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8 of 8 people found the following review helpful:
5.0 out of 5 stars
Satisfying conclusion to a fascinating series, February 28, 2005
This review is from: Behemoth: Seppuku (Bk. 2) (Hardcover)
First off, for those of you haven't already read "Behemoth: B-Max" (at least) you will definitely want to do so before tackling "Behemoth: Seppuku". For reasons that the author explains in the first volume, they constitute one book that was split into two due to pressures in the publishing issue. This novel does not stand alone, and will make no sense without reading the previous volume. Furthermore, there are two other volumes in the series "Starfish" and "Maelstrom" and while each entry stands on its own fairly well, reading the books in order would definitely be the approach I would recommend.
For those of you who are new to the series, here is a brief synopsis that should tell you whether or not these books are for you. Essentially, the story arc is about evolution: human, animal and electronic. By mixing a blend of biology, computer science and chaos theory, author Peter Watts has created a near future Earth where man is simultaneously at the height of his powers and walking the knife's edge of total ecological failure. In an effort to maintain the high standard of Western living mankind has turned to deep sea geothermal power to meet their energy needs. Miles below the ocean, specially engineered humans culled from the dregs of society maintain these power plants. However, what no one could have expected was that they would encounter an organism that would unleash an apocalypse. Part hard science-fiction, part post-apocalyptic, the first two books represent a genuinely original voice in the genre.
For those of you who have been eagerly awaiting "Seppuku" rest assured the ending is eminently satisfying. Given the two volume approach, it is difficult to offer much in the way of plot details without providing spoilers, but I can say that after the somewhat broader focus of "Maelstrom" and "B-Max" the story has gone full circle and boiled back down to the most perverse trinity of characters one is likely to find: Lenie Clarke, Ken Lubin and Achilles Desjardins. As the three engage in a power-play in which no one's motivations are clear and the fate of the world hangs in the balance, action takes precedence over thought, to sometimes disastrous effect. Nonetheless, the science and technology which has so defined this series is on ample display and is as prescient as ever.
Of particular note, I found the conclusion to be perfectly enigmatic. This is post-apocalyptic fiction, and a happy ending would have been wildly out of place, but Watts' conclusion recognizes this without being entirely bleak. In this regard, his novel owes more to "Alas, Babylon" with it's open ended conclusion, than the superb, but utterly fatalistic "On the Beach".
To say more would risk huge spoilers, so suffice it to say "Sepukku" is every bit the conclusion I was hoping for. Watts has combined hard science fiction and post-apocalyptic fiction and taken both in new and exciting directions. If you're a fan of the series, you'll be glad at the way it ends; if you're intrigued by this review, grab "Starfish" and start from the beginning.
Jake Mohlman
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5 of 5 people found the following review helpful:
4.0 out of 5 stars
Behemoth, April 8, 2005
This review is from: Behemoth: Seppuku (Bk. 2) (Hardcover)
An anaerobic microbe from the deep sea may have delivered the coup de grace to an already struggling mid-21st century world.
It makes more sense to me to review the whole series when it's one story -- so here goes.
I was very surprised to find that the mass market editions of these books are out of print -- even as the final hardcover has only just been released. I can't understand why this series wouldn't get more support, because in my opinion it has everything that successful science fiction needs. Watts incorporates big, shiny ideas -- and the deep-sea biology is a wonderful original touch. The books include a high level of action and tension and, pleasantly unusually for "idea" SF, are strongly character-driven. And the characters are tormented enough for anyone.
There are flaws. At times, the plot is unclear, and while I like the pivotal role played by ignorance and misunderstanding, at times an irritating back-and-forth plot dynamic (Seppuku is a cure, no it isn't, yes it is) appears. Characterization, while overall excellent, at times seems over the top -- it's not entirely clear why *everyone* is so messed up, and the stupid bickering between the Rifters and the corporates in Atlantis left me with sympathy for neither side. I was put off by the apparent indifference of the characters to the impending destruction of Earth's whole ecosystem -- but then, they're selfish and profoundly damaged people, and creating sympathy for them in the reader's mind does not seem to have been Watts' priority. I would have found the aforesaid destruction more effective had it been shown more clearly.
But, despite all these quibbles, I think this series is really good SF, and I highly recommend it.
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12 of 15 people found the following review helpful:
1.0 out of 5 stars
Deeply disappointing, a major creative misstep, January 13, 2005
This review is from: Behemoth: Seppuku (Bk. 2) (Hardcover)
Unlike his excellent debut, Starfish and its first sequel, Maelstrom, this conclusion is a disappointing creative misstep on the part of its author. The chief problem with BEHEMOTH: SEPPUKU is that in spite of setting up Lenie Clarke as the heroine of the story, Clarke herself is entirely passive throughout the book, making no real decisions or actions on her own, being led by her sociopathic-but-honourable comrade Ken Lubin. She never achieves any great insight and becomes a bit player in the story.
This book feels as if the author had become so preoccupied with his Hard Science Fiction ruminations that he had forgotten that his characters had been complex, dimensional characters in the previous books, and were now merely cartoonish chess pieces wandering through a thin narrative. There are also the deeply disturbing scenes in which the villain rapes and mutilates a sympathetic supporting character that eventually feel like a gratuitous exercise in writing snuff porn with a Science discussion interweaved in them, especially when that subplot no longer links up with the main story and never reaches any real resolution.
The first two books in this series brilliantly married the Science with the complexity and pain of its damaged characters, but this book has degenerated into a dystopian cartoon that feels too much like a wallow in the [...] of sexual sadism and social pessimism. There have been brilliant dystopian Science Fiction novels in that past that earned their pessimism, like John Brunner's THE SHEEP LOOK UP. Alas, BEHEMOTH: SEPPUKU does not belong in that league.
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