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BEHRINGER EURODESK SX3242FX

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  • Premium ultra-low noise, high-headroom analog mixer
  • 24 state-of-the-art XENYX Mic Preamps comparable to stand-alone boutique preamps
  • Neo-classic "British" 3-band EQs with semi-parametric mid band for warm and musical sound
  • 2 independent studio-grade 24-bit stereo FX processors with 99 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects
  • High-precision 9-band stereo graphic EQ allows precise frequency correction of monitor or main mixes
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Frequently Bought Together

BEHRINGER EURODESK SX3242FX + CBI MLC20 Low Z XLR Microphone Cable, 20 Foot + Behringer ULTRAVOICE XM1800S Dynamic Cardioid Vocal Microphones, 3-Pack
Price for all three: $646.30

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Product Details

  • Product Dimensions: 35.3 x 3.9 x 16.1 inches ; 24.2 pounds
  • Shipping Weight: 27 pounds (View shipping rates and policies)
  • Shipping: Currently, item can be shipped only within the U.S. and to APO/FPO addresses. For APO/FPO shipments, please check with the manufacturer regarding warranty and support issues.
  • Shipping Advisory: This item must be shipped separately from other items in your order. Additional shipping charges will not apply.
  • ASIN: B001HS0X8S
  • Item model number: SX3242FX
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (17 customer reviews)
  • Amazon Best Sellers Rank: #8,442 in Musical Instruments (See Top 100 in Musical Instruments)
  • Date first available at Amazon.com: April 13, 2004

Product Description

Product Description

BEHRINGER EURODESK SX3242FX

Ultra-Low Noise Design 32-Input 4-Bus Studio/Live Mixer with XENYX Mic Preamplifiers, British EQs and Dual Multi-FX Processor

  • Premium ultra-low noise, high-headroom analog mixer
  • 24 state-of-the-art XENYX Mic Preamps comparable to stand-alone boutique preamps
  • Neo-classic "British" 3-band EQs with semi-parametric mid band for warm and musical sound
  • 2 independent studio-grade 24-bit stereo FX processors with 99 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects
  • High-precision 9-band stereo graphic EQ allows precise frequency correction of monitor or main mixes
  • Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies
  • Peak LEDs, Mute, Main mix and subgroup routing switches, Solo and PFL functions on all channels
  • 2 fully featured stereo input channels with 4-band EQ plus 2 additional stereo input channels with Level and pre-fader Aux controls
  • Inserts on each mono channel and main mix for flexible connection of outboard equipment
  • 4 Subgroup outputs and additional Mono output with sweepable Low Pass filter for subwoofer application
  • 4 Aux sends per channel: 2 pre/post fader switchable for monitoring/FX applications, 2 post fader (for internal FX or as external send)
  • Balanced Main mix outputs with ¼" jack and gold-plated XLR connectors, separate Control room, Headphone and stereo Tape outputs
  • Solo-In-Place and Pre-Fader-Listen functions plus full-featured Talkback section
  • Standby switch mutes all channels during breaks while background music is provided via CD/Tape inputs
  • Long-wearing 60 mm logarithmic-taper faders and sealed rotary controls
  • Internal autorange power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
  • High-quality components and exceptionally rugged construction ensure long life
  • Conceived and designed by BEHRINGER Germany

If you want classic analog handling but can't skimp on superior digital effects and studio-grade mic preamps, the SX3242FX is your new best friend. This mixer's 24 microphone inputs, 8 stereo inputs and 4 buses give you enough leeway to handle anything from a graduation speech to a 5-piece band to a whole church service with praise band and choir.

Classic Control, State-of-the-Art Sound

Each of the SX3242FX's 24 mic inputs connects to our world-famous, studio-grade XENYX mic preamps. They are legendary for their high headroom, warm natural timbre and utter lack of background noise. Plug in a large-diaphragm condenser mic and track a vocal to hear XENYX's rich detail and spaciousness. Plug in a dynamic mic and stick it inside a bass drum to appreciate the whopping headroom.

You May Experience Side-FX...

