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The Beginner's Guide to the Long Sword: European Martial Arts Weaponry Techniques
 
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The Beginner's Guide to the Long Sword: European Martial Arts Weaponry Techniques [Paperback]

Steaphen Fick (Author)
4.2 out of 5 stars  See all reviews (6 customer reviews)


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Book Description

May 1, 2009
The basic movements and concepts of the European long sword are strategically covered in this comprehensive guide. Detailed photo sequences and illustrations that clearly depict stance and movements pair with engaging prose that perspicuously explicates the origins of long sword tactics. This complete look into the basics of long sword fighting is designed for sword fighting fans as well as long time practitioners and features instruction on balance, maintaining guard, proper grip, cuts, wards, stance, tempo, footwork, parries, and basic offense and defense.


Editorial Reviews

About the Author

Steaphen Fick is the founder of Davenriche European Martial Artes School as well as the International Medieval Tournament Association. He is an internationally ranked provost and two-time rapier winner at the International Sword and Martial Arts Convention. He lives in Santa Clara, California.

Product Details

  • Paperback: 175 pages
  • Publisher: Black Belt Communications (May 1, 2009)
  • Language: English
  • ISBN-10: 0897501780
  • ISBN-13: 978-0897501781
  • Product Dimensions: 8.7 x 5.9 x 0.6 inches
  • Shipping Weight: 8 ounces
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #38,735 in Books (See Top 100 in Books)

More About the Author

Bringing history alive is the passion of Steaphen Fick, founder of the
Davenriche European Martial Artes School (DEMAS), located in Santa
Clara, Fresno and Morgan Hill, California. Based on an medieval and
renaissance European style of self-defence (old English spelling), students
from age six to seventy-six learn how to safely swing swords, fight with
long sticks, daggers and rapiers, and learn other techniques that were part of
the tradition of knights centuries ago.

Fascinated by the "days of yore," Steaphen began sword fighting in full armor for a tournament company in 1989. Initially, he learned how to compete through what might be called the literal school of hard knocks.

However, in 1999 he traveled to Europe with his wife where he had the good fortune to spend over six months in Edinburgh, Scotland, and was able to study 11 different weapons, as well as age-old wrestling techniques and styles. Learning from manuscripts written in by the men that lived and died by the sword that have been sequestered away in libraries and museums, Steaphen studied and learned:


* the 14th-16th Century Long Sword
* the 16th -17th Century Three Musketeer's style Rapier
* the 16th Century Side Sword - cut and thrust
* the 15th Century Dagger - similar to our modern day dagger
* the 15th Century Billhook - a six foot pole with various blades, hooks
* Pugilism - the art of fencing with one's fists

After the tournament company dissolved, Steaphen founded his school, DEMAS, as a way to continue to share his enjoyment of the art. The school offers several different classes to people of all levels. The classes offered by DEMAS include;
Long sword
Rapier and dagger
Side sword (cut and thrust sword)
Armoured combat in the style of the 16th century tournament.

In addition to these classes, Steaphen teaches sesminars in all these weapons and specialized weapons and techniques.

Steaphen also offers a special class in street safety for women called, "Be S.A.F.E.,"(Secure, Aware, and Free Everywhere) in which women are taught how to best avoid potential harm, as well as simple maneuvers to escape from an attacker.

Women who take Steaphen's classes consistently report feeling more confident in their ability to protect themselves. Teens who take Steaphen's classes also gain confidence, as well as experience a sense of fluidity, balance, awareness, and control over their bodies that other teens don't possess. Parents note that Steaphen's classes not only increase younger children's confidence, but help them also gain greater awareness of their bodies, their surroundings, problem solving skills and where other people are in relation to themselves.

While playing with swords is "fun," for the children, teens and adults who attend his classes, Steaphen is quick to emphasize that the techniques one learns can be used in situations where one needs to defend oneself. For example sword techniques can easily be applied to a cane, a pool cue, or a heavy cardboard tube. In the same way, the technique one learns with a dagger can be applied to a folded up newspaper or magazine, a pair of gloves, a purse strap or a closed umbrella. These techniques also work with your bear hands.

Always one to share his passion, Steaphen gives demonstrations in schools, participates in international fencing tournaments, and teaches at international seminars, including the Western Martial Arts Workshops (WMAW) and ISMAC (International Swordfighting Martial Arts Convention). For the past seven years, he has also hosted and organized the Renaissance Fencing Camp in Santa Clara. He does birthday parties for kids, teaches at libraries and middle schools and has lectured at Stanford University and for the University of California history department. He is also the founder of IMTA, the International Medieval Tournament Association which hosts Rapier and Dagger tournaments as well as armoured tournaments with weight classes depending on the level of armour worn by the combatant.

 

Customer Reviews

6 Reviews
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Average Customer Review
4.2 out of 5 stars (6 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

15 of 15 people found the following review helpful:
4.0 out of 5 stars The Beginner's Guide to the Longsword - review..., September 28, 2009
By 
David M. Cvet (Toronto, Canada) - See all my reviews
(REAL NAME)   
This review is from: The Beginner's Guide to the Long Sword: European Martial Arts Weaponry Techniques (Paperback)
The book is appropriately titled and therefore, for those indivduals who have no experience in the world of historical fencing and historical martial arts, and who do not wish to delve into the extreme subtleties of any form of historical fighting arts - a "reader's digest" of the art of longsword fencing, this book is for you. For novice practitioners, the book is useful as a review of the fundamentals, important if one intends to "test" at their particular training school or academy. For instructors of historical fencing, this book may offer some new ideas in the approach to instructing their students and therefore, a useful resource in that regard.

