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BEHRINGER EURODESK SX4882


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  • Ultra-low noise, high-headroom analog mixer for studio, live, front-of-house, monitor, corporate and touring audio applications
  • True in-line concept with 24 independent Mix-B input channels, all with individual 2-band EQ, Level, Pan and Mute
  • 24 state-of-the-art XENYX Mic Preamps with switchable +48 V phantom power
  • Neo-classic "British" 4-band EQs with 2 semi-parametric mid bands for warm and musical sound
  • 8 subgroups with independent Solo and routing functions simultaneously feed 16 multi-track outputs
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Product Details

  • Product Dimensions: 29.5 x 37 x 8.7 inches ; 64.2 pounds
  • Shipping Weight: 88 pounds
  • Shipping: Currently, item can be shipped only within the U.S.
  • Shipping Advisory: This item must be shipped separately from other items in your order. Additional shipping charges will not apply.
  • ASIN: B002C4SP3G
  • Item model number: SX4882
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (9 customer reviews)
  • Amazon Best Sellers Rank: #40,260 in Musical Instruments (See Top 100 in Musical Instruments)
  • Product Warranty: For warranty information about this product, please click here
  • Date first available at Amazon.com: July 16, 2004

Product Description

BEHRINGER EURODESK SX4882

Ultra-Low Noise Design 48/24-Input 8-Bus In-Line Mixer with XENYX Mic Preamplifiers, British EQs and Integrated Meterbridge

  • Ultra-low noise, high-headroom analog mixer for studio, live, front-of-house, monitor, corporate and touring audio applications
  • True in-line concept with 24 independent Mix-B input channels, all with individual 2-band EQ, Level, Pan and Mute
  • 24 state-of-the-art XENYX Mic Preamps with switchable +48 V phantom power
  • Neo-classic "British" 4-band EQs with 2 semi-parametric mid bands for warm and musical sound
  • 8 subgroups with independent Solo and routing functions simultaneously feed 16 multi-track outputs
  • Clip and -20 dB LEDs plus EQ In, Low Cut, Mute, Solo/PFL, Subgroup and Main routing switches on all channels
  • 6 Aux sends per channel: all switchable pre/post fader
  • Main Aux sends with Level controls and Solo functions
  • 6 multi-functional stereo Aux returns featuring Level and Balance controls, Solo and extensive routing functions
  • Solo-In-Place with PFL function plus 2 independent phones sections plus full-featured monitor and talkback section with built-in microphone
  • Comprehensive Channel, Group and Main insert points
  • Built-in meterbridge with meters for each channel, Subgroup and Main, monitoring either the channel or Tape return signal
  • Long-wearing 100-mm logarithmic-taper faders and sealed rotary controls
  • Expander port with universal jack connectors for optimal linking to other consoles
  • 2 BNC connectors for 12 V gooseneck lights
  • Internal autorange power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
  • High-quality components and exceptionally rugged construction ensure long life
  • Conceived and designed by BEHRINGER Germany
Complete Versatility

An in-line mixer is a mixer within a mixer. That's the reason you will notice this board is labeled Channels 1-24 AND Channels 25 - 48. It's really two 24-channel mixers in one. This "embedded mixer," called Mix B, is typically used in recording applications, but it has some useful live-sound features as well. In the studio, Mix B allows you to return all your multi-track tape channels back into channels on the board without losing any of your 24 main-input channels. This provides seamless playback and mixdown capabilites with just a few button pushes and no additional patching. In other words, no visible plumber-cracks or untimely delays. Live, Mix B can be used to send a totally separate 2-track mix to a recording device, separate speaker zone or out to a broadcast feed, plus it functions as an additional monitor or effects bus. One reason you'll really appreciate having the in-line mixer is simple: LIVE RECORDING. If you've ever tried to make a recording off of the board during a live show, you know how well that works (NOT!). Often input and output levels necessary for quality recording do not match the requirements of the live mix, where stage volumes factor in to the overall room sound. Getting around that issue used to require a splitter and second mixer just for recording. Now that is eliminated by having an in-line mixer in your live board.