Whether you need to add a dab of reverb or delay to a live vocalist's mic or warp a hard day's studio session into psychedelic quicksand, the SX3242FX has you covered. We gave this mixer two independent studiograde 24-bit stereo FX processors with 99 awesome presets to provide the perfect sonic garnish. "Sure they're great for live sound, but I have a lot of cool plug-ins for recording," we can hear some of you saying. Truth be told, you never have too many effects. And when you hear the quality of the SX3242FX's FX, you may want to give your overworked CPU a rest.

Naturally we gave you a whole palette of creative effects like reverb, chorus, flanger, delay and pitch shifter tones, as well as mind-bending multi effects to take your sound out of this world. But you also get problem solving workhorses like compression and gating plus final effects such as Ultramizer, Ultrabass and Exciter that can put a PA or studio mix over the top. And because there are two processors, you can cue two separate effects, then apply one or both to channels 1 through 28 - compression for the vocalist, reverb for the vocalist and snare drum, for example.

What the Heck is "British EQ"?

A good thing to have on your side when you start reaching for those channel equalization knobs. At a live concert or in the studio.

Think of it as kinder, gentler, more musical EQ like the type found on classic British consoles from the 60's and 70's. Single malt scotch instead of Everclear. Home-baked cherry cobbler instead of an artificial cherry lollypop. British EQ's distinct configuration of wider curves/lower Q and harmonic phase characteristics allows you to add or subtract EQ more generously than you can with conventional EQ circuit designs. When you add low midrange, you get a firmer sound instead of a nasty bonk. When you back high frequencies off a bit, treble backs off just a hair instead of turning muffled.

All SX3242FX mono channels have low and high shelving plus a sweepable "midrange" you can move anywhere from 100Hz to 8kHz. Think of it as your roving English troubleshooter.

Make Feedback Vanish So Your Audience Doesn't

When it comes to suppressing feedback, the SX3242FX is like having a bloodhound trained to spot trouble frequencies a mile away.

The 9-band graphic EQ (which you can choose to apply to your main mix or monitor mix via the MAIN/AUX1 button) features the FBQ Feedback Detection system. It makes finding and adjusting critical frequencies a snap. Just push FBQ IN, then watch as LEDs on the individual EQ sliders light up, indicating which frequency bands are causing feedback. Simply adjust until the LED goes dim.

Hitch Your Art to the AUX

The SX3482 has eight AUX SEND outputs as well as eight AUX return inputs, giving you more routing options than a Los Angeles road map. AUX SEND 1-8 allow you to send the signal governed by an individual channel to an outboard FX unit or EQ. Meanwhile, the AUX returns can be thought of as eight extra line inputs working as four stereo pairs. You can apply up to 20 dB of gain to these inputs. AUX returns 1, 2, 7 and 8 allow returning FX to be sent to tape, and, along with 5 and 6, are also good for cuing artists via headphones. AUX returns 3 and 4 are always assigned to the main bus.

The Ins and Outs

Some manufacturers make what they call 32-input mixers that count stuff like CD/TAPE IN as an input. But the SX3242FX really gives you twenty-four honest mono channels plus eight stereo channels, making it easy to accommodate a variety of studio or live performance configurations. You can connect up to 24 microphones or other mono instruments and up to four stereo instruments (keyboards or tone modules, for example).

You can combine these input in four different sub-mixes (we call them buses). That allows you to blend multiple channels - say all the mics on a drum kit or all the backup singers' mics - to a single fader, which is easier to adjust for the overall mix that goes to the PA speakers. You can also use one or more of the sub-mix buses to create custom monitor mixes for picky members of your band ("More me! More me!").

A Zillion Ways to Change the Channel

At the top of each mono channel, you'll find both a balanced XLR input with a XENYX mic preamp and a 1/4" input. A phantom power switch located on the back near the main power switch accommodates condenser mics.

Next comes is an insert for connecting up individual signal processors or feeding a remote broadcast feed or multitrack recorder directly.

Trim control and level set LED let you adjust the channel's input level for maximum headroom and minimum noise - the huge range of this control can handle anything from a very timid vocalist to a close-miked guitar amp stack.

