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Most Helpful Customer Reviews
32 of 32 people found the following review helpful:
5.0 out of 5 stars
Best Thing I Ever Bought.,
By A Customer
This review is from: Beethoven: Symphony Nos. 6, 7 & 8/2 Overtures (Audio CD)
I am so utterly charmed by these recordings that it amazes me. Right away I greatly preferred Bohm's 6th to the few others that I had heard. I wasn't surprised since it appears to be universally admired. With the seventh I was immediately struck by its classical poise vs. say Kleiber's energy and drive, and thought that I needed to quickly acquire several other versions to figure out what "most" conductors thought the approach should be. I thought Solti's digital 7th was good and definitely in the Kleiber camp. Ashkenazy was next: not a carbon-copy but still also in the energy and drive catagory. Then I discovered that if you listen to the Bohm first during the listening session it doesn't seem "too polite" anymore, it sounds utterly convincing, and the others sound impossibly driven in the III and IV, and nowhere near as impressive as a total performance. And that's without even considering aspects of recording quality or tonal balance. Maybe some will think I'm missing it, but I almost can't listen to the others anymore becauce it really sounds like Bohm nailed it. Number 8. I thought I really loved this work after hearing the '62 Karajan and the Edlinger recording from Naxos. Muti and Szell followed. Good and good. Then I heard the Bohm and it was the same thing all over again. "It's so different," I thought, "slow and almost pokey, though the recording sounds great and the balance is very warm and sweet." Then a few nights later I slip on the headphones and it hits me: this is the greatest interpretation of the most absolutely wonderful music I've ever heard. Pure pleasure, perfect, fun fun fun. Now I really can't listen to other versions anymore(and the digital Solti becomes a cruel joke). So I bought the Bohm 3&9 set and can't wait to get the 1,2,4,5 set. I think Beethoven was an entertainer, not just out to impress. Get these disks, they've got beauty and balance and power in the right places.
21 of 21 people found the following review helpful:
5.0 out of 5 stars
Definitive 6th Symphony/Superb 7th Symphony,
By
This review is from: Beethoven: Symphony Nos. 6, 7 & 8/2 Overtures (Audio CD)
These expansive, crisp performances of Beethoven symphonies 6, 7 and 8 are among the best available; this two CD set is clearly a key part of one of the finest recorded Beethoven symphony cycles. Karl Bohm does a superlative job conducting the Vienna Philharmonic, getting warm, vibrant performances, most notably from the string and woodwind sections. Bohm's version of the 6th Symphony soars triumphantly, ably recorded by Deutsche Grammophone's sound engineers. His version of the 7th Symphony is almost as thrilling to hear as Carlos Kleiber's version, recorded a few years later with the same orchestra, which many regard as the definitive version. The 8th Symphony is another fine performance too. It is truly amazing how clear and crisp these analogue recordings sound on CD, even though they haven't been remastered via the latest 20/24 bit sound technology.
15 of 15 people found the following review helpful:
5.0 out of 5 stars
The best version of the sixth!,
By Java Joe (Sheboygan, WI USA) - See all my reviews
This review is from: Beethoven: Symphony Nos. 6, 7 & 8/2 Overtures (Audio CD)
Beethoven's sixth is often underappreciated and overlooked. This version will quickly get you to reconsider your opinion if you have dismissed the sixth as "lightweight." The entire symphony is played with exquisite sensitivity. The first two movements, in particular, reveal Beethoven's genius. Bohm gets the orchestra to revel in Beethoven's lush textures. Everying is balanced and played with great delicacy. Bohm's reading of the seventh is quite different than the famous Klieber version. Again, other reviewers have criticized Bohm for being a bit too slow (the only place this is a concern is in his rendering of the fifth). However, Bohm gets a different, though equally satisfying effect from the slower tempo, particularly in the second movement. Bohm gets much more emotional depth out of this movemement than Klieber does. The spirited eighth is every bit as great as Szell's outstanding version with the Cleveland Symphony. In short, this is a "can't miss" cycle. You can't go wrong, and you won't be dissatisfied with Bohm's versions of all nine Beethoven symphonies.
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