The book does not focus on any one particular style of longsword fencing, but does cover the basics, with an excellent presentation on the longsword, its parts and its characteristics. Important information that all novices must internalize, regardless of fighting style studied. Steaphen then moves into combative foundations of posture and lines of attack. He also delves briefly into concepts of movement, measure, distance and tempo - concepts that both novice and experienced practitioners must know well. Steaphen also makes a point of ensuring the reader understands the importance of footwork, the very foundation of all fighting systems. This concept is explained with a series of intuitive images and illustrations aptly describing the basic of the foundations of footwork.

After detailing the basics, he begins the various guard positions, interestingly sourcing the names and the positions from the Italian style documented by the Italian swordsmaster Fiore dei Liberi in 1410. The treatise used as the source was entitled "Fiore di Battaglia". These guards or "poste" are described with plenty of text accompanied with black & white photos which clearly depict the guards described. This section of the book continues with a presentation on a number of simple drills, each drill focused on some specific attribute, such as a drill designed to highlight distance or tempo or parrying.

The book concludes with a good description of appropriate equipment to acquire should one decide to pursue longsword fencing, regardless of the style considered. Suggestions for hand protection include leather gauntlets or hockey gloves or lacrosse gloves, although, it is the opinion of the reviewer that hockey or lacrosses gloves are too bulky to train with, and may introduce training artifacts. The book closes with a basic glossary of terms, useful for the individual who may be considering beginning their journey into the study and training of historical fencing.
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5 of 5 people found the following review helpful:
4.0 out of 5 stars An intro course in book form., January 4, 2010
Amazon Verified Purchase(What's this?)
This review is from: The Beginner's Guide to the Long Sword: European Martial Arts Weaponry Techniques (Paperback)
The coverage of this book reminds me of my first four class introduction to (German) longsword combat at the Higgins Armory, condensed to book form for the Italian Style. I assume that is what Stephen Fick has done here, and based on his class work. I picked this book up for a less expensive look at some of the basics of the Italian style to complement the studies into the German style that I have participated in at Sword in the Scroll in Connecticut. I got a look at the Italian guards, cutting style, some drills and Italian theory.

There is a good amount of discussion about the theory and underlying basics of longsword, such has time and foot work. This is a good and often forgotten part if introducing the sword. I don't agree with all of his assertions, for example where to look, but nothing came out as horribly bad.

The book is not with out problems. The photos have been mentioned by another reviewer. They seem to be two students or assistant instructors grabbed before or after class for quick shots before a wall (NBA sweats, really?). The wall contrast is good, but the models do not look professional. More importantly, in my 2009 printing the photos of two different guards (posta di donna & posta falcone) are duplicated. Also the posta di donna sinestra photograph is described in the text as incorrect. A reshot even if slightly inconsistent photograph would be preferable. Finally, there is an entire chapter concerning gripping the blade. However the pictures of the demonstrators do not show the same hand grips as the close ups.

The Appendixes, are also problematic. Appendix A Head & Face Protection. "You must wear full head and face protection during any sword drill involving another person." Really? Why do none of the pictures in the entire book have a demonstrator wearing face protection? Nor wearing gorgets nor gloves. Some sort of explanation would have been nice. Appendix B discusses types of practice weapons. It gives the majority of space to steel swords, but I think short shrifts wooden practice swords with only one paragraph. This is the least expensive option and the way most beginners start. A high quality pair starts at $120+ while quality steel swords are several hundred each.

For the established practitioner the book is of interest for how another views the art. I would have liked to see more references to differentiate what comes from Fick's experence and what come form the manuals. However I understand that this is an basic beginners book and is beyond its scope.

If you are a beginner, you best option, which the author also states, is to join an established group. If you cannot find one in your area, then at a $17 MSRP this is not a bad book to get a taste of longsword. You'll need at least one friend, and one of you should read through the entire book before you start. (At 144 pages with pictures it goes fast) While there is a logic to the layout, some important information about cutting does not come until late in the book. If you enjoy these basics then you can explore further some of the more in depth books that are available.
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5 of 5 people found the following review helpful:
5.0 out of 5 stars One Sharp Book!, June 9, 2009
This review is from: The Beginner's Guide to the Long Sword: European Martial Arts Weaponry Techniques (Paperback)
This is an excellent book for martial artists, sword enthusiasts and everyone else who ever dreamed of wielding a sword. It explains fact from fiction in an entertaining way. It gives practical advice on how to use a sword and what to think about as you learn. Steaphen Fick has a clear, pragmatic teaching style,born from years of experience, that resonates throughout the book. The book also talks about Italian sword master Fiore Dei Liberi's treatise from 1409, plus learning guards and cuts in both Italian and English is awesome. I highly recommend this book.
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