Each mono channel features a 3-band EQ with semi-parametric mids (giving you control of the Mid level and a sweepable frequency with a boost or cut of 15dB) and a Trim control for adjusting input gain via a Level Set LED.

A Low Cut button eliminates the frequencies where unwanted infrasonics such as mic handling, P-pops or wind noise occur.

FX1 and FX2 dials add a blend of up to two effects, and AUX1 and AUX2 dials help create your monitor mix. Press the PRE button to send a raw, EQ-free signal to the monitors.

Near every mono channel's fader you'll find a 1-2, 3-4 and MAIN button. By engaging the MAIN button, the signal is sent to the main mix. Or, if you engage the 1-2 button, the channel becomes part of a bus. Twist the PAN control all the way to the left to assign it to Sub 1, or all the way to the right for Sub 2. The same principle applies to the 3-4 button.

A Mute button with accompanying LED cuts the signal from the channel, and a Clip LED helps you dial in a distortion-free post-EQ signal. The Solo button on individual channels routes the subgroup signal to the solo bus or Pre-Fader Listen - depending on whether the signal has been included in a subgroup.

Instead of XLR inputs, stereo channels 25-32 have left and right balanced/unbalanced line level inputs. Channels 25-28 feature the same controls as the mono channels, but with a four-band EQ that gives you control of HIGH, HIGH MID, LOW MID and LOW. This is especially useful for EQ'ing the critical midrange frequency content found in keyboard signals. Stereo channels 29 through 32, designed for signals that do not require EQ, have a simplified interface consisting of a Level, AUX1 and AUX2 dial. Can you say laptop backing track feeds, drum machines, tone modules, DJ mixers or CD players?

Finally, all four sub-mix buses feature an independent fader (naturally), Solo switch with bright LED, and assign buttons for routing them to Left or Right stereo channels.

Take On The World

Not every town on the planet uses the same voltage common in yours. Unfortunately, this sometimes doesn't occur to jet-setting sound technicians until they're 5,000 miles from home. With the SX3242FX, this is never an issue. The internal autorange power supply can run on anything from 100 to 240 V with noise-free audio, top-quality transient response and low power consumption.

Buy it Now. Teach Your Great Grandkids How to Run it.

BEHRINGER mixers last and last. We use top quality parts such as longwear faders, sealed rotary controls and premium circuit boards. We have 20 years of experience figuring out how to compensate for clumsy load-ins, spilled drinks, crazed guitarists and millions of road miles. The result is a mixer you can count on day after day and night after night.

Why Do You Need This Mixer?
  • Built-in pristine XENYX mic preamps... LOTS of them
  • Dual 24-bit FX processor with 99 presets including reverb, chorus, flanger, delay and pitch shifter tones
  • British-style EQ dials give you the sound and control preferred by top studio engineers
  • The built-in FBQ Feedback Detection system instantly reveals critical frequencies and the 9-band stereo graphic EQ allows precise correction of those frequencies in monitor or main mixes
  • Awesomely complete I/O - everything from bus inserts to mono output
  • We solved the problem of what to do when you want to play music during breaks but don't want to have to mute every channel or turn down every fader. Just push CD/ Tape STANDBY button to A) mute all mixer channels and B) solo just your CD/Tape source.
  • We didn't just give you a MONO output for subwoofers. We gave it a built-in variable low pass crossover, saving you money on outboard gear.
  • We added a footswitch jack that you can use to control either internal or external effects.
  • We gave you a complete Phones and Control Room assignment matrix so you can send mains, buses, CD/Tape or auxes out at the touch of a button.
  • We added a routing button to Talkback so you can talk directly to either a monitor mix or the house mix for public announcements.
  • We made the 9-band equalizer assignable to either AUX 1 or the main mix.
Finally, "And Now For Something Completely Similar."

If you've read this product sheet and loved everything about the SX3242FX except it seemed like a bit too much mixer for your current needs, we have good news for you. It has a little brother, the SX2442! Sixteen mono channels each with superb XENYX mic preamps. And of course every other feature you've just read about. But in a smaller form factor and lower price. See both models at your BEHRINGER Dealer today.