What is an In-Line Mixer? And Why You Want One

An in-line mixer is a mixer within a mixer. That's the reason you will notice this board is labeled Channels 1-24 AND Channels 25 - 48. It's really two 24-channel mixers in one. This "embedded mixer," called Mix B, is typically used in recording applications, but it has some useful live-sound features as well. In the studio, Mix B allows you to return all your multi-track tape channels back into channels on the board without losing any of your 24 main-input channels. This provides seamless playback and mixdown capabilites with just a few button pushes and no additional patching. In other words, no visible plumber-cracks or untimely delays. Live, Mix B can be used to send a totally separate 2-track mix to a recording device, separate speaker zone or out to a broadcast feed, plus it functions as an additional monitor or effects bus. One reason you'll really appreciate having the in-line mixer is simple: LIVE RECORDING. If you've ever tried to make a recording off of the board during a live show, you know how well that works (NOT!). Often input and output levels necessary for quality recording do not match the requirements of the live mix, where stage volumes factor in to the overall room sound. Getting around that issue used to require a splitter and second mixer just for recording. Now that is eliminated by having an in-line mixer in your live board.

Va-Va-Va-Versatility! No More "Creative Patching"

Input choices and routing options are not overrated. In fact, they are essential to managing technically complex instrumentation or multiple bands all patched into the same board. And while you may not need every patching option for every show, at least you know you have every input and output option you could ever need. You will be grateful to have features like Insert points on every channel input, all Subgroups and on the Main outs. Direct Outputs on each channel are very useful too and may even make you a hero for about 5 minutes when you can provide a seemingly improbable solution by taking a direct split off the console to feed some other input source. Use your creativity where it matters most - in getting the sound and mix you want, not on brain-twisting patching compromises and channel routing puzzles. Complete versatility and accessibility is what it's all about and the SX4882 does not disappoint.

All Channels Are Indeed Created Equal

There's no scrimping and saving on this board. Every channel has every feature of every other channel. They are all the same! No more "if only" sighs of frustration to utter as you try to organize your inputs. As long as we're talking about channel strips, you might as well know that this board has a big treat in store for you: TWO bands of semiparametric mid range controls. This is two more than many boards offer and at least one more than most live sound boards. Gone is the dilemma of EQ-ing out the honk at 600 or adding a little upper-mid crispness at 2k to bring out the clarity. Now you don't have to compromise.There's no scrimping and saving on this board. Every channel has every feature of every other channel. They are all the same! No more "if only" sighs of frustration to utter as you try to organize your inputs.

Mic Pre's - the Muck Stops Here

The microphone preamp is one of the most important circuits in a mixing console. It boosts the low level microphone signal to a line-level operating level and it's the first bit of processing applied to any mic signal. No doubt you've heard the phrase, "garbage in equals garbage out." This is really true when it comes to mic preamps. Common issues with lower quality mic pres include noise, distortion, low headroom, and unimpressed fans. BEHRINGER uses high quality XENYX preamps in our professional mixers. These are ultra low noise, high headroom preamps that can hold their own, even against expensive standalone boutique-style preamps.

Buttons, Buttons, Buttons

This baby's got buttons. Do buttons look cool? Yes! Is this why they are on the board? No! They're there because you need them all! But many mixers don't have all these options, which may be why some sound technicians are missing a lot of their hair.

One word of caution: You may have to contend with adoring masses asking if you really know what all those buttons do.

PFL/SOLO capability on:

  • Every channel, pre- or post-fader option
  • Aux bus sends
  • Aux returns
  • All subgroups
  • Headphone mixes
Routing Matrix Buttons More:
  • Select switch that assigns Mix B input OR mic/line input to Main Channel strip
  • Mic/Line input select button
  • Aux Send Mix B- sends Mix B input source to Aux send
  • B-channel Flip switches Mix B input source to mirror main channel input
  • Mix B operating input level, +4dB or -10 db
  • Channel low-cut fi lter
  • Phantom power On, independent 8-channel blocks
  • Subgroup and Main Mix assignment
  • Channel mutes - on all channels 1-48, including all Mix B channels
Octo-riffic Subgroups

Having eight Subgroups give you so much flexibility you may just become a gymnast on the side. These Subgroups can be used to send eight individual tracks directly to your tape, digital interface or hard disk recorder, or they can be used as four stereo submixes. There are two parallel outputs on each subgroup, to feed up to 16 multi-track channels.

During a live show you could use four of the subgroups for instrument and vocal sub-mixing to the PA and the other four could be for a tape submix, if you choose not to use Mix B as your tape mix. For use with a stereo PA you still have 4 subgroups total to work with, and when used as a stage monitor console, the SX4882 can provide up to 16 independent monitor mixes by combining the subgroups, Aux busses, and L/R Mix B. Wicked!

