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Beginner's Greek: A Novel Paperback – Bargain Price, May 13, 2009

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Editorial Reviews Review

James Collins's Beginner's Greek is a tender tale of how love conquers all, even if it takes longer than some might be willing to wait. Chick Lit fans especially will appreciate the uniquely male perspective that Collins, who spent most of his career as a journalist and an investment banker, brings to this modern fairy tale.

When 27-year-old Peter Russell boards a cross-country flight to Los Angeles, he fully expects to sit next to the love of his life. As luck would have it, he sits next to Holly Edwards, with whom he falls in love instantly. A lost phone number leads to years of wondering "what if," until Peter's best friend Jonathan introduces him to his new girlfriend, who is of course the same Holly of Peter's dreams. After Jonathan and Holly marry, Peter settles down with Charlotte, a Francophile who Peter tries to tolerate, but mostly just evokes feelings of pity and hatred. Of course, as with any fairy tale, the possibility for a happy ending is never truly out of reach, and Beginner's Greek is chock full of twists and turns to keep the action going.

While some of the dialogue may make readers feel like they just stepped out of a Victorian novel ("Oh no! I had no idea it was so late! Poor Peter! I'm sure you were coming to fetch me!"), Collins's characters convey enough depth to keep readers engaged through some of the more fanciful stretches of this captivating novel. --Gisele Toueg --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

Often the audio medium can make a book an even richer experience, as elegant phrases and colorful characters are brought to life. Unfortunately, this production amplifies the novel's flaws. Peter keeps missing chances to reveal his true feelings of love to Holly, a woman he met by chance on a plane and who married his best friend. The book's clunky, repetitive prose ("This was flattery, meant to amuse and flatter her") comes across worse to the ear than to the eye. The abridgment is often confusing and reduces dialogue scenes to dry summaries of discussions, but some of this is the author's fault. Instead of allowing the listener inside the heads of the characters, Collins simply describes their motivations in a detached, clinical way. This technique is more detrimental on audio than in print. Jerry O'Connell's bland, uninspired narration doesn't bother to differentiate character voices at all, apart from pitching his voice slightly higher for women's dialogue. He self-consciously enunciates each syllable, instead of using his acting skills to convey emotion or bring the story to life. The result is an audiobook as tedious as one of Peter's business meetings. Simultaneous release with the Little, Brown hardcover (Reviews, Oct. 1).
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

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Product Details

  • Paperback: 441 pages
  • Publisher: Back Bay Books; Reprint edition (May 13, 2009)
  • Language: English
  • ISBN-10: 0316021563
  • Product Dimensions: 8.1 x 5.5 x 1.2 inches
  • Shipping Weight: 1 pounds (View shipping rates and policies)
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (153 customer reviews)
  • Amazon Best Sellers Rank: #2,038,238 in Books (See Top 100 in Books)

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Customer Reviews

The two stars are for the lightning strike, otherwise this book might have rated a one star.
L. Blumenthal
The characters in this book were really good, unfortunately I felt they were overshadowed by too much explaining and description which made it hard for me to read.
Country Woman
The author has a realistic yet romantic way of setting up the story for the two main characters.
Jill Roberson

Most Helpful Customer Reviews

36 of 42 people found the following review helpful By Kendra on October 19, 2007
Format: Hardcover Vine Customer Review of Free Product ( What's this? )
I've been reading so many bad books lately, I now start each book very skeptically. I'm ready to criticize any dialogue that doesn't ring true. I have begun to expect scenarios that seem contrived. Furthermore, I received an advance copy of this book. The last advance copy of a book I received was SO bad, that I expected this one to be the same.

Thankfully, I was wrong here. This book was actually pretty good. It didn't start out strong, though. I had to wade through several chapters until it found its rhythm.