Amazon.com

If you want classic analog handling but can't skimp on superior digital effects and studio-grade mic preamps, the SX3242FX is your new best friend. This mixer's 24 microphone inputs, 8 stereo inputs and 4 buses give you enough leeway to handle anything from a graduation speech to a 5-piece band to a whole church service with praise band and choir.

Classic Control, State-of-the-Art Sound

Each of the SX3242FX's 24 mic inputs connects to our world-famous, studio-grade XENYX mic preamps. They are legendary for their high headroom, warm natural timbre and utter lack of background noise. Plug in a large-diaphragm condenser mic and track a vocal to hear XENYX's rich detail and spaciousness. Plug in a dynamic mic and stick it inside a bass drum to appreciate the whopping headroom.

You May Experience Side-FX...
Whether you need to add a dab of reverb or delay to a live vocalist's mic or warp a hard day's studio session into psychedelic quicksand, the SX3242FX has you covered. Behringer gave this mixer two independent studiograde 24-bit stereo FX processors with 99 awesome presets to provide the perfect sonic garnish. "Sure they're great for live sound, but I have a lot of cool plug-ins for recording," we can hear some of you saying. Truth be told, you never have too many effects. And when you hear the quality of the SX3242FX's FX, you may want to give your overworked CPU a rest.

Naturally Behringer gave you a whole palette of creative effects like reverb, chorus, flanger, delay and pitch shifter tones, as well as mind-bending multi effects to take your sound out of this world. But you also get problem solving workhorses like compression and gating plus final effects such as Ultramizer, Ultrabass and Exciter that can put a PA or studio mix over the top. And because there are two processors, you can cue two separate effects, then apply one or both to channels 1 through 28--compression for the vocalist, reverb for the vocalist and snare drum, for example.

Two independent studio-grade 24-bit stereo FX processors with 99 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects.

High-precision nine-band stereo graphic EQ allows precise frequency correction of monitor or main mixes.

Routing options galore.

24 state-of-the-art XENYX Mic Preamps comparable to stand-alone boutique preamps.

What the Heck is "British EQ"?
A good thing to have on your side when you start reaching for those channel equalization knobs. At a live concert or in the studio.

Think of it as kinder, gentler, more musical EQ like the type found on classic British consoles from the 60's and 70's. Single malt scotch instead of Everclear. Home-baked cherry cobbler instead of an artificial cherry lollypop. British EQ's distinct configuration of wider curves/lower Q and harmonic phase characteristics allows you to add or subtract EQ more generously than you can with conventional EQ circuit designs. When you add low midrange, you get a firmer sound instead of a nasty bonk. When you back high frequencies off a bit, treble backs off just a hair instead of turning muffled.

All SX3242FX mono channels have low and high shelving plus a sweepable "midrange" you can move anywhere from 100Hz to 8kHz. Think of it as your roving English troubleshooter.

Make Feedback Vanish So Your Audience Doesn't
When it comes to suppressing feedback, the SX3242FX is like having a bloodhound trained to spot trouble frequencies a mile away.

The 9-band graphic EQ (which you can choose to apply to your main mix or monitor mix via the MAIN/AUX1 button) features the FBQ Feedback Detection system. It makes finding and adjusting critical frequencies a snap. Just push FBQ IN, then watch as LEDs on the individual EQ sliders light up, indicating which frequency bands are causing feedback. Simply adjust until the LED goes dim.

The Ins and Outs
Some manufacturers make what they call 32-input mixers that count stuff like CD/TAPE IN as an input. But the SX3242FX really gives you twenty-four honest mono channels plus eight stereo channels, making it easy to accommodate a variety of studio or live performance configurations. You can connect up to 24 microphones or other mono instruments and up to four stereo instruments (keyboards or tone modules, for example).

You can combine these input in four different sub-mixes (called buses). That allows you to blend multiple channels--say all the mics on a drum kit or all the backup singers' mics--to a single fader, which is easier to adjust for the overall mix that goes to the PA speakers. You can also use one or more of the sub-mix buses to create custom monitor mixes for picky members of your band ("More me! More me!").

