Elisabeth Höngen, is not on this level. She is rather uneven throughout her part, but her voice is beautiful enough. Hans Hopf is an excellent tenor, with a juicy, ringing voice, and Otto Edelmann is a firm-voiced, resonant bass. The chorus sings excellently.
Some people may find the sound too primitive for comfort.
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Most Recent Customer Reviews
5.0 out of 5 stars Five Stars
One of my favorites
Published 2 months ago by Peggy J. Mahan
1.0 out of 5 stars Alas, musically there's NOTHING memorable here, given the wide array...
This scrappy performance was given on the occasion of the reopening of the Bayreuth Festival after the war in 1951. Perhaps Herr F. Read more
Published 23 months ago by Ronald Haak
2.0 out of 5 stars Much better out there.
People have already written some good comments about this. I'm really only adding because I hate to see so many 5s on a considerably less-than-enjoyable recording of Beethoven's... Read more
Published on November 20, 2010 by JStuart
3.0 out of 5 stars Interesting. Great? Only if you prefer the conductor over the composer
I know many people will be angry with me for saying anything less than apotheosizing about this recording, but I will say it anyway. Read more
Published on April 26, 2010 by Elvis Beniamin Costea
1.0 out of 5 stars WARNING! If you want a dress rehearsal, buy this!
This does not do what it says on the tin! This is not the famous and magnificent performance from Bayreuth in 1951, merely a taping of the dress rehearsal! Read more
Published on April 4, 2010 by Please hold the line while we try to connect you... the number you are calling knows you are waiting.
5.0 out of 5 stars EMI Sound Clearly Better
Upon reading that the EMI version of Furtwangler's Bayreuth Beethoven 9th was not entirely the actual live audience performance, I bought the Orfeo offering of the actual... Read more
Published on October 15, 2009 by Michael A. Dosey
2.0 out of 5 stars Not recommended
This CD is no longer recommended because the recent revelations about its being a "reconstructed" version of Furtwangler's Bayreuth concert. Read more
Published on July 16, 2009 by Archaeologist
1.0 out of 5 stars A FRAUD OF EPIC PROPORTIONS
Sadly, this famous much-reviewed, much-cherished performance has been revealed to be patched together from REHEARSALS for the live event. Read more
Published on June 20, 2009 by B. Stockwell
1.0 out of 5 stars Less than Medium
THis is an OK CD. In all movements, the recording mics were poorly placed. I found the sound very general in both nstruments and voices. Nothing clear and strong. Read more
Published on April 1, 2009 by CGonz
5.0 out of 5 stars A true legend
The final judgment on this one is easy: No collection is anywhere near complete without it, and no one who likes music should go through their lives without having at least heard... Read more
Published on February 19, 2009 by G.D.
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