One of the first things I noticed was that the protagonist of the story, Peter, didn't seem like any male I ever have known. The author characterized him in such a way that I assumed he was going to be rather nerdy throughout the book. Later, however, it was clear that Peter was just an upstanding and goodhearted guy who was also intelligent, witty, and well-adjusted. Somehow, I didn't get this impression when we first met Peter. He came off as neurotic, instead.

Another thing that really bothered me was everyone's excessive obsession with looks and contrived expressions and reading each expression and actively putting on a certain expression to elicit a certain response. This was very strange to read in the earlier part of the book. Yet, I can't really find any fault in it, because some of the whole forced expression thing seemed to ring true in the sense I could picture everything the author wrote. Also, towards the second part of the book, as the book really got better, this seemed to work more favoribly.

Overall, though, I really liked this book (towards the second half) and I liked how the characters were actually fleshed out and interesting. I found it easy to sympathize with the characters and began to actually cheer for them.
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42 of 50 people found the following review helpful By mellion108 VINE VOICE on December 15, 2007
Format: Hardcover Vine Customer Review of Free Product ( What's this? )
Remember that cross-country flight you took when an interesting, captivating person sat next to you and the two of you talked about life, your interests, philosophy and literature?

Remember that work event you attended (by choice) at which everyone was witty and warm, rich and powerful, beautiful, well read, and articulate and found you equally enchanting?

Neither do I, and yet these things happen in Beginner's Greek.

It seems like Collins is aiming for that zany comedy feeling from the 40s. You know - boy meets girl, boy and girl fall in love, but then a series of events occur that keep them apart. Unfortunately, Beginner's Greek is set in modern times with characters who talk like they are out of the 40s, and it just doesn't work. I won't even go into the disbelief over a romantic man who longs to meet the woman of his dreams, and, when he does, puts all his faith in a hastily scribbled phone number on a torn piece of paper stuffed into his front pocket as the only means of contacting this goddess.

I kept trying to get into the book, and I kept trying to find something redeeming about the characters, but I finally had to admit defeat. The characters are flat and "sweet" to the point of being vacuous. The book is far too focused on the introspective lives of the characters, and no one actually seems to do or work at anything. There isn't one character here that I found sympathetic or likable. They all float around until something happens to them or around them, and then they sit around and talk about how odd or horrible or wonderful that thing is. Some characters simply drop out of sight altogether.

Finally, I can't help but comment on the overuse of BIG words.
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25 of 29 people found the following review helpful By "switterbug" Betsey Van Horn TOP 500 REVIEWERVINE VOICE on September 16, 2008
Format: Hardcover
This spirited novel gets off to a questionable start. I believe it is intended that way, until you fall into its rhythm. At about page 60 I was hooked. By that time, I really grokked the narrator's flow and the prose became so natural that it was like I was living the story. The low-star reviewers did not get it. This was not "zany" or "40's style" or vacuous. The narration is intentionally tongue-in-cheek and subversive. And yet...and yet. The Woody Allen movie, Vicky Cristina Barcelona, had a similar style of narrator. It winks at you and yet it rings true. It is agile and poised and yet disarming.

James Collins' story is like a painting or a beautiful photograph. Do you know how a painting or photograph, although depicting something real, can seem fantastical because of the play of light and shadow and mood and atmosphere? Do you know how a painting can be something unearthly, unreal, but because of the emotional rendering and quality can seem more genuine than a realistic interpretation? That is how this novel unfolds. It reveals itself through the crevices of the seemingly obvious story. It is like this big paradox. From the (wink wink) outer story the aperture widens, or even narrows simultaneously. You are holding a camera and you focus it on a field and in this field is an array of images. If you choose to look at it shallowly, then you will only see genus and species. But if you are sympathetic to your surroundings, there is a whole palette of beautiful colors and tones and textures to capture and captivate.

This is a page-turning love story. The characters are not meant to mimic "real" life. It is a romantic tale that hovers above reality but is an equipoise between absurd and exquisite. It is very human with spare but striking prose.
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