A Zillion Ways to Change the Channel
At the top of each mono channel, you'll find both a balanced XLR input with a XENYX mic preamp and a 1/4" input. A phantom power switch located on the back near the main power switch accommodates condenser mics.

Next comes is an insert for connecting up individual signal processors or feeding a remote broadcast feed or multitrack recorder directly.

Trim control and level set LED let you adjust the channel's input level for maximum headroom and minimum noise--the huge range of this control can handle anything from a very timid vocalist to a close-miked guitar amp stack.

Each mono channel features a 3-band EQ with semi-parametric mids (giving you control of the Mid level and a sweepable frequency with a boost or cut of 15dB) and a Trim control for adjusting input gain via a Level Set LED.

A Low Cut button eliminates the frequencies where unwanted infrasonics such as mic handling, P-pops or wind noise occur.

FX1 and FX2 dials add a blend of up to two effects, and AUX1 and AUX2 dials help create your monitor mix. Press the PRE button to send a raw, EQ-free signal to the monitors.

Near every mono channel's fader you'll find a 1-2, 3-4 and MAIN button. By engaging the MAIN button, the signal is sent to the main mix. Or, if you engage the 1-2 button, the channel becomes part of a bus. Twist the PAN control all the way to the left to assign it to Sub 1, or all the way to the right for Sub 2. The same principle applies to the 3-4 button.

A Mute button with accompanying LED cuts the signal from the channel, and a Clip LED helps you dial in a distortion-free post-EQ signal. The Solo button on individual channels routes the subgroup signal to the solo bus or Pre-Fader Listen--depending on whether the signal has been included in a subgroup.

Instead of XLR inputs, stereo channels 25-32 have left and right balanced/unbalanced line level inputs. Channels 25-28 feature the same controls as the mono channels, but with a four-band EQ that gives you control of HIGH, HIGH MID, LOW MID and LOW. This is especially useful for EQ'ing the critical midrange frequency content found in keyboard signals. Stereo channels 29 through 32, designed for signals that do not require EQ, have a simplified interface consisting of a Level, AUX1 and AUX2 dial. Can you say laptop backing track feeds, drum machines, tone modules, DJ mixers or CD players?

Finally, all four sub-mix buses feature an independent fader (naturally), Solo switch with bright LED, and assign buttons for routing them to Left or Right stereo channels.

Take On The World
Not every town on the planet uses the same voltage common in yours. Unfortunately, this sometimes doesn't occur to jet-setting sound technicians until they're 5,000 miles from home. With the SX3242FX, this is never an issue. The internal autorange power supply can run on anything from 100 to 240 V with noise-free audio, top-quality transient response and low power consumption.

Buy it Now. Teach Your Great Grandkids How to Run it.
BEHRINGER mixers last and last. Behringer use top quality parts such as longwear faders, sealed rotary controls and premium circuit boards. Behringer has 20 years of experience figuring out how to compensate for clumsy load-ins, spilled drinks, crazed guitarists and millions of road miles. The result is a mixer you can count on day after day and night after night.

Why Do You Need This Mixer?

  • Built-in pristine XENYX mic preamps... LOTS of them
  • Dual 24-bit FX processor with 99 presets including reverb, chorus, flanger, delay and pitch shifter tones
  • British-style EQ dials give you the sound and control preferred by top studio engineers
  • The built-in FBQ Feedback Detection system instantly reveals critical frequencies and the 9-band stereo graphic EQ allows precise correction of those frequencies in monitor or main mixes
  • Awesomely complete I/O--everything from bus inserts to mono output
  • Behringer solved the problem of what to do when you want to play music during breaks but don't want to have to mute every channel or turn down every fader. Just push CD/ Tape STANDBY button to A) mute all mixer channels and B) solo just your CD/Tape source.
  • Behringer didn't just give you a MONO output for subwoofers, they gave it a built-in variable low pass crossover, saving you money on outboard gear.
  • A footswitch jack that you can use to control either internal or external effects.
  • A complete Phones and Control Room assignment matrix so you can send mains, buses, CD/Tape or auxes out at the touch of a button.
  • A routing button to Talkback so you can talk directly to either a monitor mix or the house mix for public announcements.
  • Behringer made the 9-band equalizer assignable to either AUX 1 or the main mix.