In the studio, the eight Subgroups allow maximization of recording inputs by allowing several channels to be mixed down to a smaller number of recording tracks. By combining channel inputs into subgroups which go directly out to tape, you have the ability to record even more than 24 discreet inputs. Also, the outputs of the subgroups have selectable operating output levels (+4dB or -10dB) to match the inputs of your recording device.

The MeterBridge - Functionality and Stunningly Cool

Once you've had a meterbridge on deck, it's hard to go back. Essential in the studio and amazingly cool live, the meterbridge provides visual confirmation of what is going on with all your signals with just a quick glance. Each input channel, all the subgroups and the main outputs feature 12-level LEDs organized incrementally with traffic light style color coding, so you can verify input and output levels, even on the Mix B channels.

Many console manufacturers offer a meterbridge only as an expensive, optional add-on, however, the SX4882 provides it standard.The MeterBridge - Functionality and Stunningly Cool

Church Services

Running live sound in houses of worship has become a truly professional pastime with the advent of affordable, quality sound gear and the rise of congregations that require bigger and more capable sound systems. The multiple input and auxiliary send options of the SX4882 are designed to accommodate a wide variety of performance needs, large and small.

Worship services, choir, and music ensembles are easily mixed and recorded live. Go directly into your digital interface from the subgroup outs, Mix B or Main Out, right into your tracking software. CD's or DVDs can then be distributed to members of the congregation who may have trouble attending services.

Caution: your status may be elevated in the church from sound grunt to near-savior.

Corporate A/V

Corporate AV is a truly multi-media experience, where there may be many different input sources - from a laptop, MP3, CD, DVD, television, projector, or camera. The SX4882 has RCA tape in and two external 1/4" 2-track inputs, plus each channel has the choice of balanced or unbalanced, +4dB or -10dB input levels. Mix B provides additional input options for routing audio sources into the console. With 48 total channels and 82 total inputs, even the largest conventions can be accommodated. Corporate presentations often require sound reinforcement to a large room, typically with several pairs of speakers scattered throughout the auditorium. With eight subgroup outs, you have 4 sets of individual stereo controls, in addition to the main L/R out. Mix B provides an additional stereo mix, for a total of 6 separate stereo output options.

Recording Studio Features
  • 8 subgroups with dual parallel outputs to drive 8 or 16 channels of a recording device or digital interface Mix B mixer (chs. 25-48) returns tape outputs from recording device or digital interface for immediate playback, overdub tracking, and mix down. Mix B input can be assigned to Aux mixes and studio headphone mixes, and also be assigned to Main Channel or Mix B channel with flip of button.
  • 6 Stereo Aux returns - two aux returns assignable to subgroups and main mix enable Aux return signal be assigned directly to a record track. The other four returns are designed to facilitate monitoring of aux return signals and do not assign to subgroups.
  • Separate control room and studio outputs, additional external 2-track monitoring, dual independent headphone outputs, capability for four headphone mixes.
  • Built in talkback mic with volume control knob. Assign talkback mic to Aux 1, Aux 2, Studio, and Headphone mixes.
  • Tons of soloing capability all through the master output section
Live Features
  • Mix B offers separate stereo mix control for recording or broadcast feeds independent from main board mix and also provides an additional Aux bus.
  • 8 mono subgroups or 4 stereo pairs for enhanced mixing control.
  • Full LED meterbridge for enhanced monitoring capabilities and additional "wow" factor.
  • Full Solo/PFL capability throughout the console, including subgroups and Aux sends.
  • 6 Auxiliary sends for monitors and effects, all with pre-post switches and selectable between main channel or Mix B inputs. Also, 6 stereo Aux returns.
  • Insert points on all channels, subgroups, and main out.
  • Multiple input capability to accommodate a variety of sources, including three individual Tape/2-track inputs for Tape, CDs, DVDs, and MP3 players.
  • Console doubles as a discreet monitor desk capable of driving 16 independent mixes.
  • Mute buttons on every channel.
But Wait, There's More
  • 100 mm logarithmic faders and sealed rotary pots provide smooth, responsive control action and keep the snap-crackle-and-pop out your mix and out of your mixer.
  • An internal autorange variable power supply allows the console to run on voltages ranging from 100V to 240V which is very handy for cross-Atlantic tours or funky grange halls that typically have fluctuating power.
  • 2 BNC connectors for 12V gooseneck lights
  • Rugged, road-ready all-steel chassis

