Product Details

• Actors: José Dumont, Rodrigo Santoro, Rita Assemany, Ravi Ramos Lacerda, Luiz Carlos Vasconcelos
• Directors: Walter Salles
• Format: Color, Original recording reissued, Subtitled, NTSC
• Subtitles: English
• Rated: PG-13 (Parental Guidance Suggested)
• Number of tapes: 1
• Studio: Miramax
• VHS Release Date: November 5, 2002
• Run Time: 105 minutes
• Average Customer Review: 4.4 out of 5 stars  See all reviews (21 customer reviews)
• ASIN: B00006JUE4
• Amazon Best Sellers Rank: #478,295 in Movies & TV (See Top 100 in Movies & TV)

Editorial Reviews

Amazon.com

Behind the Sun is a rapturous Western, a big film about a big, unwanted destiny visited upon a vulnerable, young hero. Adapted from the novel Broken April by Albanian writer Ismail Kadare (the story has been transferred from Europe to Brazil's rugged, northeastern badlands in 1910), Behind the Sun concerns two families and their long-running land war, which has robbed many a young man of his hope, love and, ultimately, life. Sent by his aggrieved father to avenge the slaying of an older brother, Tonho (Rodrigo Santoro), in torment, carries out his bloody, ancestral obligation and then proposes a truce between the families. Director Walter Salles (Central Station) aims to make a magnificently crafted, lush, and exotic epic told in broad strokes for art house aficionados, and he succeeds almost to a self-conscious fault. Still, there is nothing like a stirring, archetypal tragedy about the endless repercussions of violence and the sacrifice of innocence to a dubious cause. --Tom Keogh

Customer Reviews

Most Helpful Customer Reviews

25 of 26 people found the following review helpful:

5.0 out of 5 stars A darkly brooding vision of the timelessness of vengeance, July 12, 2002

By 

Grady Harp (Los Angeles, CA United States) - See all my reviews
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This review is from: Behind The Sun (DVD)

The story in this film is simple: blood for blood feuding between two families in the backlands of Brazil. If left at that, this would be a conceptually boring movie, one done hundreds of times in various locations for varying Hollywood budgets. The glory of BEHIND THE SUN is in the presentation and transformation of a familiar precis into a visually stunning prolonged motion painting. Director Salles has assembled a cast of beautiful actors, minimized the Portuguese dialog so that the visuals may convey the text almost solo, and has added appropriations from other art forms to make this a memorable film. The only characters outside the feuding families are a traveling troupe of 'clowns' or a circus consisting of an older man and his senusously beautiful stepdaughter. This nod to the "I PAGLIACCI" opera invests intrigue and introduces the concept of the redeeming force of love into this otherwise blighted life story of a young man doomed to die for family honor. The photography is elegant, the acting is superb, the musical scoring is sensitively appropriate without drawing attention to itself. This is a very beautiful, very fine film.

15 of 15 people found the following review helpful:

5.0 out of 5 stars A time and a place and a cruel and barbaric code of honor, July 30, 2003

By 

Linda Linguvic (New York City) - See all my reviews
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This review is from: Behind The Sun (DVD)

This 2001 Brazilian film is one of the saddest I've ever seen. It's set in 1910 in the cane fields of Brazil. There are two families who live on adjourning land who are part of a blood feud that has gone back so far in time that nobody remembers the details.

The story unfolds through the point of view of a 10-year old boy. He is the youngest of three sons. His oldest brother has been killed a month before and his bloodstained shirt is drying in the sun. Now that the blood has turned yellow, it is time to revenge his death. This task falls to his beloved 20-year old brother Tonio, who, after a heartbreaking chase, murders a son of the rival family.

Now, we all know that Tonio will be murdered just as his rival was murdered. And we know he, too, has a month to live while the bloody shirt of his opponent dries in the sun. A lot happens though during this month though. A traveling circus passes by and Tonio falls in love with a young fire-eating performer and wants to stop the cycle of violence.

The film was beautiful inasmuch as it captured a time and a place and a code of honor that seems cruel and barbaric. It also captured the human spirit of the people involved in this tragedy.

18 of 19 people found the following review helpful:

4.0 out of 5 stars A bleak story told in an austere place, January 9, 2002

By 

Joseph Haschka (Glendale, CA USA) - See all my reviews
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BEHIND THE SUN, with English subtitles for Portuguese dialogue, is a Brazilian version of the Hatfield-McCoy feud and set in 1910. The Breves family - husband, wife, and two sons - are hardscrabble sugar cane farmers. We don't really know what the Ferreira family does - perhaps they're ranchers. Both clans have waged a blood feud for generations over a wretched piece of land better bulldozed flat for a shopping mall. Considering the endless cycle of an eye for an eye, will Tonio, the oldest Breves son, live long enough to venture beyond his family's land and experience love before the bloodstains on that Ferreira shirt turn from red to yellow in the wind and sun?

BEHIND THE SUN showcases actors that Americans have likely never seen before (and may never see again), but they're all excellent: José Dumont as Tonio's father, Rita Assemany as his mother, Ravi Lacerda as his young brother ("The Kid"), Flavia Antonio as bewitching Clara of the traveling carnival, and Rodrigo Santoro as Tonio himself. Filmed in color, the movie depicts a physical landscape of magnificent austerity. Had it been in black and white, it would have been almost brutal.

The film's thematic message, I think, is that embedded tribal conflicts based on ethnicity or religion or, in this case, some overblown concept of "honor", are almost impossible to resolve rationally and peacefully. And the film goes on to ask - and answer, in this particular storyline - the question of what must happen before the killing is to stop. My mild disenchantment with the theme of BEHIND THE SUN is the suspicion that it's been done previously many more times than I realize, most recently to my knowledge in the excellent film NO MAN'S LAND, which deals with a more contemporary antagonism. Moreover, the script reduces the problem of tribal conflict to the simplest scenario possible and thus oversimplifies the issue beyond everyday realities. However, in that it strips the issue down to the bone, so to speak, it does manage to admirably clarify the stupidity and tragedy of such discord. BEHIND THE SUN is a film to be admired, but not one to be seen for light entertainment.