What's in the Box
Behringer Eurodesk SX3242FX, Power Cable, User's Manual

Customer Reviews

4.6 out of 5 stars
5 star
13
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See all 17 customer reviews
EASY TO USE Extremely easy, very straight forward mixer.
Wise Teacher
It is really a great product and when people come into the studio there floored at how professional things look...
Mark Butler
It is gorgeous in every respect and it sure does the work!
Tjblues

Most Helpful Customer Reviews

9 of 9 people found the following review helpful By David R. Courtney on August 15, 2013
I have just purchased my second SX3242FX to replace one that served me for several years. I kept looking for a better mixer, but I could not find one in this price range. Having worked with it for several years, here is my opinion.

pros
amazingly inexpensive.
very flexible.
many features.
clean transparent sound.

cons
not robust.
fault prone

This machine uses a very classic design which harps back to large mixing consoles of the 1970s. This gives it a fairly transparent sound and an operation which is intuitive to any "old timer". It gives a lot of flexibility in a variety of sound reinforcement and recording situations. However I advise against taking it on the road. It is not rugged enough to take the abuse.

The mixer's classic architecture means that the signal must pass through a long array of electromechanical components, (potentiometers, switches, and buttons) These are prone to failure because of exposure to air and airborne contaminants. If you buy this mixer make sure you have a can of contact cleaner.

I use this in a recording studio. Consequently I have never used any of the onboard effects because they are just not as good as my external rack mounted processors, or my computer plugins. I suspect that these effects would be useful in sound reinforcement situations.
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3 of 3 people found the following review helpful By KHogan Productions on September 17, 2013
Verified Purchase
I love using this mixer, Ive used smaller 4-8 track mixers before and never go the right sound. With 32 different inputs, I can put several mics on a football field along with my 2-6 announcers. I keep this board in my truck, So it doesn't et moved a lot but gets used almost every day.
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3 of 3 people found the following review helpful By Mark Butler on October 10, 2013
Verified Purchase
I have a small studio in my home and this was the first thing that I got because i didn't know what I was buying but I was familiar with the name brand. I gave it a world and it really has worked for me great. I love this thing.. It is really a great product and when people come into the studio there floored at how professional things look...
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2 of 2 people found the following review helpful By John on December 23, 2012
Verified Purchase
I sense the quality of this euro desk 3242 may not be there. It arrived with a plastic volume lever that had fallen off during shipping and was found inside the packaging and put back on. Everything works but I would imagine traveling to play live shows will be a concern of loose fitting control knobs may get lost. I read this same complaint in other reviews but couldn't afford a PreSonus.
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1 of 1 people found the following review helpful By Junior phanor on March 5, 2014
Verified Purchase
Alsome this was a Great experience for and i love it. i would recommended it to anybody and everybody thank you.
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1 of 1 people found the following review helpful By Mr. P. J. Roberts on May 3, 2013
I previously owned a Behringer 2442 Eurodesk for over a decade without any problems at all. Having bought a 24 track Fostex hard disk recorder i needed 24 inputs and so i bought the SX3242FX , the added effects being something of a bonus. The desk works fine and is perfect for home studio multi tracking.However the real proof of a reliable piece of equipment is time and at this stage i can only hope this desk is as good as its predessor. If you're a prospective purchaser, i can tell you that you wont find such a well equipped mixer for anywhere near this price......and if it proves as reliable as my first behringer , wow what a buy.
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1 of 1 people found the following review helpful By Gerald Wheeland on April 1, 2013
Verified Purchase
I have used the sl 2442fx for the last 7 years and thought that they were good for the money
BUT this board (sx3242fx) is way ahead to the older boards.
I record our church services for tv cable and have a cleaner sounds and a lot less audio work
during editing.
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1 of 1 people found the following review helpful By Daniel P. Corbe on December 17, 2012
Verified Purchase
The left channel on the unit I got is a little quieter than the right channel. This can be fixed up the signal chain but it also means I can't monitor directly from the mixer. I really can't ask for more for the price, though. If it holds up for a year or two I'll be happy with the purchase.
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