Customer Questions & Answers

Customer Reviews

3.9 out of 5 stars
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Most Helpful Customer Reviews

4 of 4 people found the following review helpful By Rich M8NY on November 7, 2013
I was trying to fix a old printer, when I spilled ink in the mixer from a long thought was empty ink hose, smoke and sparks. I worked on it for 3 days, and I couldn't save it. I looked to see if I could find a newer or better mixer, with more or equal inputs, bus channels and that didn't bankrupt me. Nothing came even close. Without counting the microphones, I'm using 40 of the input channels. 24 of them are connected to Delta 1010LT cards. The newest model is black, and not grey like in this photo. Even the photo on Behringers' site shows the SX4882 is black now. Other changes are that the bright blue dual power lites are red and physically smaller. Mixer seems is quieter, than my last one. I love it. Others want $600 - $2000 for just a LED meter bank. 14 resistors, 12 LEDS and IC's, cost maybe $2 a channel. No more liquids near my mixer anymore. Why 8 buss channels? So I can record 8 channels of audio at the same time through the mixer, while everyone plays along to the pre-recorded tracks. You can also record directly up to 24 channels of audio. Too many configurations can be used.
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2 of 2 people found the following review helpful By Marc G. on January 18, 2014
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For the price this blows EVERYTHING out of the water. There isn't a mixing console out there with all the versatility and features this thing has. I've had no problems with it at all; it always works seamlessly. Aside from it being a workhorse, it really adds to the look of the studio as clients always comment on it. I am very satisfied with my purchase this thing is unbelievable.
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2 of 2 people found the following review helpful By VB on March 16, 2013
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I like the many options that is available, grouping, sends, and built in mic. The mic pre-amps sound great. The faders could be a little firmer (guess I'm use to motorized faders) but sure I will get use to them. Great for my home recording studio. I lover the built in meter bridge, it helps with mixing and looks impressive. I would recommend this product.
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1 of 1 people found the following review helpful By Jon Norris TOP 1000 REVIEWERVINE VOICE on January 24, 2012
I've been using this mixer in a Distance Ed studio situation with 22 Shure 393 mics for over 6 months, and have been very pleased with it. It was the only mixer with enough channels for my use which had a reasonable price tag. The nearest competitor was 5 or 6 times as much, and my favorite mixer maker, Carvin, dropped their meter bridge models.

I got this mixer because of the meter bridge. In my application, I need to keep track of open mics, and the meter bridge with individual mic levels makes that far easier than running around physically checking each mic.

The shure 393s need phantom power, and this mixer handles that easily. The sound is good and the mixer has very low noise levels, which is vital in my application, as this mixer provides the room audio, which is then fed to another program mixer. Any noise would be a very noticeable problem in this configuration.

The build quality is generally good, although some features feel a bit cheap. The power button is in an awkward location (which might be good if people are prone to accidentally turning off your gear), and is a push-on, push-off type instead of a more sturdy rocker switch.

The faders feel a bit loose and flimsy, but seem to work well and without noise. I would not use this on the road, as I don't think the build quality is up to that. However, in a studio situation like mine, it works well and I have been very happy with its performance.

There is an ample supply of outputs and loops. I use one of the many outputs to feed a 19 inch rack mount LED audio level meter, which gives the room mic users a nice visual feedback for their levels (which has always been something of an issue in IP video conferencing).
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1 of 1 people found the following review helpful By tom on March 7, 2014
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I have only had this mixer for 5 days now, but it is quickly becoming clear that this will be a workhorse for years to come. You can fill up 6 full patch bays and still not have all of the ins and outs of this beast filled up. There are tons of routing options and the extra 24 inputs are super handy for tracking a separate mix for monitoring or running complicated FX Sends per channel through the direct output on each.

Sound Quality is more than would be expected from a Behringer product. I have owned cheaper Eurodesk models in the past that were extremely noisy and had lots of trouble with scratchy pots and faders as time went on. Only time will tell if this model does the same, but there is an extremely low noise floor on this bad boy with incredibly high headroom. The only thing i wish this had was a digital out to connect to a cpu for direct printing into the digital environment.

I will add an updated review once i get some hours behind this board, but for now.....5 Stars
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